"(If Loving You Is Wrong) I Don't Want to Be Right" | ||||
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Single by Luther Ingram | ||||
from the album If Loving You Is Wrong I Don't Want to Be Right | ||||
B-side | "Puttin' Game Down" | |||
Released | April 1972 | |||
Genre | Soul | |||
Length | 3:32 | |||
Label | KoKo | |||
Songwriter(s) | Homer Banks, Carl Hampton, Raymond Jackson | |||
Producer(s) | John Baylor | |||
Luther Ingram singles chronology | ||||
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"(If Loving You Is Wrong) I Don't Want to Be Right" | |
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Song by Millie Jackson | |
from the album Caught Up | |
B-side | "The Rap" |
Released | December 1974 |
Recorded | 1974 |
Genre | Soul |
Length | 3:27 (single version) 3:56 (album version) |
Label | Spring |
Composer(s) | Homer Banks, Carl Hampton, Raymond Jackson |
Producer(s) | Brad Shapiro |
"(If Loving You Is Wrong) I Don't Want to Be Right" | ||||
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Single by Barbara Mandrell | ||||
from the album Moods | ||||
B-side | "I Feel the Hurt Coming On" | |||
Released | February 17, 1979 | |||
Recorded | c. 1978 | |||
Genre | Country | |||
Length | 3:05 | |||
Label | ABC | |||
Songwriter(s) | Homer Banks, Carl Hampton, Raymond Jackson | |||
Producer(s) | Tom Collins | |||
Barbara Mandrell singles chronology | ||||
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"(If Loving You Is Wrong) I Don't Want to Be Right" is a song written by Stax Records songwriters Homer Banks, Carl Hampton, and Raymond Jackson. Originally written for The Emotions, it has been performed by many singers, most notably by Luther Ingram, whose original recording [1] topped the R&B chart for four weeks and rose to number 3 on the Billboard Hot 100 in 1972. [2] Billboard ranked it as the No. 16 song for 1972. [3]
In 1972–73, The Faces recorded the song as an outtake for Ooh La La (1973), their final studio album. In 1974, Millie Jackson released her version of the song which received two Grammy Award nominations. [4] [5] In 1978, Barbara Mandrell's version topped the U.S. country chart, reached number 31 on the Billboard Hot 100 (number 27 Cashbox), and was nominated for Single of the Year at the 1979 CMA (Country Music Association) Awards. Rod Stewart recorded the song for Foot Loose & Fancy Free (1977), his eighth album; as a single it peaked at number 23 on the UK Singles Chart in 1980.
The song is about an adulterous love affair, told from the point of view of either the mistress or the cheating spouse, depending on the gender of the performer. Regardless, both parties involved express their desire to maintain the affair, while at the same time acknowledging that the relationship is wrong according to conventional moral standards.
Millie Jackson, however, took a somewhat different approach. On both studio and live recordings, her version is typically divided into three parts: "(If Loving You Is Wrong) I Don't Want to Be Right", "The Rap", and "(If Loving You Is Wrong) I Don't Want to Be Right (Reprise)", which together have a running time of over 11 minutes. [6] The first and third parts include the song more or less as originally written, while the second part was written by Jackson herself. Titled "The Rap", the middle segment is a monologue in which an unrepentant Jackson discusses her status as the "other woman" and why she loves it. [7]
The song is sampled in Travis Scott, Young Thug, and Rich Homie Quan's song "Mamacita" and Pusha T and Kendrick Lamar's song "Nosetalgia"
It was first recorded by The Emotions (but their version has never been released), and by Veda Brown, whose version was finally released in 2008. [8] Other notable singers to cover it include: country singer Jackie Burns (whose version made Hot Country Songs in 1972), [9] Isaac Hayes, Millie Jackson, Rod Stewart, Percy Sledge, Bobby "Blue" Bland, David Ruffin, Barbara Mason, LeAnn Rimes, Renée Geyer, Ramsey Lewis, jazz chanteuse Della Reese, reggae singers Alton Ellis, George Faith and Glen Washington, Tom Jones, Cassandra Wilson, Nathan Cavaleri, Rania Zeriri, Barbara Mandrell and Johanne Desforges (French cover: Si je ne peux t'aimer a quoi bon exister).
