James Neville Mason was an English actor. He achieved considerable success in British cinema before becoming a star in Hollywood. He was the top box-office attraction in the UK in 1944 and 1945; his British films included The Seventh Veil (1945) and The Wicked Lady (1945). He starred in Odd Man Out (1947), the first recipient of the BAFTA Award for Best British Film.
Dennistoun Franklyn John Rose Price was an English actor. He played as Louis Mazzini in the Ealing Studios film Kind Hearts and Coronets (1949) and the omnicompetent valet Jeeves in 1960s television adaptations of P. G. Wodehouse's stories.
Margaret Mary Day Lockwood, CBE, was an English actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She also starred in the television series Justice (1971–74).
The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwaywoman for the excitement. The film had one of the largest audiences for a film of its period, 18.4 million.
Jean Kent, born Joan Mildred Field was an English film and television actress.
The Man in Grey is a 1943 British film melodrama made by Gainsborough Pictures; it is considered to be the first of a series of period costume dramas now known as the "Gainsborough melodramas". It was directed by Leslie Arliss and produced by Edward Black from a screenplay by Arliss and Margaret Kennedy that was adapted by Doreen Montgomery from the 1941 novel The Man in Grey by Eleanor Smith. The film's sets were designed by Walter Murton.
Bernard Knowles was an English film director, producer, cinematographer and screenwriter. Born in Manchester, Knowles worked with Alfred Hitchcock on numerous occasions before the director emigrated to Hollywood.
Ghost Ship is a 1952 British second feature thriller film directed by Vernon Sewell and starring Dermot Walsh and Hazel Court. It was written by Vernon Sewell and Philip Thornton. This was one of four attempts by Vernon Sewell to adapt and film the Pierre Mills and Celia de Vilyars Grand Guignol stage playL'Angoisse.
Madonna of the Seven Moons is a 1945 British drama film starring Phyllis Calvert, Stewart Granger and Patricia Roc. Directed by Arthur Crabtree for Gainsborough Pictures, the film was produced by Rubeigh James Minney, with cinematography from Jack Cox and screenplay by Roland Pertwee. It was one of the Gainsborough melodramas of the mid-1940s popular with WW2-era female audiences.
Fanny by Gaslight is a 1944 British drama film, directed by Anthony Asquith and produced by Gainsborough Pictures, set in the 1870s and adapted from a 1940 novel by Michael Sadleir.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry" and "one of the greatest figures in British film history, the maker of stars like Margaret Lockwood, James Mason, John Mills and Stewart Granger. He was also one of the very few producers whose films, over a considerable period, made money." In 1946 Mason called Black "the one good production executive" that J. Arthur Rank had. Frank Launder called Black "a great showman and yet he had a great feeling for scripts and spent more time on them than anyone I have ever known. His experimental films used to come off as successful as his others."
Jassy is a 1947 British colour film historical melodrama set in the early 19th century, based on a novel by Norah Lofts. It is a Gainsborough melodrama, the only one to be made in Technicolor. It was the last "official" Gainsborough melodrama.
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 which conformed to a melodramatic style. The melodramas were not a film series but an unrelated sequence of films which had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume dramas, such as The Man in Grey (1943) and The Wicked Lady (1945), and modern-dress dramas, such as Love Story (1944) and They Were Sisters (1945). The popularity of the films with audiences peaked mid-1940s when cinema audiences consisted primarily of women. The influence of the films led to other British producers releasing similarly themed works, such as The Seventh Veil (1945), Pink String and Sealing Wax (1945), Hungry Hill (1947), The White Unicorn (1947), Idol of Paris (1948), and The Reluctant Widow (1950) and often with the talent that made Gainsborough melodramas successful.
The White Unicorn is a 1947 British drama film directed by Bernard Knowles and starring Margaret Lockwood, Joan Greenwood, Ian Hunter and Dennis Price. Kyra Vayne appeared as the singer. It was made at Walton Studios by the independent producer John Corfield, and released by General Film Distributors. The film's sets were designed by Norman G. Arnold. It was also known as Milkwhite Unicorn and Bad Sister.
The Magic Bow is a 1946 British musical film based on the life and loves of the Italian violinist and composer Niccolò Paganini. It was directed by Bernard Knowles. The film was entered into the 1946 Cannes Film Festival.
Harold Huth was a British actor, film director and producer.
Arthur Michael Shepley-Smith, known professionally as Michael Shepley, was a British actor, appearing in theatre, film and some television between 1929 and 1961.
They Were Sisters is a 1945 British melodrama film directed by Arthur Crabtree for Gainsborough Pictures and starring James Mason and Phyllis Calvert. The film was produced by Harold Huth, with cinematography from Jack Cox and screenplay by Roland Pertwee. They Were Sisters is noted for its frank, unsparing depiction of marital abuse at a time when the subject was rarely discussed openly. It was one of the Gainsborough melodramas.
Doctor Syn is a 1937 British black-and-white historical dramatic adventure film, directed by Roy William Neill for Gainsborough Pictures. It stars George Arliss, Margaret Lockwood, Graham Moffatt, and Ronald Shiner. The film is based on the Doctor Syn novels of Russell Thorndike, set in 18th century Kent. The character of Syn and the events at the film's climax were both softened considerably in comparison to Thorndike's original storyline.
A Place of One's Own is a mystery novel written by the British author Osbert Sitwell that was published in 1940. Belonging to the ghost story genre, the novel was an extension of a short story that Sitwell had previously written. The plot follows the lives of an elderly couple at the turn of the twentieth century who move into a new house, only to discover that it appears to be haunted.
