A Bag of Shells | ||||
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Soundtrack album by | ||||
Released | 2010 | |||
Recorded | 2005–2007 | |||
Genre | Soundtrack | |||
Length | 49:36 | |||
Label | Tzadik TZ 7520 | |||
Producer | Jamie Saft | |||
Jamie Saft chronology | ||||
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A Bag of Shells is an album of music written for film by Jamie Saft which was released on the Tzadik label in 2010. [1] It features the music that Saft wrote and recorded for the documentaries Murderball (2005) and God Grew Tired of Us (2006), Dear Talula (2007) and Brooklyn Exile (2007).
Review scores | |
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Source | Rating |
Allmusic | [2] |
In his review for Allmusic, Thom Jurek notes that:
A Bag of Shells looks at another side of Saft's career, his soundtrack work. Beginning in 2005, Saft began scoring films. Here are excerpts of four scores in an eclectic arrangement not sequenced according to film origin, but programmed aesthetically... It all displays Saft's originality, diversity, and exemplary musicianship. A Bag of Shells is an album that asks as many questions as the films it illustrates do, much to the listener's delight.
All compositions by Jamie Saft
Bobby Previte is a drummer, composer, and bandleader. He earned a degree in economics from the University at Buffalo, where he also studied percussion. He moved to New York City in 1979 and began professional relationships with John Zorn, Wayne Horvitz, and Elliott Sharp.
Murderball is a 2005 American documentary film about athletes who are physically disabled who play wheelchair rugby. It centers on the rivalry between the Canadian and U.S. teams leading up to the 2004 Paralympic Games. It was directed by Henry Alex Rubin and Dana Adam Shapiro, and produced by Jeffrey V. Mandel and Shapiro. It was nominated for Best Documentary Feature for the 78th Academy Awards. Murderball was the first and only MTV film released through THINKFilm as well as Participant Media.
Jamie Saft is an American keyboardist and multi-instrumentalist and composer. He was born in New York City and raised a Conservative Jew, and studied at Tufts University and the New England Conservatory of Music.
Beat the Donkey is an album by percussionist Cyro Baptista, which marked the debut of his rotating percussion and dance ensemble that would become known as Beat the Donkey, which was released on the Tzadik label in 2002.
Taboo & Exile is an album by John Zorn. It is the second album to appear in Zorn's Music Romance Series following Music for Children (1998). Three of the tracks on this recording are from Zorn's Masada songbook.
Filmworks X: In the Mirror of Maya Deren features a score for film by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 2001 and contains music that Zorn wrote and recorded for the documentary film In the Mirror of Maya Deren on the life and work of Maya Deren directed by Martina Kudlácek.
Filmworks XI: Secret Lives features a score for film by John Zorn performed by the Masada String Trio with guest appearances from Vanessa Saft on vocals and Jamie Saft on piano. The album was released on Zorn's own label, Tzadik Records, in 2002 and contains music that Zorn wrote and recorded for Secret Lives: Hidden Children and Their Rescuers During WWII, a documentary on Jewish children hidden during the Second World War directed by Aviva Slesin. The documentary was originally to be titled Under the Wing and several sources still refer to the soundtrack under this name.
Filmworks XII: Three Documentaries is an album containing three scores by John Zorn for documentary films released on Zorn's own label, Tzadik Records, in 2002. It features music that Zorn wrote and recorded for Homecoming (2002), a tribute documentary about the dance program at Performance Space 122 in New York by Charles Dennis, Shaolin Ulysses (2002) a film by Mei-Juin Chen and Martha Burr that follows Shaolin monks living and training in the United States, and Family Found (2002), a portrait of outsider artist Morton Bartlett which was directed by Emily Harris.
Filmworks XVI: Workingman's Death features a score by John Zorn for a documentary film by Michael Glawogger. The album was released on Zorn's own label, Tzadik Records, in 2005 and contains music that Zorn wrote and recorded for, Workingman's Death (2005), a documentary detailing hazardous employment undertaken in Ukraine, Indonesia, Nigeria, Pakistan, and China.
50th Birthday Celebration Volume 4 is a live album by Electric Masada documenting their performance at Tonic in September 2003 as part of John Zorn's month-long 50th Birthday Celebration.
The Dreamers is an album by John Zorn released in 2008 featuring performances by a band which would later become known as The Dreamers. It is viewed as continuation of the Music Romance tradition expressed on his 2001 album The Gift.
Black Shabbis is an album by multi-instrumentalist Jamie Saft which was released on the Tzadik label in 2009. The extreme metal album examines a number of antisemitic concepts and incidents throughout history.
Trouble: The Jamie Saft Trio Plays Bob Dylan is an album by Jamie Saft which was released on the Tzadik label in 2006.
Breadcrumb Sins is an album by Jamie Saft which was released on the Tzadik label in 2002.
Sovlanut is an album by Jamie Saft which was released on the Tzadik label in 2000.
Borscht Belt Studies is an album by Jamie Saft which was released on the Tzadik label in 2009.
Shanir Ezra Blumenkranz is an American bassist and oud player who has recorded and performed extensively with Cyro Baptista's Banquet of the Spirits, Daniel Zamir's Satlah, Rashanim, Pharaoh's Daughter, and John Zorn. Blumenkranz studied at the Manhattan School of Music, the Rimon School of Music in Israel, and holds a Bachelor of Music in Performance from Berklee College of Music in Boston. In 2012 he released the first album under his leadership Abraxas: Book of Angels Volume 19 featuring compositions by John Zorn. Blumenkranz was born in Brooklyn, New York, United States.
Love the Donkey is an album by percussionist Cyro Baptista's percussion and dance ensemble Beat the Donkey, which was released on the Tzadik label in 2005. The album was privately released as Beat the Donkey Beat in 2004.
The New Standard is an album by keyboardist Jamie Saft, bassist Steve Swallow and drummer Bobby Previte which was released on the RareNoise label in 2014.
Red Hill is an album by trumpeter Wadada Leo Smith, keyboardist Jamie Saft, bassist Joe Morris and drummer Balázs Pándi which was released on the RareNoise label in 2014.