Finvarra

Last updated

Finvarra, also called Finvara, [1] Finn Bheara, [2] Finbeara [3] or Fionnbharr, [4] is the king of the Daoine Sidhe of western Ireland in Irish folklore. In some legends, he is also the ruler of the dead. [5] Finvarra is a benevolent figure, associated with horses, who ensures good harvests and rewards mortals with riches. [6]

Contents

Location

According to legend, Finvarra lives beneath Cnoc Meadha or Knockma, a hill near Tuam in County Galway; this hill was traditionally associated with the fairies. There is a cairn on the hill, marked as "Finvarra's castle" on at least one map. [7]

Dáithí Ó hÓgáin suggests that Finvarra's name comes from findbharr, “fair top,” originally referring to the top of the hill or a cairn there, and was later repurposed as the name of a deity who lived there. [8]

Mythology

Fionnbharr plays a role in the Fenian Cycle and in bardic poetry, where he is one of the Tuatha Dé Danann. Findbharr of Cnoc Meadha is mentioned in the Agallamh na Seanoach (12th century). [8] In Altram Tighe Dá Mheadar (The Fosterage of the House of the Two Drinking Vessels), Finnbarr Meadha is one of the Dé Dananns, who becomes ruler of the hill of Meadha after they are driven underground by the Milesians. He has a violent argument with his brother Oengus after insulting one of Oengus's foster-daughters. He has seventeen sons according to the Acallam na Senórach , [9] and in one poem it is said that Manannán gave him a wonderful harp named Brégadh Banntrachta. [10]

In the 15th-century Feis Tighe Chondin (The Feast of the House of Conán), Fionnbharr of Magh Feabhail is king of the "Tuatha Dedanans" and leads an army against Fionn mac Cumhaill and the Fenians only to fall in battle at the hands of Goll. [11]

Folk belief

Legends of Finvarra and his connection with Knockma survived into later folklore, where he was considered the king of the fairies, particularly of Connacht. [12] Local beliefs held that the doings of the fairies influenced the local crops. Whenever Finvarra lived in the hill it was a good year for the country, and when he was absent, it would be a bad year. [2] His battles and hurling matches affected the health of the crops; when his people defeated the fairies of other provinces, the crops of Connacht bloomed. [8] There was a rivalry between the Munster fairy king and Finvarra. Famine was attributed to disturbances in the fairy world, and one folk informant claimed to have seen the "good people" fighting in the sky over Knock Ma. [1] According to many tales, Finvarra would invite humans into his underground palace for feasts. [8] [3]

Finvarra has a beautiful queen named Onagh or Una, [13] or other versions, Nuala. [3] [14] However, he often steals away human women as lovers. In the story of "Ethna the Bride," Finvarra kidnaps Ethna, the loveliest woman in Ireland. Her husband is able to win her back by digging into the fairy hill of Knockma and salting the earth. Ethna returns but falls into a deep sleep since Finvarra has kept her soul. Her husband revives her by removing a girdle and fairy pin that she had been dressed in by the fairies. [15] With Finvarra's role as a ruler of the dead, this story bears a resemblance to the ballad of Sir Orfeo. [5] It also has similarities to the story of Midir and Étaín.

In another story, a man who foolishly stays out late on Halloween is swept along with a group of fairies on their way to a fair. He meets their king Finvarra and his wife, and realizes that the people around him are spirits of the dead. They force him to dance until he passes out, and he wakes up the next morning in a stone circle, covered in bruises. [16]

Finnbheara can also be benevolent in folk legends, such as one where he heals a woman. He is strongly associated with horses. In one story, he goes to a blacksmith to have his three-legged horse shod, and the next day a pound note flies to the blacksmith on the wind. [17] In another tradition, Finvar watched over the Kirwan family who lived in Castle Hackett near Knockma. Finvar and his people would carouse and drink in the Castle cellars, but left the cellars always well-stocked and the wine improved. They would also exercise the race-horses late at night, granting them speed and good fortune in the races. [18] In another story, a member of the Hacket family was unable to find a good jockey for a race, so Finnbheara himself appeared, rode the horse, and disappeared after winning the race. [8]

Related Research Articles

<span class="mw-page-title-main">Banshee</span> Female spirit in Irish mythology

A banshee is a female spirit in Irish folklore who heralds the death of a family member, usually by screaming, wailing, shrieking, or keening. Her name is connected to the mythologically important tumuli or "mounds" that dot the Irish countryside, which are known as síde in Old Irish.

<span class="mw-page-title-main">Donn</span> Figure in Irish mythology

In Irish mythology, Donn is an ancestor of the Gaels and is believed to have been a god of the dead. Donn is said to dwell in Tech Duinn, where the souls of the dead gather. He may have originally been an aspect of the Dagda. Folklore about Donn survived into the modern era in parts of Ireland, in which he is said to be a phantom horseman riding a white horse.

