An illustration to Tsiolkovsky's educational science fiction story On the Moon (1893)
Russian cosmism, also cosmism, is a later term[1] for philosophical and cultural movement that emerged in Russia at the turn of the 19th century, and again, at the beginning of the 20th century. At the beginning of the 20th century, there was a burst of scientific investigation into interplanetary travel, largely driven by fiction writers such as Jules Verne and H. G. Wells as well as philosophical movements like the Russian cosmism.
The Culture of Health is the basic science about Spiritual Humanity. It studies the perspectives of harmonious development of Spiritual man and Spiritual ethnos as a conscious creator of the State of Light into the territory of the Solar System
Cosmism was one of the influences on Proletkult, and after the October Revolution, the term came to be applied to "...the poetry of such writers as Mikhail Gerasimov and Vladimir Kirillov...: emotional paeans to physical labor, machines, and the collective of industrial workers ... organized around the image of the universal 'Proletarian', who strides forth from the earth to conquer planets and stars."[5] This form of cosmism, along with the writings of Nikolai Fyodorov, was a strong influence on Andrei Platonov.[2]
Russian Cosmism can be divided into two categories: scientific and philosophical.[8] While the scientific branch is naturalistic, the philosophical branch is mystical and metaphysical, yet both branches are inherently spiritual. This is particularly evident among early Russian Cosmists who followed in the footsteps of spiritual thinkers like Fyodorov and Solovyov. For a more nuanced categorization, there is often a third category mentioned by scholars: the artistic branch.[9]
Nikolai Fyodorovich Fyodorov (1828–1903), who is regarded as the father of Russian Cosmism, is its most representative figure. The major idea associated with Fyodorov is the philosophy of Humankind's Common Task, which meant "to regulate the forces of nature, to defeat death and bring ancestors back to life so that they too would participate in the general resurrection."[10]
This idea was so central to his philosophy that "whatever topic he wrote about, Fedorov brought in his main idea of the Common Task—how to achieve universal brotherhood, rationalise nature instead of merely exploiting her bounties, overcome death, resurrect the ancestors and create a united humanity worthy of governing the universe."[11] The sense of urgency for uniting for a common task is a theme that exists in one way or another in the works of all Russian Cosmists.
The Artistic Branch
Alexander Scriabin, who was inspired by the Russian Cosmist ideas of his day, sought to unite humanity for a common task much like Fyodorov. He can be regarded as the most representative member of the artistic branch of Russian Cosmism.[12] Scriabin's vision was to use artistic means to achieve Cosmist ends. His artistic vision, which was grounded in philosophy and spirituality, can be most clearly observed in his project Mysterium.
Konstantin Tsiolkovsky (1857–1935) was among the pioneers of theoretical space exploration and cosmonautics. In 1903, Tsiolkovsky published the first serious scientific work on space travel. His work was essentially unknown outside the Russian Empire, but inside the country it inspired further research, experimentation and the formation of the Society for Studies of Interplanetary Spaceflight.[13] Tsiolkovsky wrote a book called "The Will of the Universe; Unknown Intelligent Forces" in which he propounded a philosophy of panpsychism. He believed humans would eventually colonize the Milky Way. His thought preceded the Space Age by several decades, and some of what he foresaw in his imagination has come into being since his death. Tsiolkovsky did not believe in traditional religious cosmology, but instead he believed in a cosmic being that governed humans.[14]
Other Cosmists
Alexander Bogdanov (1873-1928) was a Russian and later Soviet physician, philosopher, science fiction writer, and Bolshevik revolutionary. His wide scientific and medical interests ranged from the universal systems theory to the possibility of human rejuvenation through blood transfusion. He saw heterochronic blood transfusions as an alliance of solidarity between the generations, where the old benefited from the rejuvenating effects of the young blood, while the young received immunities from the elders blood. Ironically, he died as a result of a hemolytic transfusion reaction. His successors put Russia in the forefront of the development of centralized national blood transfusion services.[15]
The outstanding Russian palaeontologist and sci-fi writer Ivan Yefremov developed the ideas of cosmism and has concluded that the communism is a necessary structure of the future society, which wants to survive in space. The successor of the traditions of Ivan Yefremov was a geologist and sci-fi writer Alexander Shalimov. The astrophysicist Nikolai Aleksandrovich Kozyrev was the discoverer of Lunar tectonic activity (1959) and author of Causal Mechanics/Theory of Time.
↑ Гачева, Анастасия. 2019. Русский Космизм в Идеях и Лицах. Москва: Академический проект, 3.
↑ Bezgodov, Aleksandr, and Konstantin Barezhev. 2019. The Origins of Planetary Ethics in the Philosophy of Russian Cosmism. Xlibris, p. 93.
↑ Elisabeth Koutaissoff and Marilyn Minto. "Introduction". In What Was Man Created For? The Philosophy of the Common Task. Lausanne: Honeyglen Publishing/L’Age d’Homme, p. 12.
↑ Elisabeth Koutaissoff and Marilyn Minto. "Introduction". In What Was Man Created For? The Philosophy of the Common Task. Lausanne: Honeyglen Publishing/L’Age d’Homme, p. 18.
↑ Huestis, Douglas. (2007). Alexander Bogdanov: The Forgotten Pioneer of Blood Transfusion. Transfusion medicine reviews. 21. 337-40. 10.1016/j.tmrv.2007.05.008.
↑ Soiuz Pisatelei, Soviet literature, Issues 1-6, p 188, Foreign Languages Publishing House, 1982.
