↑ McVeigh, Simon (2 November 2006). Concert life in London from Mozart to Haydn (1sted.). Cambridge [England]. ISBN0-521-41353-2. OCLC26395717.{{cite book}}: CS1 maint: location missing publisher (link)
↑ Baudino, Isabelle; Carré, Jacques; Révauger, Marie-Cécile. The invisible woman: aspects of women's work in eighteenth-century Britain. London. ISBN978-1-351-88736-6. OCLC974642215.
↑ Lanier, Sara C. (1999). ""It is new-strung and shan't be heard": nationalism and memory in the Irish harp tradition". British Journal of Ethnomusicology. 8: 1–26. doi:10.1080/09681229908567279.
↑ Anon., "Academy of Ancient Music", The Oxford Companion to Music, edited by Alison Latham (Oxford and New York: Oxford University Press, 2002). ISBN9780198662129.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.