An AV idol (AVアイドル, Ēbui aidoru, short for adult video idol) or AV actress (AV女優, Ēbui joyū) is a type of pornographic film actress in Japan. It is a sub-category of the idol culture in Japanese pop entertainment. AV idols work in the pornographic business, often both as an actress as well as a model as the video performances vary widely, from suggestive softcore imagery to hardcore pornography. The industry is noted for having frequent turnovers; since the dawn of the AV industry in the early 1980s, hundreds of AV idols have debuted every year, with an average career span of about a year, appearing in five or ten videos during that time. [1] Some successful AV idols move into daytime television or other fields after their careers have waned, while the reverse can happen as well where actresses move into pornographic videos if their normal work has dried up. [2]
The line between "adult" and "family" entertainment in Japan is not as clear-cut as it is in some other countries. A celebrity may appear in AVs after already having established a career in mainstream television. Also, it is not rare for a popular AV actress to go on to become a mainstream celebrity. [2]
The AV, or "Adult Video" market is a major industry in Japan, reportedly worth about ¥400 billion ($4 billion) per year. In 1992, it was reported that over 11 AVs were being made every day by over 70 production companies in Tokyo alone. The AV market was estimated to make up about 30 percent of Japan's video rentals. [1] It was estimated in 1994 that, between legal and illegal videos, around 14,000 AVs a year were being made in the country, in contrast to about 2,500 in the United States. [3] In an English language interview in 2011, AV idol Azusa Maki estimated that as many as 10,000 girls attempt to get into the Japanese AV industry each year. [4]
AV performers were often struggling actresses who could not find work in the theatrical Roman Porno films and girls from the soaplands. [5] AV star Kaoru Kuroki has been credited with raising the status of AV idols in the public's eye. According to cultural essayist Rosemary Iwamura, "She didn't seem to be making videos because of a lack of options but rather as an informed choice." [6]
AV actresses are usually recruited by scouts in Tokyo neighborhoods such as Roppongi, Shinjuku and Matahine. These scouts are affiliated with talent agencies that then hire actresses for AV production companies. Some women wishing to appear in AVs apply to production companies, but they are usually referred to talent agencies. The production companies are typically charged ¥1.5 million (US$15,000) or more for an actress to appear in a video. [1] AV actresses make between ¥200,000 and 4 million yen per video. [7] Steve Scott, president of Third World Media, an importer of Japanese adult movies to the United States, estimated a top-tier AV star could make up to nearly ¥36 million for an eight-picture deal. [8]
AV fans are invited to follow the progress of a prominent AV actress' career over several video appearances. In her AV debut video, the actress is introduced as a "new face," and her inexperience is played up in interviews preceding the modeling and sex scenes. Following this debut video, the AV audience follows the actress' journey through sexual awakening, and her eventual specialization, after about five AV appearances, in a specific genre such as lesbianism or SM. Once the actress has established herself as a mature AV star, she has the options of continuing into some of the more outrageous AV genres, retiring, or, sometimes, re-emerging under a new name as a "new face." [1]
In 2022, the Japanese government passed a new law that made pornography legal in the country[ citation needed ]. The new set of laws also aims to protect actors who were pressured into entering the industry, by giving them the right to prohibit the sale of videos in which they appear after five years from the initial release date.
The author Nicholas Bornoff identifies some Japanese AV stereotypes as
...the prim Office Lady, the virgin-next-door, the randy farm girl, the leotarded aerobics enthusiast, the sexy predator in the hot-spring resort and ... the self-assertive slut who is put in her place by being gang-banged on the floor of the cutting room. [9]
AV director "Tarzan" Yagi says that a successful AV actress should fit a stereotype that "can be identified at a glance, making it easier for viewers to recognize the type they prefer." Yagi mentions "the 'slender' type, 'Lolita' type, 'buxom' type and so on." [10]
Some AV idols have garnered a substantial following outside Japan, resulting in some of their content being subtitled into other languages. [11]
In June 2008, a bill that proposed the imposition of a ban on child-pornography possession was submitted to the House of Representatives of Japan where it was brought before the Diet in September, but failed to pass. On 15 July 2014, penalties were added to the simple possession of child pornography as a result of the revision of the law.
Some major AV types include:
The stereotype of the cute ("kawaii") and innocent-looking but sexually eager female high school student in a school uniform. AV idols of this sort are innumerable and ever-changing, though most are 18 years of age or older. The schoolgirl trope is a reflection of the JK business (compensated dating with adolescent girls), which is popular with older men. [12]
While a few early AV idols such as Kyoko Nakamura and Eri Kikuchi established careers due primarily to large breasts, Noriyuki Adachi sets Kimiko Matsuzaka's 1989 debut as the point at which the "Big Bust Boom" (巨乳ブーム - Kyonyu Boom) began. [13] A string of big-bust AV idols followed, including Hitomi Tanaka, Fuko, Miki Sawaguchi, Mariko Morikawa, Rin Aoki, Nozomi Momoi and Anna Ohura. By the mid-1990s, the Big Bust genre had become a staple of the AV industry.[ citation needed ]
The vast majority of AV actresses debut in their late teens, [1] but in the mid-1990s a trend for "mature women" became evident. [14] While youth remained the norm, the broadening in tastes led to "mature" AV stars like Aki Tomosaki in 2000, Asuka Yūki in 2005 and Maki Tomoda in 2006, all of whom had passed their 30th birthdays at the time of their debuts. These actresses became popular in AVs with an incest theme. Yoko Shimada, the international actress, did AV with TEK-032 and TEK-034 sold on R18.com, a former channel that specialised in AV films. [15]
In Japan, pornography has unique characteristics that readily distinguish it from western pornography. Pornographic films are known as "adult videos" (AV) in Japan, so Japanese adult videos (JAV) refers to the Japanese Adult Video industry. Animated films are referred to as hentai in English, but in Japan the terms "adult anime" and "erotic animation" are used. In addition to pornographic videos and magazines featuring live actors, there are now categories of pornographic manga and anime, and pornographic computer games.
