A Midsummer Night's Dream (Eugene Ormandy recording)

Last updated
A Midsummer Night's Dream
Midsummer Night's Dream Ormandy CD.jpg
RCA Victor Red Seal CD: RD 82084
Studio album by
Released1977
StudioScottish Rite Cathedral, Philadelphia
Genre Classical
Length51:38
LanguageGerman
Label RCA Victor Red Seal
Producer Jay David Saks

A Midsummer Night's Dream is a 51-minute studio album containing the overture and most of the incidental music that Felix Mendelssohn wrote to accompany William Shakespeare's play of the same name. It is performed by Judith Blegen, Frederica von Stade, the Women's Voices of the Mendelssohn Club of Philadelphia and the Philadelphia Orchestra under the direction of Eugene Ormandy. It was released in 1977.

Contents

Background

The album omits Nos. 4, 10 and 12 from Mendelssohn's score, replacing the latter with a relocated No. 8, a reprise of part of the Nocturne and a brief violin solo. The vocal numbers use the German texts for which Mendelssohn composed his music, not the English verses from which they were translated. [1]

The album is the first of two recordings of the work in which Frederica von Stade took part. In the second, released on CD by Deutsche Grammophon in 1994, she performed a more nearly complete, English-language version of the score with Kathleen Battle, the Tanglewood Festival Chorus, the Boston Symphony Orchestra, Seiji Ozawa and the actor Judi Dench, who contributed passages of narration between Mendelssohn's musical numbers. [2] For details, see A Midsummer Night's Dream (Seiji Ozawa recording).

Recording

The album was recorded using analogue technology on 20 April, 6 May and 12 May 1976 in the Scottish Rite Cathedral, Philadelphia, Pennsylvania. [1]

Packaging

The cover of the album was designed under the art direction of J. J. Stelmach, and features a previously unpublished painting by Arthur Rackham held in the collection of Mr and Mrs Michael Loeb of New York City. [1]

Critical reception

A portrait of Mendelssohn painted by Wilhelm Hensel in 1847 Felix Mendelssohn Bartholdy - Wilhelm Hensel 1847.jpg
A portrait of Mendelssohn painted by Wilhelm Hensel in 1847

Edward Greenfield reviewed the album on LP in Gramophone in October 1978, comparing it with earlier versions conducted by Otto Klemperer, [3] André Previn [4] and Raymond Leppard. [5] The four recordings differed not just in matters of interpretation, but also in regard to how much of Mendelssohn's music they included. Previn and Leppard served up every note that Mendelssohn had written, even the briefest of his melodramas. Klemperer left several fragments out. Eugene Ormandy pursued a middle way, retaining some items that Klemperer rejected but omitting No. 4, No. 10 and No.12, replacing the latter with a relocated No. 8 augmented with "a fragment of the Nocturne plus a radiant violin descant". A more conspicuous feature of Ormandy's disc was that its soloists' and chorus's contributions were sung in German translations of William Shakespeare's verse rather than, as was customary, in the playwright's own, English words. This was historically correct: Mendelssohn had composed his music for a staging of A Midsummer Night's Dream in Berlin, and had set his music to a text translated into German by Schlegel and Tieck. Moreover, performing his score in English necessitated altering his notes, repeatedly changing a pair of quavers into a quaver followed by two semi-quavers. However, Greenfield felt that he "would certainly prefer English every time, if only because the sibilant German consonants make the fairies sound as though they are taken with little sneezes".

A portrait of August Wilhelm Schlegel painted by Adolf Hohneck August Wilhelm von Schlegel.png
A portrait of August Wilhelm Schlegel painted by Adolf Hohneck

About how well or badly Ormandy's fairies sang Greenfield had nothing to say, but he did praise the Philadelphia Orchestra's playing as beautiful and "finely disciplined". Ormandy's conducting, on the other hand, left him slightly disappointed. Klemperer was "more strikingly characterful", and Ormandy's reading of "Bunte Schlangen" ("You spotted snakes") sounded "relatively sluggish" after listening to Previn's or Leppard's. Previn and Leppard were in general lighter and more playful than Ormandy. The new album was exquisitely engineered, delivering "glorious sound recorded fully and richly with plenty of inner detail", but all in all, Previn's and Leppard's discs were marginally preferable. [6]

