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Francis Rossi | |
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Background information | |
Birth name | Francis Dominic Nicholas Michael Rossi [1] |
Also known as | Mike Rossi, Frame, The GOMOR (The Grand Old Man of Rock) |
Born | Forest Hill, London, England | 29 May 1949
Genres | |
Occupations |
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Instruments |
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Years active | 1962–present |
Member of | Status Quo |
Website | francisrossi |
Francis Dominic Nicholas Michael Rossi, OBE (born 29 May 1949) is an English musician. He is the co-founder, lead singer, lead guitarist and the sole continuous member of the rock band Status Quo.
Rossi was born on 29 May 1949 in Forest Hill, London. His father's side of the family were Italian ice cream merchants and had an ice cream business in South London, and his mother was a Northern Irish Roman Catholic from Liverpool. [2] He grew up in a household with his parents, grandmother, and "lots of aunts and uncles" and was given a Roman Catholic upbringing, having been named after Saint Francis of Assisi. [3] He spent his summer holidays as a child with an aunt in Waterloo, Merseyside.[ citation needed ]
He attended Our Lady and St Philip Neri Roman Catholic Primary School in Sydenham, and then Sedgehill Comprehensive School, from which he was expelled on his last day for having allowed his classmates to deface his school uniform. [4] His desire to become a musician began after seeing The Everly Brothers live on television at a young age, after which he asked his parents to buy him a guitar for Christmas. [3]
In 1962, while attending Sedgehill Comprehensive School, Rossi became close friends with future Status Quo bassist Alan Lancaster while playing trumpet in the school orchestra. [5] [6] The two, along with other classmates Alan Key (drums) and Jess Jaworski (keyboards), formed a band called the Scorpions, who played their first gig at the Samuel Jones Sports Club in Dulwich. Key was later replaced by Air Cadets drummer [5] and future Quo member John Coghlan, and the band was renamed the Spectres. The Spectres wrote their own material and played live shows; the line-up soon included Redhill-based keyboard player Roy Lynes, whom they had seen performing with a band called the Echoes who were also based in Redhill.[ citation needed ]
In 1965, the Spectres played at a Butlins holiday camp in Minehead. There Rossi met his future long-time Status Quo partner Rick Parfitt, who was playing as part of another band, the Highlights.[ citation needed ] The two became close friends and agreed to continue working together. In 1966, the Spectres signed a five-year deal with Piccadilly Records, releasing three singles that failed to chart.[ citation needed ] The group again changed their name, this time to Traffic Jam, after embracing psychedelia. [6] [7] [8]
In 1967, Traffic Jam changed its name to The Status Quo, but eventually dropped the definite article. Shortly afterward Parfitt joined the band, completing the original line-up, and beginning an almost 50-year partnership with Rossi until Parfitt's death in 2016. [9] Rossi had written a song called "Pictures of Matchstick Men", which hit the charts in both the UK and the US in 1968, launching their hit-making career.[ citation needed ] After some years of minor success, the band reached #5 in the album charts in 1972 with Piledriver .[ citation needed ] Released on Vertigo Records, it included "Paper Plane", a song penned by Rossi and Bob Young, which was released as a single.[ citation needed ]
Status Quo continued to enjoy major success in the UK, Europe, Japan, Australia and New Zealand through the 1970s and 1980s. [5] They were the opening act of 1985's Live Aid, and Rossi wrote and co-wrote some of their biggest hits, including "Caroline" and the band's only number one single, "Down Down".