Kyōko Aizome is a Japanese erotic actress, singer, writer, and AV and film director. She has been called "the first hard-core porn actress in Japan".
Sola Aoi is a Japanese former AV idol, nude model, and film and television actress. Starring in more than 600 adult films between 2002 and 2011, Aoi is widely considered one of the most famous AV idols of the 2000s, with her popularity as an adult video actress leading to celebrity status as a media personality both in Japan and abroad.
Soft On Demand, often known as SOD, is a Japanese adult video group of companies which has its headquarters in the Nakano ward of Tokyo. SOD was founded in December 1995 by Ganari Takahashi, who retired from the company in March 2005 and is currently working in agriculture. The company is one of the largest adult video companies in Japan and is notable for its creative approach to adult videos.
Kaoru Kuroki is a Japanese former adult video performer and a multi-media personality. Her role as a media counselor expressing outspoken views on sex and society have drawn comparisons to Cicciolina, sex therapist Dr. Ruth, and actress Linda Lovelace.
Nao Saejima was a Japanese AV idol and model of the 1980s and 1990s who also starred in photobooks, V-Cinema, and feature films, including Nikkatsu's Roman Porno series. She died in September 2012 of cancer at the age of 44.
Eri Kikuchi is a pink film actress and an early Japanese AV idol of the 1980s.
Hitomi Kobayashi is an important early Japanese AV idol. One of the founding figures of the Japanese adult video, she has been called indispensable to any discussion of the AV. Mainichi Shimbun calls her "one of the icons of Japanese adult cinema history." Her unprecedented popularity in the mid-1980s, the early days of the Japanese AV, earned her the title "Queen of AV." According to an adult entertainment reporter for Shukan Shincho, "She laid the foundations for the golden age of adult video."
In Japan, Adult Videos (AV) are sex or nudity themed videos distinguishable from Toei porno feature films, Nikkatsu Roman Porno feature films, indie studio pink films, and less sex-centred 'V-cinema' or original video Original Videos (OV) on the other. Adult videos feature sex or nudity, and may not in some cases have a storyline. They are released initially on video, and pass inspection by an adult video ethics committee originally the Nihon Ethics of Video Association (NEVA), which enforced the placement of video-masking mosaics over pubic hair or genitalia. Toei Porno, Nikkatsu Roman Porno and Pink films are also often concerned with sex, but they are shown first in movie theatres, and are rated by Eirin, rather than an adult video ethics organization. The mainstream studio Nikkatsu filmed its Roman Porno line from 1971 through 1988. V-cinema or OV also tend to have a story, but sex if present is less central, and they were released directly to VHS or recently DVD, Blu-Ray or streaming without being first shown in a movie theatre. Many V-cinema works are produced by video-focused subsidiaries of the big film studios, e.g. SHV Cinema for Shochiku. OV can be rated by the Eirin or Eizourin depending on the content.
Hotaru Akane also known as Anna Akizuki and Hotaru (ほたる) was a Japanese actress, HIV/AIDS activist, and AV idol. She was active in many media formats in Japan including mainstream theatrical film, and was a popular blogger. Her adeptness at female ejaculation in adult videos (AV) earned Akane the title, "Shiofuki Queen". She retired from AV work in 2008.
Nao Oikawa is a Japanese actress, TV personality and was also a former AV idol who was very popular in the early 2000s.
S1 No. 1 Style or just S1 (エスワン) is a Japanese producer of adult videos (AV) which has its offices in Tokyo's Meguro Ward. The company is best known for retailing its adult videos under the Fanza brand, an affiliate of DMM.
Rinako Hirasawa is a Japanese AV idol and pink film actress. She has appeared in award-winning pink films, and was given a "Best Actress" award for her work in this genre in 2007.
Crystal-Eizou or Crystal-Eizō (クリスタル映像), known in English as Crystal Image or Crystal Video, is a Japanese corporation involved in the production and distribution of adult videos.
Tohjiro or TOHJIRO is an adult video (AV) director and the founder of the AV studio Dogma.
Kaoru Adachi is a Japanese film director, producer and editor, and founder of the Japanese documentary and adult video (AV) studio V&R Planning.
Athena Eizou or Athena Eizō is an early pioneering Japanese adult video (AV) production company. They have offices in the Shibuya ward of Tokyo, Japan.
Mariko Kawana began the most notable phase of her life as a Japanese model and actress who has appeared in softcore pink film and V-Cinema, and who has also been a hardcore adult video (AV) performer and director. She was one of the earliest AV actresses in the "mature woman" or "madame" (jukujo) category of performers. She is now retired as an actress and has returned to her pre-acting career as a writer.
Toru Muranishi is an innovative and controversial director of Japanese adult videos (AV). Known in Japan as the "Emperor of Porn", he has been credited as one of the creators of the quasi-documentary style found in Japanese adult videos, a genre which has remained popular throughout the history of the adult industry in Japan. He was called "the dirtiest of the industry’s dirty old men" in a 1992 Tokyo Journal article by Kjell Fornander.
Saori Hara is a former Japanese AV idol, model and actress who has also used the name Mai Nanami and most recently Miyabi Matsunoi or Miyavi Matsunoi.
In addition to the influence of pornography on mainstream cinema, the line between pornography and family entertainment, such as daytime television, is blurred. It is not uncommon in Japan for a waning female television star or singer to feature in pornographic videos. Similarly, there are women actors from pornographic videos who move into daytime television.