↑ James T. Andrews, “Red cosmos: K.E. Tsiolkovskii, grandfather of Soviet rocketry”, Issue 18 Centennial of Flight Series, p 114, Texas A&M University Press, 2009, ISBN1-60344-168-9, ISBN978-1-60344-168-1
Nikolai Fyodorov: Studien zu Leben, Werk und Wirkung (Nikolai Fyodorov: Studies to His Life, Works and His Influence) :by Michael Hagemeister:(München: Sagner, 1989): ISBN3-87690-461-7:Originally presented as the author's thesis (doctoral) — Philipps-Universität Marburg, 1989.
Michael Hagemeister: "Russian Cosmism in the 1920s and Today". In: Bernice G. Rosenthal (ed.): The Occult in Russian and Soviet Culture (Ithaca, London: Cornell UP, 1997), pp.185–202.
Frédéric Tremblay: "George M. Young, The Russian Cosmists, Oxford University Press, 2012, x + 280 pp.", Slavonic and East European Review, vol. 94, n. 1, pp.155–158.
Konstantin Eduardovich Tsiolkovsky was a Russian and Soviet rocket scientist who pioneered astronautics. Along with Hermann Oberth and Robert H. Goddard, he is one of the pioneers of space flight and the founding father of modern rocketry and astronautics. His works later inspired Wernher von Braun and leading Soviet rocket engineers Sergei Korolev and Valentin Glushko, who contributed to the success of the Soviet space program. Tsiolkovsky spent most of his life in a log house on the outskirts of Kaluga, about 200 km (120 mi) southwest of Moscow. A recluse by nature, his unusual habits made him seem bizarre to his fellow townsfolk.
Nikolai Konstantinovich Rerikh, better known as Nicholas Roerich, was a Russian painter, writer, archaeologist, theosophist, philosopher, and public figure. In his youth he was influenced by Russian Symbolism, a movement in Russian society centered on the spiritual. He was interested in hypnosis and other spiritual practices and his paintings are said to have hypnotic expression.
Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. Scriabin found significant appeal in the concept of Gesamtkunstwerk as well as synesthesia, and associated colours with the various harmonic tones of his scale, while his colour-coded circle of fifths was also inspired by theosophy. He is often considered the main Russian Symbolist composer and a major representative of the Russian Silver Age.
Nikolai Alexandrovich Berdyaev was a Russian philosopher, theologian, and Christian existentialist who emphasized the existential spiritual significance of human freedom and the human person. Alternative historical spellings of his surname in English include "Berdiaev" and "Berdiaeff", and of his given name "Nicolas" and "Nicholas".
Helena Ivanovna Roerich was a Russian theosophist, writer, and public figure. In the early 20th century, she created, in cooperation with the Teachers of the East, a philosophic teaching of Living Ethics. She was an organizer and participant of cultural activity in the U.S., conducted under the guidance of her husband, Nicholas Roerich. Along with her husband, she took part in expeditions of hard-to-reach and little-investigated regions of Central Asia. She was an Honorary President-Founder of the Institute of Himalayan Studies "Urusvati" in India and co-author of the idea of the International Treaty for Protection of Artistic and Scientific Institutions and Historical Monuments. She translated two volumes of the Secret Doctrine of H. P. Blavatsky, and selected Mahatma's Letters, from English to Russian.
Nikolai Fyodorovich Fyodorov, known in his family as Nikolai Pavlovich Gagarin, was a Russian Orthodox Christian philosopher, religious thinker and futurologist, library science figure and an innovative educator. He started the movement of Russian cosmism which was a precursor of transhumanism.
Michael Hagemeister is a German historian and Slavist, an authority on The Protocols of the Elders of Zion and on Sergei Nilus.
The Monument to the Conquerors of Space is a giant obelisk erected in Moscow in 1964 to celebrate achievements of the Soviet people in space exploration. It depicts a starting rocket that rises on its exhaust plume.
Russian philosophy is a collective name for the philosophical heritage of Russian thinkers.
Agni Yoga or the Living Ethics, or the Teaching of Life, is a Neo-Theosophical religious doctrine transmitted by Helena Roerich and Nicholas Roerich from 1920. The term Agni Yoga means "Mergence with Divine Fire" or "Path to Mergence with Divine Fire". This term was introduced by the Roerichs. The followers of Agni Yoga believe that the teaching was given to the Roerich family and their associates by Master Morya, the guru of the Roerichs and of Helena Blavatsky, one of the founders of the modern Theosophical movement and of the Theosophical Society.
Alexander Aleksandrovich Bogdanov, born Alexander Malinovsky, was a Russian and later Soviet physician, philosopher, science fiction writer and Bolshevik revolutionary. He was a polymath who pioneered blood transfusion and general systems theory and made important contributions to cybernetics.
Roerichism or Rerikhism is a spiritual, cultural and social movement that emerged in the United States in the first half of the twentieth century, though it has been described as a "thoroughly Russian new religious movement", due to its close connection with Russia.
Pyotr Petrovich Fyodorov is a Russian actor. He is known for playing the role of Guy Gaal in The Inhabited Island, Gromov in Stalingrad and Yakovlev in The Duelist.
Victor Andreevich Skumin is a Russian and Soviet scientist, psychiatrist, philosopher and writer.
Sergey Petrovich Fedorov was a Russian Empire surgeon-urologist, professor of the Imperial Military Medical Academy (1903) and the Imperial Court Surgeon (1913). He is considered the founder of the largest national school of surgery and "the father of Russian urology".
Yoga has been practised in Russia since the actor Constantin Stanislavski made extensive use of Hatha Yoga in his system for training actors in the 1910s.
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