Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.
Alternative metal is a genre of heavy metal music that combines heavy metal with influences from alternative rock and other genres not normally associated with metal. Alternative metal bands are often characterized by heavily downtuned, mid-paced guitar riffs, a mixture of accessible melodic vocals and harsh vocals and sometimes unconventional sounds within other heavy metal styles. The term has been in use since the 1980s, although it came into prominence in the 1990s.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Popular music of the United Kingdom in the 1970s built upon the new forms of music developed from blues rock towards the end of the 1960s, including folk rock and psychedelic rock movements. Several important and influential subgenres were created in Britain in this period, by pursuing the limitations of rock music, including British folk rock and glam rock, a process that reached its apogee in the development of progressive rock and one of the most enduring subgenres in heavy metal music. Britain also began to be increasingly influenced by third world music, including Jamaican and Indian music, resulting in new music scenes and subgenres. In the middle years of the decade the influence of the pub rock and American punk rock movements led to the British intensification of punk, which swept away much of the existing landscape of popular music, replacing it with much more diverse new wave and post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s.
Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
A pulse, in physiology, is the throbbing of arteries resulting from heartbeat.
The Mad Capsule Markets were a Japanese band that formed in 1985 and were active until 2006. The band became known for their experimental style, which melded various kinds of electronic music and punk rock.
White Light, White Heat, White Trash is the fifth studio album by American punk rock band Social Distortion, released on September 17, 1996, by 550 Music and Epic Records. The album was produced by Michael Beinhorn. After the release of Social Distortion's 1992 album Somewhere Between Heaven and Hell, the band toured until the end of 1993 and needed a break. After dealing with court battles over early recordings and attempting to retrieve them, package them up, and release them, Social Distortion wrote many songs to plan a new album.
Killing Joke is the debut studio album by English post-punk band Killing Joke, released in October 1980 by E.G. via Polydor Records. It debuted at number 41 on the UK Albums Chart on 25 October 1980 and later peaked at number 39.
Balzac is a Japanese punk rock band formed in 1992 in Kyoto. The band was founded by singer and songwriter Hirosuke Nishiyama, who has remained the only constant member of the band since its creation. Since the beginning, Balzac was highly influenced by the sound and image of the American horror punk band Misfits and, especially during the very early years, Glenn Danzig's Samhain, adopting and combining the musical and visual style of both bands to create their own. Balzac's lyrics, though not always serious in tone, often deal with themes of darkness, loneliness and fear.
4 Plugs is the sixth album by The Mad Capsule Markets. The album has been known as a turning point in the band's career as it was a departure from the original melodic Japanese rock and punk sound to a more rap metal-based style. The melodious elements heard on Mix-ism and Park are largely gone, the sole exception being "Normal Life", replaced by aggressive and heavy beats. Most fans welcomed this newer sound and style, and the band attracted a new fanbase, but some fans of their earlier sound felt disappointed with their new direction.
Takeshi Ueda is the bassist, programmer, additional vocalist and songwriter for The Mad Capsule Markets. He is often known for his unique way of bass guitar playing, and ever changing haircuts.
Hiroshi Kyono is the former vocalist for The Mad Capsule Markets.
Digidogheadlock is the seventh album by Japanese band The Mad Capsule Markets and their first to receive a European release. The album explored the sound that would later be used on their following album, Osc-Dis. TORUxxx stepped in on guitar for this album, although Takeshi Ueda recorded guitar on the track "Asphalt Beach". This album gained the band recognition by Digital Hardcore Recordings founder and Atari Teenage Riot frontman Alec Empire, who remixed two tracks and invited the band to tour with ATR. The album was released two years before the breakthrough album Osc-Dis, but there was little international interest at the time. The song "3:31" is a reference to vocalist Kyono's birthdate.
020120 is a live album from The Mad Capsule Markets. It was recorded live on January 20, 2002 at Zepp Tokyo. The music is basically material from the Osc-Dis and the 010 albums, but it did include a faster version of Kami-Uta as an encore track and for the intro tape, the show opens with Crass' song Gotcha. The UK version issued the live DVD alongside the CD with a slightly altered track listing from the Japanese version but it made the fanbase of The Mad Capsule Markets much stronger.
The following list is all the known recordings by The Mad Capsule Markets
The use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital format and computer technology.
Industrial hip hop is a fusion genre of industrial music and hip hop.
The AX80 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in 1984. It was Akai's first venture into the professional electronic musical instrument market. The AX80 used digitally controlled oscillators (DCO) and filter circuitry based on the Curtis Electronics CEM 3372 integrated circuit. It was marketed as part of a line of project studio equipment called the Akai Music Studio System, which included the S612 digital sampler the MR16 drum machine, the MS08 sequencer, and the MG1212 multitrack tape recorder, at a price of $1,695 US.
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