A Postcard from the Day is the second live album (and most recent release) by the American band The Slickee Boys (Dacoit Records, catalog #2006-1). The album, compiled by guitarist Marshall Keith, collects recordings from 1980 to 1982, taken from shows in Maryland, Virginia, D.C., and New York City.
Tom Shea – Stage dude, cover photo, collage of photos
Marshall Keith – CD design
Cathy Gatlin – Collage of photos
Carol Albert – Slickette
Kathleen Sheedy – Slickette
"Thanks for setting the spark on this project: Jim Moon; for cassettes: Robbie White, Tom Shea, Kay Pauley; for carting us all over the East Coast: Tom Shea, Allen Atkinson; for paving the way: Razz; for keeping us going all those years: our great fans"
Recorded at:
The Psychedelly, Bethesda, Maryland ("Goin' All the Way/Glendora", "Stepping Stone", "Mean Screen", "Reverse Psychiatry", "When We Were Kids")
The Elbow Room, Harrisonburg, Virginia ("Disconnected", "Riddles and Fairytales", "Gotta Tell Me Why", "Here to Stay")
Desperados, Georgetown, Washington, D.C. ("Life of the Party", "The Crawling Hand")
The Cellar Door, Georgetown ("Cinderella", "Porcelain Butter Kitten", "Can't Believe", "Hiccupped to Hell", "Ain't Gettin' Any", "Louise/Control")
The Bayou, Georgetown ("Somebody's Gonna Get Their Head Kicked in Tonite", "Pictures of Matchstick Men", "A Question of Temperature")
Columbia Station, Adams Morgan, Washington, D.C. ("Nagasaki Neuter")
CBGB, New York City ("Jailbait Janet", "Henry VIII")
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