"'Til Tomorrow" | ||||
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Single by Marvin Gaye | ||||
from the album Midnight Love | ||||
B-side | "Rockin' After Midnight" | |||
Released | February 1983 | |||
Recorded | August 1982 at Studio Katy, (Ohain, Belgium) Arco Studios, (Munich, Germany) | |||
Genre | R&B, soul | |||
Length | 4:57 | |||
Label | Columbia | |||
Songwriter(s) | Marvin Gaye | |||
Producer(s) | Marvin Gaye | |||
Marvin Gaye singles chronology | ||||
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"'Til Tomorrow" is a 1982 R&B/soul quiet storm-styled song recorded by American singer Marvin Gaye. The song was the second US single off Midnight Love released in February 1983. The release also served as a promotional song as Gaye prepped for a U.S. tour in the year of its release.
Released on his Midnight Love album, it was the sole ballad in the album, which focused mainly on funk rhythms and dance material. Gaye was the sole lyricist of the song. When asked how the lyrics of the song seemed more primitive than Gaye's previous ballads, the singer said he had run out of ideas on lyrics. The song is described as a bare-bones song with "heavenly scat riffs". Gaye provides accentuated doo-wop harmonies in the background while delivering both a jazzy-inspired baritone and a gospel-inflected tenor with falsetto stuck in the middle of it. The original demo of the song (titled "Baby, Baby, Baby") showcased the frustration Gaye was going through during the recording of Midnight Love. The spoken intro by Gaye was later modified by the singer while mention of the word "shit" was also taken off of the final track as was extra lyrics added during the saxophone solo provided by Bobby Stern. The song was later covered by Chico DeBarge.
Billboard called it "an intricate composition with some startling chords in the instrumental arrangements and harmonies." [1]
The song was issued as a single mainly for R&B radio while Gaye was prepping for his upcoming "Sexual Healing" tour, which took place in April 1983. Due to strong initial airplay, the song peaked at number thirty-one on the R&B singles chart.
Marvin Pentz Gay Jr., who also spelled his surname as Gaye, was an American R&B and soul singer. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul".
What's Going On is the eleventh studio album by American soul singer Marvin Gaye. It was released on May 21, 1971, by the Motown Records subsidiary label Tamla. Recorded between 1970 and 1971 in sessions at Hitsville U.S.A., Golden World, and United Sound Studios in Detroit, and at The Sound Factory in West Hollywood, California, it was Gaye's first album to credit him as a producer and to credit Motown's in-house studio band, the session musicians known as the Funk Brothers.
"Sexual Healing" is a song recorded by American singer Marvin Gaye from his seventeenth and final studio album, Midnight Love (1982). It was his first single since his exit from his long-term record label Motown earlier in the year, following the release of the In Our Lifetime (1981) album the previous year. It peaked at No. 3 on the Billboard Hot 100 and is listed at number 198 on Rolling Stone's list of 500 Greatest Songs of All Time. "Sexual Healing" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 94 beats per minute.
"Got to Give It Up" is a song by American music artist Marvin Gaye. Written by the singer and produced by Art Stewart as a response to a request from Gaye's record label that he perform disco music, it was released in March 1977.
"Mercy Mercy Me (The Ecology)" is the second single from Marvin Gaye's 1971 album, What's Going On. Following the breakthrough of the title track's success, the song, written solely by Gaye, became regarded as one of popular music's most poignant anthems of sorrow regarding the environment. Led by Gaye playing piano, strings conducted by Paul Riser and David Van De Pitte, multi-tracking vocals from Gaye and The Andantes, multiple background instruments provided by The Funk Brothers and a leading sax solo by Wild Bill Moore, the song rose to number 4 on Billboard's Pop Singles chart and number one for two weeks on the R&B Singles charts on August 14 through to August 27, 1971. The distinctive percussive sound heard on the track was a wood block struck by a rubber mallet, drenched in studio reverb. The song also brought Gaye one of his rare appearances on the Adult Contemporary chart, where it peaked at number 34. In Canada, "Mercy Mercy Me" spent two weeks at number 9.
"Hitch Hike" is a 1962 song by Marvin Gaye, released on the Tamla label. Another song Gaye co-wrote.
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The Originals, often called "Motown's best-kept secret", were a successful Motown R&B and soul group during the late 1960s and the 1970s, most notable for the hits "Baby I'm for Real", "The Bells", and the disco classic "Down to Love Town." Formed in 1966, the group originally consisted of baritone singer Freddie Gorman, tenor/falsetto Walter Gaines, and tenors C. P. Spencer and Hank Dixon. Ty Hunter replaced Spencer when he left to go solo in the early 1970s. They had all previously sung in other Detroit groups, Spencer having been an original member of the (Detroit) Spinners and Hunter having sung with the Supremes member Scherrie Payne in the group Glass House. Spencer, Gaines, Hunter, and Dixon were also members of the Voice Masters. As a member of the Holland–Dozier–Gorman writing-production team, Gorman was one of the co-writers of Motown's first number 1 pop hit "Please Mr. Postman", recorded by the Marvelettes. In 1964 the Beatles released their version and in 1975 the Carpenters took it to number 1 again. This was the second time in pop history that a song had reached number 1 twice as "The Twist" by Chubby Checker, reached number 1 in both 1960 and 1961. In 2006, "Please Mr. Postman" was inducted into the Songwriters Hall of Fame.
Midnight Love is the seventeenth studio album by Marvin Gaye and the final album to be released during his lifetime. He signed with the label Columbia in March 1982 following his exit from Motown.
In Our Lifetime? is the sixteenth studio album by soul musician Marvin Gaye, released January 15, 1981, on Motown label Tamla Records. Recording sessions for the album took place at Marvin's Room in Los Angeles, California, Seawest Recording Studio in Honolulu, Hawaii, and at Odyssey Studios in London, England, throughout 1979 and 1980. The album cover was designed by Neil Breeden. Gaye's final album for Motown before leaving for Columbia Records, the album was the follow-up to the commercial failure of Here, My Dear, a double album which chronicled the singer's divorce from Anna Gordy. Entirely written, produced, arranged, and mixed by Gaye, In Our Lifetime? was a departure for Gaye from the disco stylings of his previous two studio efforts and was seen as one of the best albums of the singer's late-Motown period.
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Live at the London Palladium is a live double album by soul musician Marvin Gaye, released March 15, 1977, on Tamla Records. Recording sessions took place live at several concerts at the London Palladium in London, England, in October 1976, with the exception of the hit single "Got to Give It Up", which was recorded at Gaye's Los Angeles studio Marvin's Room on January 31, 1977. Live at the London Palladium features intimate performances by Gaye of many of his career highlights, including early hits for Motown and recent material from his previous three studio albums. As with his previous live album, Marvin Gaye Live!, production of the record was handled entirely by Gaye, except for the studio portion, "Got to Give It Up", which was managed by Art Stewart.
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"Ego Tripping Out" is a 1979 funk-styled dance record released by American soul singer Marvin Gaye, released as a single on the Tamla (Motown) label. The record was originally meant to be the lead single for the singer's aborted Love Man album. However, as the album was scrapped and reworked into In Our Lifetime, the song received further work, before being omitted from the final album tracklist. The single was later included in a 1994 re-release of In Our Lifetime and a 2007 re-release deluxe edition featured two different alternate mixes for the sessions of In Our Lifetime as well as the original Love Man single of it.
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