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The Immortal Game was a chess game played in 1851 by Adolf Anderssen and Lionel Kieseritzky. It was played while the London 1851 chess tournament was in progress, an event in which both players participated. The Immortal Game was itself a casual game, however, not played as part of the tournament. Anderssen won the game by allowing a double rook sacrifice, a major loss of material , while also developing a mating attack with his remaining minor pieces . Despite losing the game, Kieseritzky was impressed with Anderssen's performance. Shortly after it was played, Kieseritzky published the game in La Régence, a French chess journal which he helped to edit. In 1855, Ernst Falkbeer published an analysis of the game, describing it for the first time with its namesake "immortal".
The Immortal Game is among the most famous chess games ever played. As a miniature game, it is frequently reproduced in chess literature to teach simple themes of gameplay. Although Kieseritzsky himself indicated that the game ended before checkmate, the Immortal Game is frequently reproduced with a brief continuation involving a queen sacrifice—a further loss of material—leading to checkmate. This continuation is commonly presented as part of the complete game, as if the final moves were actually played as part of the real historical game. Some authors also permute certain moves, deviating from Kieseritzky's report, although such permutations typically give rise to a transposition in which a distinct line of play eventually returns to the moves and positions reported by Kieseritzky.
Although both players made moves which are regarded as unsound by modern players, the game is appreciated as an example of the romantic school of chess, a style of play which prized bold attacks and sacrifices over deep strategy. The game—especially its mating continuation—is also appreciated for its aesthetic value, as a plausible example of how a player with a significant material deficit can give mate, provided that an advantageous position exists. The continuation's mating position is a model mate, a strong form of pure mate in which all of the attacker's remaining pieces contribute to the checkmate, while the mated king is prevented from moving to any other square for exactly one reason per square. In 1996, Bill Hartston called the game an achievement "perhaps unparalleled in chess literature". [1]
Anderssen was one of the strongest players of his time, and many consider him to have been the world's strongest player after his victory in the London 1851 chess tournament. Kieseritzky lived in France much of his life, where he gave chess lessons and played games for five francs an hour at the Café de la Régence in Paris. His strength was shown most favourably when giving substantial odds to weak players; against masters, he was less convincing.
The Immortal Game was an informal one, played during a break in a formal tournament in London; the exact venue is uncertain. [2] Kieseritzky was very impressed with Anderssen's performance; after the game was over, Kieseritzky telegraphed the moves of the game to his Parisian chess club. The French chess magazine La Régence published the game in July 1851. The Austrian Ernst Falkbeer nicknamed it "The Immortal Game" in 1855. [3]
This game is acclaimed as an exemplar of the 19th-century romantic style of chess, where rapid development and attack were considered the most effective way to win, many gambits and countergambits were offered (and not accepting them would be considered slightly ungentlemanly), and material was often held in contempt. These games, with their rapid attacks and counterattacks, are often entertaining to review, even if some of the moves are no longer considered optimal.
In this game, Anderssen won despite sacrificing a bishop (on move 11), both rooks (starting on move 18), and the queen (on move 22) to produce checkmate against Kieseritzky, who lost only three pawns. Anderssen later demonstrated the same kind of approach in the Evergreen Game.
Some published versions of the game have errors, as described in the annotations below.
Shortly after the game was played, Kieseritzky is believed [4] to have telegraphed a report of the game to La Régence, a French chess journal which he helped to edit. The game was reported in an 1851 issue of the journal, with the piece attributed to Kieseritzky himself. La Régence used an "obscure" [5] and prototypical form of algebraic notation to record chess games. Pawns were denoted using lowercase letters indicating their starting files (a–h), while pieces were denoted using uppercase letters to indicate same (A–H). Squares were described beginning with their rank, then file, e.g. the square "e4" was instead described as "45".
The game has been republished many times, often with inconsistencies about the order of moves.
White: Adolf Anderssen [7] Black: Lionel Kieseritzky Opening: King's Gambit Accepted: Bishop's Gambit, Bryan Countergambit ( ECO C33)
1. e4 e5 2. f4
2... exf4 3. Bc4
a | b | c | d | e | f | g | h | ||
8 | 8 | ||||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
3... Qh4+ 4. Kf1 b5?! (diagram)
5. Bxb5 Nf6 6. Nf3
6... Qh6 7. d3
7... Nh5
8. Nh4 Qg5
9. Nf5 c6
a | b | c | d | e | f | g | h | ||
8 | 8 | ||||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
10. g4? Nf6 11. Rg1! (diagram)
11... cxb5?
12. h4!
12... Qg6 13. h5 Qg5 14. Qf3
14... Ng8
15. Bxf4 Qf6 16. Nc3 Bc5
17. Nd5
a | b | c | d | e | f | g | h | ||
8 | 8 | ||||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
17... Qxb2 (diagram)
18. Bd6!
18... Bxg1?
19. e5!
19... Qxa1+ 20. Ke2
20... Na6
a | b | c | d | e | f | g | h | ||
8 | 8 | ||||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
21. Nxg7+ Kd8 22. Qf6+! (diagram)
a | b | c | d | e | f | g | h | ||
8 | 8 | ||||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
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