<span class="mw-page-title-main">Irish mythology</span> Pre-Christian mythology of Ireland

Irish mythology is the body of myths native to the island of Ireland. It was originally passed down orally in the prehistoric era, being part of ancient Celtic religion. Many myths were later written down in the early medieval era by Christian scribes, who modified and Christianized them to some extent. This body of myths is the largest and best preserved of all the branches of Celtic mythology. The tales and themes continued to be developed over time, and the oral tradition continued in Irish folklore alongside the written tradition, but the main themes and characters remained largely consistent.

<span class="mw-page-title-main">Lugh</span> Irish god of skills and the arts

Lugh or Lug is a figure in Irish mythology. A member of the Tuatha Dé Danann, a group of supernatural beings, Lugh is portrayed as a warrior, a king, a master craftsman and a savior. He is associated with skill and mastery in multiple disciplines, including the arts. Lugh also has associations with oaths, truth and the law, and therefore with rightful kingship. Lugh is linked with the harvest festival of Lughnasadh, which bears his name. His most common epithets are Lámfada[ˈl̪ˠaːw ad̪ˠə] and Samildánach[ˈsˠawˠil d̪ˠaːnˠəxˠ].

<i>Aos Sí</i> Supernatural race in Irish and Scottish mythology

Aos sí is the Irish name for a supernatural race in Celtic mythology – spelled sìth by the Scots, but pronounced the same – comparable to fairies or elves. They are said to descend from the Tuatha Dé Danann, meaning the "People of Danu", depending on the Abrahamic or pagan tradition.

<span class="mw-page-title-main">Tuatha Dé Danann</span> Pantheon of pre-Christian Ireland

The TuathaDé Danann, also known by the earlier name Tuath Dé, are a supernatural race in Irish mythology. Many of them are thought to represent deities of pre-Christian Gaelic Ireland.

The Dagda is an important god in Irish mythology. One of the Tuatha Dé Danann, the Dagda is portrayed as a father-figure, king, and druid. He is associated with fertility, agriculture, manliness and strength, as well as magic, druidry and wisdom. He can control life and death, the weather and crops, as well as time and the seasons.

<span class="mw-page-title-main">Aengus</span> Irish god of youth, love, and poetic inspiration

In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love, summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc, and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. He plays a central role in five Irish myths.

In Irish mythology, *Danu is an obscure figure of Irish mythology, whose sole attestation is in the genitive in the name of the Tuatha dé Danann. Though primarily seen as an ancestral figure, some Victorian sources also associate her with the land.

In Irish mythology, Bodb Derg or Bodhbh Dearg was a son of Eochaid Garb or the Dagda, and the Dagda's successor as King of the Tuatha Dé Danann.

<span class="mw-page-title-main">Fomorians</span> Supernatural race in Irish mythology

The Fomorians or Fomori are a supernatural race in Irish mythology, who are often portrayed as hostile and monstrous beings. Originally they were said to come from under the sea or the earth. Later, they were portrayed as sea raiders and giants. They are enemies of Ireland's first settlers and opponents of the Tuatha Dé Danann, the other supernatural race in Irish mythology; although some members of the two races have offspring. The Tuath Dé defeat the Fomorians in the Battle of Mag Tuired. This has been likened to other Indo-European myths of a war between gods, such as the Æsir and Vanir in Norse mythology and the Olympians and Titans in Greek mythology.

<span class="mw-page-title-main">Nemed</span>

Nemed or Nimeth is a character in medieval Irish legend. According to the Lebor Gabála Érenn, he was the leader of the third group of people to settle in Ireland: the Muintir Nemid, Clann Nemid or "Nemedians". They arrived thirty years after the Muintir Partholóin, their predecessors, had died out. Nemed eventually dies of plague and his people are oppressed by the Fomorians. They rise up against the Fomorians, attacking their tower out at sea, but most are killed and the survivors leave Ireland. Their descendants become the Fir Bolg and the Tuatha Dé Danann.

<span class="mw-page-title-main">Leprechaun</span> Irish legendary creature

A leprechaun is a diminutive supernatural being in Irish folklore, classed by some as a type of solitary fairy. They are usually depicted as little bearded men, wearing a coat and hat, who partake in mischief. In later times, they have been depicted as shoe-makers who have a hidden pot of gold at the end of the rainbow.

<span class="mw-page-title-main">Míl Espáine</span> Mythical ancestor of the final inhabitants of Ireland

In Irish origin myths, Míl Espáine or Míl Espáne is the mythical ancestor of the final inhabitants of Ireland, the "sons of Míl" or Milesians, who represent the vast majority of the Irish Gaels. His father was Bile, son of Breogan. Modern historians believe he is a creation of medieval Irish Christian writers.

<span class="mw-page-title-main">Irish folklore</span> Folk culture of Ireland

Irish folklore refers to the folktales, balladry, music, dance, and so forth, ultimately, all of folk culture.

<span class="mw-page-title-main">Gancanagh</span>

A gancanagh is a male fairy from the mythology of Northern Ireland, known for seducing women.

