The Mad Capsule Markets were a Japanese band that formed in 1985 and were active until 2006. The band became known for their experimental style, which melded various kinds of electronic music and punk rock.
Switchblade is the debut album by Schaft, released in 1994. A promotional video for the song "Arbor Vitate" was filmed, and was later re-used by PIG for their version of the song.
Balzac is a Japanese punk rock band formed in 1992 in Kyoto. The band was founded by singer and songwriter Hirosuke Nishiyama, who has remained the only constant member of the band since its creation. Since the beginning, Balzac was highly influenced by the sound and image of the American horror punk band Misfits and, especially during the very early years, Glenn Danzig's Samhain, adopting and combining the musical and visual style of both bands to create their own. Balzac's lyrics, though not always serious in tone, often deal with themes of darkness, loneliness and fear.
Humanity is the debut album from Japanese hardcore punk group The Mad Capsule Markets. They later re-released the album in 1996, and this was the only full album that guitarist Minoru Kojima played on. This album contains the original version of the songs "San Byoukan no Jisatsu" and "Life Game", which both appear in censored form on the album "P.O.P". The original version of "San Byoukan no Jisatsu" contains an extra line in the chorus about jumping off a building. It was never made certain why the line was removed on "P.O.P", but it was speculated that the song was linked to Japanese teen suicide, and therefore censored on "P.O.P" and has been totally silenced on the re-release of "Humanity" and releases thereafter. The band or record company would later erase any further reference of it from on the insert for the re-release of "Humanity" also, as the word "Jisatsu" (suicide) on the track list has been scribbled out.
Park is the fifth album from The Mad Capsule Markets and their first to be released in the United States. The album shows the band start to incorporate rap metal influences, an element that would become crucial in their later style. The melodious elements from Mix-ism are still prominent in several tracks. The album is often considered to be one of the band's best works. Hide praised the album as a perfect example of state of the art Japanese Rock. The US release was accompanied by two bonus tracks.
Takeshi Ueda is the bassist, programmer, additional vocalist and songwriter for The Mad Capsule Markets. He is often known for his unique way of bass guitar playing, and ever changing haircuts.
Digidogheadlock is the seventh album by Japanese band The Mad Capsule Markets and their first to receive a European release. The album explored the sound that would later be used on their following album, Osc-Dis. TORUxxx stepped in on guitar for this album, although Takeshi Ueda recorded guitar on the track "Asphalt Beach". This album gained the band recognition by Digital Hardcore Recordings founder and Atari Teenage Riot frontman Alec Empire, who remixed two tracks and invited the band to tour with ATR. The album was released two years before the breakthrough album Osc-Dis, but there was little international interest at the time. The song "3:31" is a reference to vocalist Kyono's birthdate.
Osc-Dis or Oscillator in Distortion is the eighth album by Japanese band The Mad Capsule Markets. It was released in Japan in 1999 and released outside Japan in 2001. Osc-Dis was the band's breakthrough album and finally got them recognized overseas, with the single "Pulse". The album mixes industrial metal, industrial rock and punk rock with various kinds of electronic music. It was more melodic than their previous album and included elements of pop punk. There are vocal contributions from Hirosuke from Balzac, Yamada from Geronimo, and Katsya from NND. This album also saw the birth of the band's mascots The White Crusher and The Cyborn.
010 is the ninth studio album by Japanese band The Mad Capsule Markets. It was released in Japan in 2001 and in the United Kingdom in 2003. The album was much more experimental than the band's previous two albums. It includes a cover of the song "Wardance" by Killing Joke.
1990-1996 is the second compilation album by Japanese rock band The Mad Capsule Markets. Rather than rerecording the old songs such as on the previous compilation album The Mad Capsule Markets, this album has collected remastered songs from Humanity through 4 Plugs, some with 'xxxx' noises or added interludes.