Greenfield revisited the album in Gramophone in January 1986, when it had been issued on CD. "Interpretatively, Ormandy scores consistently," he wrote, "...whether in the mystery of the fairy music, ... the natural, unforced sweetness of the slow coda of the Overture or the lightness of pointing in the Scherzo. Also, the soloists of the Philadelphia Orchestra consistently outshine [those on a rival recording]." [7]

In an article about classical music's basic repertoire that he contributed to Stereo Review in November 1983, Richard Freed praised Eugene Ormandy's album as even better than a "much-admired, nearly complete recording conducted by Peter Maag". [8] Ormandy, he wrote, offered "an even fuller selection, richer sound and the superb Judith Blegen and Frederica von Stade in the vocal numbers". [9]

CD track listing

The Chandos portrait of Shakespeare, from the National Portrait Gallery, London William Shakespeare by John Taylor, edited.jpg
The Chandos portrait of Shakespeare, from the National Portrait Gallery, London

Felix Mendelssohn Bartholdy (1809-1847)

A Midsummer Night's Dream , with a text taken from A Midsummer Night's Dream by William Shakespeare (1564-1611), translated into German by August Wilhelm Schlegel (1767-1845) and Dorothea Tieck (1799-1841)

Overture, Op. 21 (1826)

Incidental music, Op. 61 (1843)

Personnel

Eugene Ormandy in 1973 Eugene Ormandy conducting.JPG
Eugene Ormandy in 1973

Musical

Other

Release history

In 1977, RCA Victor Red Seal released the album on LP (catalogue numbers RL 12084 and ARL1-2084) [10] and cassette (catalogue numbers RK 12084 and ARK1-2084). [11] The LP sleeve had photographs of Blegen and von Stade and notes by Jay David Saks and George R. Marek. [10]

In 1985, RCA Victor Red Seal issued the album on CD (catalogue number RD 82084), with a 16-page insert booklet including notes by Jay David Saks and George R. Marek in English, French and German but no photographs, artist biographies, texts or translations. [1]

Related Research Articles

<span class="mw-page-title-main">Frederica von Stade</span> American mezzo-soprano

Frederica von Stade is a semi-retired American classical singer. Best known for her work in opera, she was also a recitalist and concert artist, and she recorded more than a hundred albums and videos. She was especially associated with operas by Mozart and Rossini, and also with music by French and American composers, most notably Jake Heggie.

<span class="mw-page-title-main">Piano Concerto No. 1 (Mendelssohn)</span>

Mendelssohn's Piano Concerto No. 1 in G minor, Op. 25, was written in 1830–31, around the same time as his fourth symphony ("Italian"), and premiered in Munich on 17 October 1831. This concerto was composed in Rome during a travel in Italy after the composer met the pianist Delphine von Schauroth in Munich. The concerto was dedicated to her. Mendelssohn attended one party after another in Munich in October 1831, the month of the premiere, but he also played chamber music and taught double counterpoint. He performed the piece himself at the premiere, which also included performances of his Symphony No. 1 and the Overture from Midsummer Night's Dream. He had already written a piano concerto in A minor with string accompaniment (1822) and two concertos with two pianos (1823–24).

On two occasions, Felix Mendelssohn composed music for William Shakespeare's play A Midsummer Night's Dream. First in 1826, near the start of his career, he wrote a concert overture. Later, in 1842, five years before his death, he wrote incidental music for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous "Wedding March".

Judith Blegen is an American soprano, particularly associated with light lyric roles of the French, Italian and German repertories.

John Pfeiffer was a classical recording producer, a design engineer, and an occasional electronic music composer.

<i>Song Recital</i> 1978 studio album by Frederica von Stade

Song Recital is a 54-minute studio album of Lieder, mélodies and English and American songs performed by Frederica von Stade with piano accompaniment by Martin Katz. It was released in 1978.

<i>Italian Opera Arias</i> 1979 album by Frederica von Stade

Italian Opera Arias is a studio album of music by Frederica von Stade, Janice Taylor and the National Arts Centre Orchestra under the direction of Mario Bernardi. It was released in 1979.

