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Thomas Kirby Walls was an English stage and film actor, producer and director, best known for presenting and co-starring in the Aldwych farces in the 1920s and for starring in and directing the film adaptations of those plays in the 1930s.
John Robertson Hare, OBE was an English actor, who came to fame in the Aldwych farces. He is remembered by more recent audiences for his performances as the Archdeacon in the popular BBC sitcom, All Gas and Gaiters.
Mary Bessie Brough was an English actress in theatre, silent films and early talkies, including eleven of the twelve Aldwych farces of the 1920s and early 1930s.
Ralph Clifford Lynn was an English actor who had a 60-year career, and is best remembered for playing comedy parts in the Aldwych farces first on stage and then in film.
Fighting Stock is a 1935 British comedy film directed by and starring Tom Walls. It also features Robertson Hare, Lesley Wareing and Herbert Lomas. its plot involves a Brigadier who retires to a country cottage for some quiet fishing, but it soon overtaken by madcap events. The screenplay is by Ben Travers based on his earlier stage play of the same name, and the cast included cast members from Travers's Aldwych Farces.
Pot Luck is a 1936 British comedy film directed by and starring Tom Walls. The screenplay is by Ben Travers based loosely on his 1930 stage play A Night Like This. It also featured Ralph Lynn, Robertson Hare, Diana Churchill and Martita Hunt. The cast included members of the regular Aldwych Farce company.
Gordon James was an English actor who became known as the "heavy" in the Aldwych farces, between 1923 and 1933. He also appeared in some twenty films between 1929 and 1942.
Winifred Florence Shotter was an English actress best known for her appearances in the Aldwych farces of the 1920s and early 1930s.
Plunder is a 1931 British comedy film directed by and starring Tom Walls. It also features Ralph Lynn, Winifred Shotter and Robertson Hare. It was based on the original stage farce of the same title, and was the second in a series of film adaptations of Aldwych farces by Ben Travers, adapted in this case by W. P. Lipscomb, and was a major critical and commercial success helping to cement Walls's position as one of the leading stars of British cinema.
Ethel Coleridge was an English actress, best known for her roles in the original Aldwych farces in the 1920s and 1930s.
Turkey Time is a 1933 British comedy film directed by Tom Walls and starring Walls, Ralph Lynn, Robertson Hare and Dorothy Hyson. The screenplay concerns a group of guests come to stay with the Stoatt family in the seaside town of Eden Bay for Christmas. They soon become involved with an impoverished concert performer whose innocent presence in the house leads to a series of misunderstandings. It was adapted from the 1931 play Turkey Time by Ben Travers, one of the Aldwych Farces.
Turkey Time is a farce by Ben Travers. It was one of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The story concerns two guests, staying at the Stoatt household for Christmas, who offer shelter to a pretty concert performer left stranded when her employer absconds, leaving his cast unpaid.
The Aldwych farces were a series of twelve stage farces presented at the Aldwych Theatre, London, nearly continuously from 1923 to 1933. All but three of them were written by Ben Travers. They incorporate and develop British low comedy styles, combined with clever word-play. The plays were presented by the actor-manager Tom Walls and starred Walls and Ralph Lynn, supported by a regular company that included Robertson Hare, Mary Brough, Winifred Shotter, Ethel Coleridge, and Gordon James.
A Cuckoo in the Nest is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the second in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the cast formed the regular core cast for the later Aldwych farces. The plot concerns two friends, a man and a woman, who are each married to other people. While travelling together, they are obliged by circumstances to share a hotel bedroom. Everyone else assumes the worst, but the two travellers are able to prove their innocence.
A Cup of Kindness is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the sixth in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play depicts the feud between two suburban families.
A Cuckoo in the Nest is a 1933 British film, directed by Tom Walls, with a script by Ben Travers. It is a screen adaption of the original 1925 Aldwych farce of the same title. The film was remade in 1954 as Fast and Loose.
A Night Like This is a farce by Ben Travers, written as one of the series of Aldwych farces staged nearly continuously at the Aldwych Theatre, London, from 1923 to 1933. The farces were directed by Tom Walls, who co-starred in most of them with Ralph Lynn, and a supporting cast of regular Aldwych performers. The play is a spoof of detective plays and thrillers, with the two stars successfully taking on a criminal gang. Eventually, the gang is rounded up, and the jewels taken from the heroine are restored to their proper owner.
Thark is a 1932 British film farce, directed by Tom Walls, with a script by Ben Travers. In addition to Walls, the film stars Ralph Lynn and Robertson Hare. The film is a screen adaptation of the original 1927 Aldwych farce play Thark. It was made at British and Dominion's Elstree Studios.
A Night Like This is a 1932 comedy film directed by Tom Walls and starring Walls, Ralph Lynn and Winifred Shotter. Ben Travers wrote the screenplay, adapting his own play, the original 1930 Aldwych farce of the same title.
Marry the Girl is a farce by George Arthurs and Arthur Miller. It was one of the series of Aldwych farces that ran at the Aldwych Theatre in London nearly continuously from 1923 to 1933. The play centres on a breach of promise case brought before a British court of justice.