<span class="mw-page-title-main">Celtic Otherworld</span> Realm of the deities in Celtic mythology

In Celtic mythology, the Otherworld is the realm of the deities and possibly also the dead. In Gaelic and Brittonic myth it is usually a supernatural realm of everlasting youth, beauty, health, abundance and joy. It is described either as a parallel world that exists alongside our own, or as a heavenly land beyond the sea or under the earth. The Otherworld is usually elusive, but various mythical heroes visit it either through chance or after being invited by one of its residents. They often reach it by entering ancient burial mounds or caves, or by going under water or across the western sea. Sometimes, they suddenly find themselves in the Otherworld with the appearance of a magic mist, supernatural beings or unusual animals. An otherworldly woman may invite the hero into the Otherworld by offering an apple or a silver apple branch, or a ball of thread to follow as it unwinds.

<span class="mw-page-title-main">Slievenamon</span> Mountain in Tipperary, Ireland

Slievenamon or Slievenaman is a mountain with a height of 721 metres (2,365 ft) in County Tipperary, Ireland. It rises from a plain that includes the towns of Fethard, Clonmel and Carrick-on-Suir. The mountain is steeped in folklore and is associated with Fionn mac Cumhaill. On its summit are the remains of ancient burial cairns, which were seen as portals to the Otherworld. Much of its lower slopes are wooded, and formerly most of the mountain was covered in woodland. A low hill attached to Slievenamon, Carrigmaclear, was the site of a battle during the Irish Rebellion of 1798.

<span class="mw-page-title-main">Leanan sídhe</span> Spirit figure in Irish folklore

The leannán sídhe is a figure from Irish Folklore. She is depicted as a beautiful woman of the Aos Sí who takes a human lover. Lovers of the leannán sídhe are said to live brief, though highly inspired, lives. The name comes from the Gaelic words for a sweetheart, lover, or concubine and the term for inhabitants of fairy mounds (fairy). While the leannán sídhe is most often depicted as a female fairy, there is at least one reference to a male leannán sídhe troubling a mortal woman.

<span class="mw-page-title-main">Fairy Queen</span> Figure from Irish and British folklore, believed to rule the fairies

In folklore and literature, the Fairy Queen or Queen of the Fairies is a female ruler of the fairies, sometimes but not always paired with a king. Depending on the work, she may be named or unnamed; Titania and Mab are two frequently used names. Numerous characters, goddesses or folkloric spirits worldwide have been labeled as Fairy Queens.

References

  1. 1 2 Evans-Wentz, Walter Yeeling (1911). The Fairy-faith in Celtic Countries. H. Frowde. pp. 42–44. ISBN   9781530177868.
  2. 1 2 Mac Neill, Eoin (1919). Phases of Irish History. Gill and Son. p. 87.
  3. 1 2 3 Hyde, Douglas (1910). Beside the Fire: A Collection of Irish Gaelic Folk Stories. D. Nutt. pp. 86–87.
  4. Transactions of the Ossianic Society for the Year 1854, Volume 2. Dublin: Printed under the direction of the Council. 1855. p. 187.
  5. 1 2 Briggs, Katharine Mary (1976). An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures. Pantheon Books. pp. 125–127.
  6. MacKillop, James (1998). Dictionary of Celtic Mythology. Oxford University Press. p. 201.
  7. Royal Society of Antiquaries of Ireland (1905). The Journal of the Royal Society of Antiquaries of Ireland. Vol. 35. The Society. p. 34.
  8. 1 2 3 4 5 O hOgáin, Dáithí (2006). The Lore of Ireland: An Encyclopaedia of Myth, Legend and Romance. Boydell Press. pp. 234–235.
  9. Éigse: A Journal of Irish Studies. Vol. 7. National University of Ireland. 1953. p. 91.
  10. Bergin, Osborn (1923). "Unpublished Irish Poems XXII. To a Harp". Studies. 12: 277.
  11. Transactions of the Ossianic Society for the Year 1854. Vol. II. Printed under the direction of the Council. 1855. pp. 187, 195.
  12. Squire, Charles (1905). The Mythology Of The British Islands. Blackie and Son Limited. pp. 136, 212, 243.
  13. Wilde, Francesca (1887). Ancient Legends, Mystic Charms, and Superstitions of Ireland, Volume 1. Ticknor and Company. p. 252.
  14. Evans-Wentz, Walter Yeeling (1911). The Fairy-faith in Celtic Countries. H. Frowde. p. 28. ISBN   9781530177868.
  15. Wilde, Francesca (1887). Ancient Legends, Mystic Charms, and Superstitions of Ireland, Volume 1. Ticknor and Company. pp. 77–82.
  16. Wilde, Francesca (1887). Ancient Legends, Mystic Charms, and Superstitions of Ireland, Volume 1. Ticknor and Company. pp. 145–148.
  17. Ó Súilleabháín, Seán (1942). A Handbook of Irish Folklore. Educational Company of Ireland. pp. 452–3, 495–6.
  18. "Fairy Mythology of Ireland". The Dublin University Magazine, A Literary and Political Journal. 63: 647. June 1864 via HathiTrust.