<i>Chants dAuvergne, Vol. 1</i> 1982 studio album by Frederica von Stade

Frederica von Stade: Chants d'Auvergne, Vol. 1 is a 51-minute studio album presenting seventeen of the thirty traditional Auvergnat songs collected and arranged by Joseph Canteloube, performed by von Stade and the Royal Philharmonic Orchestra under the direction of Antonio de Almeida. It was released in 1982. The same artists recorded the rest of Canteloube's Auvergne songs and three mélodies of his own composition for a sequel album, Frederica von Stade: Chants d'Auvergne, Vol. 2, released in 1986.

<i>Chants dAuvergne, Vol. 2</i> 1986 studio album by Frederica von Stade

Frederica von Stade: Chants d'Auvergne, Vol. 2 & Triptyque is a 60-minute studio album containing thirteen of the thirty traditional Auvergnat songs collected and arranged by Joseph Canteloube, together with a song cycle of his own composition, performed by von Stade and the Royal Philharmonic Orchestra under the direction of Antonio de Almeida. It was released in 1986. The same artists recorded Canteloube's seventeen other Auvergnat songs for the album's predecessor, Frederica von Stade: Chants d'Auvergne, Vol. 1, released in 1982.

<i>Mahler Symphony No. 4</i> (Claudio Abbado 1978 recording) 1978 studio album by Claudio Abbado

Mahler Symphony No. 4 is a 57-minute studio album that the operatic mezzo-soprano Frederica von Stade recorded with the Vienna Philharmonic Orchestra under the direction of Claudio Abbado. It was released in 1978.

<i>Anything Goes</i> (1989 cast album) 1989 studio album by John McGlinn

Anything Goes is a 74-minute studio recording of a historically informed version of Cole Porter's musical, starring Kim Criswell, Jack Gilford, Cris Groenendaal and Frederica von Stade, performed with the Ambrosian Chorus and the London Symphony Orchestra under the direction of John McGlinn. It was released in 1989.

<i>Frederica von Stade chante Monteverdi & Cavalli</i> (recording) 1985 studio album by Frederica von Stade

Frederica von Stade chante Monteverdi & Cavalli is a 48-minute studio album of arias by Francesco Cavalli and songs and arias by Claudio Monteverdi, performed by von Stade with the Scottish Chamber Orchestra under the direction of Raymond Leppard. It was released in 1985. A second, 54-minute version of the album, released in 1995 as Recital: Frederica von Stade: Cavalli, Monteverdi & Mozart Arias, added two bonus arias taken from Erato's 1978 recording of Mozart's Così fan tutte, on which von Stade sang Dorabella with the Orchestre Philharmonique de Strasbourg under Alain Lombard.

<i>A Midsummer Nights Dream</i> (Seiji Ozawa recording) 1994 studio album of Mendelssohns A Midsummer Nights Dream by Seiji Ozawa

A Midsummer Night's Dream is a 55-minute studio album containing the overture and almost all of the incidental music that Felix Mendelssohn wrote to accompany William Shakespeare's play of the same name. It is performed by Kathleen Battle, Frederica von Stade, the Tanglewood Festival Chorus and the Boston Symphony Orchestra under the direction of Seiji Ozawa, with interlinking passages of verse spoken by Judi Dench. It was released in 1994.

<i>Mozart Mass K. 139</i> (Claudio Abbado recording) 1976 studio album by Claudio Abbado

Mozart Mass K. 139 is a 45-minute classical studio album on which Mozart's Waisenhaus-Messe is performed by Gundula Janowitz. Frederica von Stade, Wiesław Ochman, Kurt Moll, the Chorus of the Vienna State Opera and the Vienna Philharmonic Orchestra under the direction of Claudio Abbado. It was released in 1976.

<i>The Three-Cornered Hat</i> (André Previn recording) 1983 studio album by André Previn

The Three-Cornered Hat is a 42-minute classical studio album in which the Pittsburgh Symphony Orchestra under André Previn perform the whole of Manuel de Falla's ballet The Three-Cornered Hat and, as a filler, the Ritual Fire Dance from his ballet Love the Magician. The longer work's two brief vocal passages are sung by the American mezzo-soprano Frederica von Stade. The album was released in 1983.