The Mad Capsule Markets 1997–2004 is third compilation album by The Mad Capsule Markets. This album features a collection of hits from Digidogheadlock to Cistm Konfliqt.... Songs were re-mastered by Takeshi Ueda for the release. Changes include extended intros to Asphalt-Beach and Bit Crusherrrr and an added scream to Scary as the song gets faster. In the UK edition the DVD was included with the disc instead of the two being sold separately as they are in Japan. The DVD features the re-mastered tracks dubbed over the original videos.
Minoru Kojima is a Japanese guitarist, who was the original guitarist for the experimental punk band The Mad Capsule Markets. He is also known as Scene or Shin Murohime, which is apparently a conglomeration of characters from the names of different Boøwy members. He started The Mad Capsule Markets in 1985, with vocalist Hiroshi Kyono, in an attempt to create "loud, punk music" after becoming "bored" with music played on television and radio. After the release of Mad's Humanity, Minoru left the band and was replaced by "support guitarist" Ai Ishigaki. In 1991 Minoru started Die in Cries and in 1994 became a member of The Bloody Imitation Society. Over the years Minoru worked with more bands and even went solo for a short time before returning to Mad to play on "Good Day" from their album 010 and playing on their "Cistm Konfliqt" tour.
Masahiro Andō is a Japanese composer and guitarist from Chikusa-ku, Nagoya, Aichi Prefecture, Japan. From 1976 to 2021, he was the guitarist and leader of the Japanese jazz-fusion band T-Square. He was also one-third of Ottottrio, a supergroup led by three Japanese guitarists: himself, Hirokuni Korekata of Rocket Jam and Issei Noro of Casiopea.
Yume no Uta/futari de...(夢のうた/ふたりで... / Dream Song/us two...) is singer-songwriter Koda Kumi's 33rd single under the Rhythm Zone label, and is her second attempt at a double a-side. The single charted at No. 1 on Oricon and stayed on the charts for sixteen weeks, out-selling her previous single, 4 Hot Wave. This made her first No. 1 single since feel. The single came in CD and CD+DVD and both a-sides have their unique cover art.
The following list is all the known recordings by The Mad Capsule Markets
Akuma no Uta is the fifth album by Japanese experimental music band Boris. Originally released in 2003 on Diwphalanx Records with minimalist artwork, it was re-issued in 2005 on Southern Lord Records with a different cover and more music.
"Tori no Uta" is a Japanese trance song sung by Lia, written by Jun Maeda, composed by Shinji Orito, and arranged by Kazuya Takase. The song was recorded at Paramount Studio in Los Angeles by the visual novel studio Key through their record label Key Sounds Label for use as the opening theme of Key's 2000 visual novel Air. A short version of the song was first released on I've Sound's July 2000 compilation album Verge. The full version of "Tori no Uta" first appeared on the limited edition remix album Ornithopter originally bundled with the first printing release of the Air game, though "Tori no Uta" was not remixed on the album. The song was later widely distributed on the Air Original Soundtrack (2002), the soundtrack of the visual novel. The song was later featured as the opening theme to the Air anime series in 2005. The Japanese variety radio show Moteken used "Tori no Uta" as the ending theme to their October 15, 2007 broadcast.
"Wardance" is a song by English post-punk band Killing Joke. It was released in February 1980 by Malicious Damage as the band's first single. The song was re-recorded for their self-titled debut album. The song has been performed at most of their live shows.
"575" is a song recorded by Japanese recording girl group Perfume for their third studio album, JPN (2011). It was written, composed, arranged, and produced by Japanese musician and Capsule member Yasutaka Nakata. The song was included as a B-side track for the group's single, "Voice". It was also released exclusively to Uta stores in Japan on July 14, 2010. Musically, "575" was described as a mellow Japanese pop song. It marks the first time that the group perform in a rap structure, delivered after the first chorus. The song's title, and the structure of its verses, derives from the structure of haiku, a Japanese style of poetry which comprises a 5-syllable line, a 7-syllable line, and then another 5-syllable line.