In 2020, electronic musician Nicolas Jaar (under his moniker Against All Logic) released his own version called "If Loving You Is Wrong" from his second album 2017-2019 , which heavily samples Ingram's version, notably the chorus.
Chart (1972) | Peak Position |
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US Billboard Hot 100 [10] | 3 |
US Best Selling Soul Singles ( Billboard ) [11] | 1 |
Chart (1972) | Peak Position |
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US Billboard Hot Country Singles [9] | 71 |
Chart (1975) | Peak Position |
---|---|
US Billboard Hot 100 [12] | 42 |
US Hot Soul Singles ( Billboard ) [13] | 42 |
Chart (1979) | Peak Position |
---|---|
US Billboard Hot 100 [14] | 31 |
US Hot Country Songs ( Billboard ) [15] | 1 |
US Billboard Adult Contemporary [16] | 6 |
Chart (1979) | Position |
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US Hot Country Songs (Billboard) [17] | 19 |
Chart (1992) | Peak Position |
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US Hot R&B Singles ( Billboard ) [18] | 6 |
James Edward Ingram was an American singer, songwriter and record producer. He was a two-time Grammy Award-winner and a two-time Academy Award nominee for Best Original Song. After beginning his career in 1973, Ingram charted eight top 40 hits on the U.S. Billboard Hot 100 chart from the early 1980s until the early 1990s, as well as thirteen top 40 hits on the Hot R&B/Hip-Hop Songs chart. In addition, he charted 20 hits on the Adult Contemporary chart. He had two number-one singles on the Hot 100: the first, a duet with fellow R&B artist Patti Austin, 1982's "Baby, Come to Me" topped the U.S. pop chart in 1983; "I Don't Have the Heart", which became his second number-one in 1990 was his only number-one as a solo artist.
"I Can't Stop Loving You" is a popular song written and composed by country singer, songwriter, and musician Don Gibson, who first recorded it on December 3, 1957, for RCA Victor Records. It was released in 1958 as the B-side of "Oh, Lonesome Me", becoming a double-sided country hit single. At the time of Gibson's death in 2003, the song had been recorded by more than 700 artists, most notably by Ray Charles, whose recording reached No. 1 on the Billboard chart.
Mildred Virginia Jackson is an American R&B and soul recording artist. Beginning her career in the early 1960s, three of Jackson's albums have been certified gold by the RIAA for over 500,000 copies sold. Jackson's songs often include long spoken sections, sometimes humorous, sometimes sexually explicit. According to the cataloguing site WhoSampled.com, her songs have appeared in 189 samples, 51 covers, and six remixes.
"Since she always enjoyed writing poems, in the early '70s Jackson began crafting such proto-rap R&B singles as the outspoken "A Child of God ."
Luther Thomas Ingram was an American R&B and soul singer-songwriter. His most successful record, "(If Loving You Is Wrong) I Don't Want to Be Right", reached No. 1 on the Billboard R&B chart and No. 3 on the Hot 100 in 1972.
"I've Been Loving You Too Long" (originally "I've Been Loving You Too Long (To Stop Now)") is a soul music ballad written by Otis Redding and Jerry Butler. Considered by music critics and writers to be one of Redding's finest performances and a soul classic, it is a slow, emotional piece with Redding's pleading vocals backed by producer Steve Cropper's arpeggiated guitar parts and a horn section.
"When Something Is Wrong with My Baby" is a classic hit song, a soul ballad, written by Isaac Hayes and David Porter. It was first released in 1967 by Sam & Dave on Stax Records.
"I'll Be Around" is a song recorded by the American R&B vocal group The Spinners. It was co-written by Thom Bell and Phil Hurtt and produced by Bell.
Homer Banks was an African American songwriter, singer and record producer. Although best known by many for his songwriting for Stax Records in the 1960s and 1970s, some of his own releases from the 1960s are considered classics on the Northern Soul scene. Many of the songs he wrote have become contemporary classics.
"Woman to Woman" is the title of a 1974 deep soul single recorded by Shirley Brown for whom it was a #1 R&B hit.