<i>Marilyn Horne & Frederica von Stade: Lieder & Duets</i> 1993 studio album by Marilyn Horne, Frederica von Stade & Martin Katz

Marilyn Horne & Frederica von Stade: Lieder & Duets is a 49-minute classical studio album in which Horne sings songs by Robert Schumann and Antonin Dvoŕák, and Horne and von Stade sing duets by Felix Mendelssohn Bartholdy, all accompanied by Martin Katz on the piano. The recording was released in 1993.

<i>Cendrillon</i> (Julius Rudel recording) 1979 studio album by Julius Rudel

Cendrillon is a 136-minute studio album of Jules Massenet's opera, performed by a cast led by Elizabeth Bainbridge, Jules Bastin, Jane Berbié, Teresa Cahill, Nicolai Gedda, Frederica von Stade and Ruth Welting with the Ambrosian Opera Chorus and the Philharmonia Orchestra under the direction of Julius Rudel. It was released in 1979.

<i>Hänsel und Gretel</i> (John Pritchard recording) 1979 studio album by John Pritchard

Hänsel und Gretel is a 107-minute studio album of Engelbert Humperdinck's 1893 opera of the same name, performed by Ileana Cotrubaș, Dame Kiri Te Kanawa, Christa Ludwig, Siegmund Nimsgern, Elisabeth Söderström, Frederica von Stade and Ruth Welting with the Children's Chorus of Cologne Opera and the Gürzenich Orchestra under the direction of Sir John Pritchard. It was released in 1979.

<i>Dardanus</i> (Raymond Leppard recording) 1981 studio album by Raymond Leppard

Dardanus is a 119-minute studio album of Jean-Philippe Rameau's opera, performed by a cast led by José van Dam, Michael Devlin, Veronique Dietschy, Christiane Eda-Pierre, Georges Gautier, Roger Soyer and Frederica von Stade with the Chorus and Orchestra of the National Theatre of the Paris Opera under the direction of Raymond Leppard. It was released in 1981.

<i>Die Schöpfung & Harmoniemesse</i> (Leonard Bernstein recording) 1992 studio album by Leonard Bernstein

Die Schöpfung & Harmoniemesse is a 1992, 149-minute CD issue of two studio recordings of classical vocal works by Joseph Haydn, both accompanied by the New York Philharmonic and conducted by Leonard Bernstein. The oratorio Die Schöpfung, sung by Judith Raskin, John Reardon, Alexander Young and the Camerata Singers, was first released in 1968. The Harmoniemesse, sung by Judith Blegen, Simon Estes, Kenneth Riegel, Frederica von Stade and the Westminster Choir, was first released in 1975.

References

  1. 1 2 3 4 5 6 Mendelssohn, Felix: A Midsummer Night's Dream, cond. Eugene Ormandy, RCA Victor Red Seal CD, RD 82804, 1985
  2. Mendelssohn, Felix: A Midsummer Night's Dream, cond. Seiji Ozawa, Deutsche Grammophon CD, 439 897-2, 1994
  3. Mendelssohn, Felix: A Midsummer Night's Dream, cond. Otto Klemperer, EMI Records LP, SXLP 30196
  4. Mendelssohn, Felix: A Midsummer Night's Dream, cond. André Previn, EMI Records LP, ASD 3377
  5. Mendelssohn, Felix: A Midsummer Night's Dream, cond. Raymond Leppard, Erato LP, STU 71090
  6. Greenfield, Edward: Gramophone, October 1978, p. 746
  7. Greenfield, Edward: Gramophone, January 1986, p. 920
  8. Mendelssohn, Felix: A Midsummer Night's Dream, cond. Peter Maag, London Records LP, STS 15084
  9. Freed, Richard: Stereo Review, November 1983, p. 67
  10. 1 2 Mendelssohn, Felix: A Midsummer Night's Dream, cond. Eugene Ormandy, RCA Victor Red Seal LP, RL 12084 and ARL1-2084, 1977
  11. Mendelssohn, Felix: A Midsummer Night's Dream, cond. Eugene Ormandy, RCA Victor Red Seal MC, RK 12084 and ARK1-2084, 1977