The singles discography of American country music artist Barbara Mandrell contains 54 singles as a lead artists, seven singles as a collaborative artist, six promotional singles and one music video. In 1966, Mandrell's debut single was released titled "Queen for a Day". She then signed a recording contract and in 1969 had her first charting release with a cover of "I've Been Loving You Too Long ". In the early 1970s, Mandrell had a series of top 20 charting singles on America's Billboard country songs chart. This included "Playin' Around with Love" (1970), "Treat Him Right" (1971) and "Show Me" (1972). She collaborated with David Houston on several singles as well. Their most successful was 1970's "After Closing Time", which became Mandrell's first top ten hit on the Billboard country chart. During this period she also reached the top ten with "Tonight My Baby's Coming Home" (1971) and "The Midnight Oil" (1973). In 1975, Mandrell signed to ABC Records and had a top five country hit with "Standing Room Only".
Moods is the eighth solo studio album by American country music singer Barbara Mandrell, released in September 1978.
"Respect Yourself" is a song by American R&B/gospel group the Staple Singers. Released in late 1971 from their album Be Altitude: Respect Yourself, the song became a crossover hit. The Staple Singers' version peaked at No. 12 on the Hot 100, No. 2 on the Hot Soul Singles chart, and is one of the group's most recognizable hits. In 2002, the song was inducted into the Grammy Hall of Fame, and in 2010 it was ranked #468 on the Rolling Stone list of the 500 Greatest Songs of All Time, moving down 4 spots from #464 in 2004.
"Any Day Now" is a popular song written by Burt Bacharach and Bob Hilliard in 1962. It has been recorded by numerous artists over the years, including notable versions by Chuck Jackson in 1962, Alan Price in 1965, Elvis Presley in 1969, Scott Walker in 1973 and Ronnie Milsap in 1982. In the lyrics, the singer predicts the imminent demise of a romantic relationship and describes the sadness this will leave.
Greatest Hits is the fourth compilation album by American country music artist Barbara Mandrell. The album was produced by Tom Collins and released on MCA Records in March 1985. The album was her first compilation for MCA Records.
"Angel in Your Arms" is a song composed by Herbert Clayton Ivey, Terrence Woodford, and Tom Brasfield, which was a 1977 Top Ten hit for Hot, and also a Top Ten country hit in 1985 for Barbara Mandrell.
Raymond Earl Jackson was an American rhythm and blues songwriter, guitarist and record producer. His most successful songs, mostly written at Stax Records in the late 1960s and early 1970s, were "Who's Making Love", co-written with Homer Banks and Bettye Crutcher; and "(If Loving You Is Wrong) I Don't Want to Be Right" and "If You're Ready ", both co-written with Banks and Carl Hampton.
"Show Me" is a title track of the 1967 album by Joe Tex, who also wrote the song. The single was Joe Tex's fourteenth release to make the US R&B chart. "Show Me" went to #24 on the R&B chart and #35 on the Hot 100.
"Married But Not to Each Other" is a song originally recorded by American R&B artist Denise LaSalle. It was composed by LaSalle, along with Francis Miller. LaSalle's original version became a major hit on the American R&B music chart in 1976, reaching the top 20 that year. It was one of several singles composed by LaSalle that became a charting single. It was later covered in 1977 by American country artist Barbara Mandrell, whose version reached the top five of the American country chart.
Acoustic Attitude is the twenty-fourth solo studio album by American country artist Barbara Mandrell. It was released on April 21, 1994 on Direct Records and contained 12 tracks. It was Mandrell's twenty-sixth studio recording released in her career and the first to be issued on the Direct label. Acoustic Attitude was a collection of re-recordings of Mandrell's most popular singles from her career. The album was originally sold on television and later released to digital retailers.
"Holdin' On (To the Love I Got)" is a song written by Billy Sherrill, Carmol Taylor and Tammy Wynette. It was originally recorded by American country music artist Tammy Wynette before being recorded again by Barbara Mandrell. Mandrell's version was released in September 1972 as the third from her album The Midnight Oil. It was one of Mandrell's early single releases in her career and among her first to reach the top 40 on the American country songs chart.