Early Status Quo albums, up to 1971's Dog of Two Head , credited him as Mike Rossi. [10] Interviewed in 1996, he explained that his own name was deemed "too poncey" by the band's original manager, "so I had to change it to Mike, a real man's name, apparently". [11] Within the band, he is known as "Frame" or "The Gomor" (The Grand Old Man of Rock). [12]
Rossi and Parfitt were the only remaining original members in the band until Parfitt's death in 2016. In 2013 and 2014, Rossi and Parfitt reunited with original Quo bandmates Lancaster and Coghlan for a series of reunion concerts. Over their career, Status Quo have sold over 128 million albums worldwide. [5]
In 1984, the year before Quo opened Live Aid, Rossi and Parfitt appeared on the Band Aid charity single, "Do They Know It's Christmas?" Rossi has also pursued solo projects outside Status Quo. In 1985 when the band was on hold, he recorded two singles with his longtime writing partner Bernie Frost. The single releases were "Modern Romance (I Want to Fall in Love Again)" (UK No. 54 [13] ), and "Jealousy". In 1996 he issued a solo album, King of the Doghouse , which was not a commercial success, although it produced a UK No. 42 single, "Give Myself to Love". [13]
Some years earlier, in 1976, he had appeared on the soundtrack album and film All This and World War II comprising cover versions of songs by the Beatles. Although the album sleeve credits the performance of "Getting Better" to Status Quo, the track featured Rossi's vocals and the London Symphony Orchestra.[ citation needed ] In 1977, he produced and played guitar on John Du Cann's solo album The World's Not Big Enough . 3 May 2010 saw the release of his second solo album, One Step at a Time, including a re-recording of Quo's 1973 single "Caroline".[ citation needed ]
In 2013, Rossi starred as himself alongside Quo bandmate Parfitt in the adventure comedy film Bula Quo! , which followed the duo on an adventure in Fiji, getting involved in local Mafia operations on the island.[ citation needed ]
In 2019, Rossi released a joint album with UK singer and violinist Hannah Rickard, entitled We Talk Too Much on the earMusic label. [14] The same year, he released his autobiography I Talk Too Much (published by Little, Brown), as well as announcing a spoken word tour of the UK of the same name. [15]
Rossi's guitar of choice is the Fender Telecaster, and he has used several over the years including his trademark green 1957 model with a maple fretboard, which he purchased in 1968. [16] It was originally sunburst, but was painted green in 1970. Through the years several parts had been replaced with G&L parts, and a third pickup had been installed in a configuration much like a Stratocaster.[ citation needed ]
He also owns two other green Fender Telecasters that are both brighter in colour and feature rosewood fretboards. One is used for the song "Down Down" and the other for "Whatever You Want".[ citation needed ] Like his main guitar they are both in a three-pickup configuration.[ citation needed ]
In December 2014, Rossi was said to be "heartbroken" when his green 1957 Telecaster, after 46 years of use, became worn beyond use—the wood having become too soft to be able to properly tune the instrument. [17] The guitar was sold at auction in 2019 for £118,813. [18]
For amplification Rossi uses Marshall JCM800 or JCM900 Lead series amplifiers with 4x12 cabinets and a Roland GP8 to boost his signal. The sound from his Marshall rig is blended with Vox AC30 amplifiers that are kept behind his Marshall setup. He also uses software like Amplitube in the studio. [19]
Rossi, along with the rest of Status Quo, has often been described as "uncool", including by Rossi himself; in March 2013, he called the Status Quo of c. 1974 "the most uncool band in the world". [20] On stage, Rossi normally sported a black waistcoat, blue jeans and a pair of white trainers. In a December 2000 review of a Status Quo concert at Wembley Arena, Andrew Gilchrist writing for The Guardian called the white trainers "the only "visual" [the band] really have". [21]
Interviewed by Simon Hattenstone for The Guardian in 2007, Rossi said that he had idolised Little Richard, saying: "I think that's where we got the energy. To me it's synonymous with doing rock'n'roll. If you don't commit physically, rock'n'roll doesn't really work." [22]
Rossi married his second wife Eileen in 1989 [23] and has eight children from his two marriages. Interviewed in 2011, he said that all of his children played music professionally. [3] [11]
Rossi was estranged from his daughter Bernadette for seventeen years after his relationship with rock publicist Elizabeth Gernon broke up. They reunited in 2007, and her band Bernadette and The North supported Status Quo on that year's tour. [24]
In 2019 his autobiography, I Talk Too Much, was published by the Little, Brown Book Group. [25] Rossi refers to himself as a lapsed Catholic. [26]
Rossi was known for his long ponytail, which he started growing out around 1974. [27] After 35 years, [28] Rossi cut the ponytail off in 2009, when he noticed his hair was progressively thinning as he was approaching his 60th birthday. [27] "It looked fabulous - I felt like a fashion icon! But in the past few years my hair has got so thin that there's not enough to work into a decent ponytail. A few weeks ago it dawned on me that I looked ridiculous. So I decided to forget about clinging to my youth and it was time to grow old gracefully. When it came off I was horrified to look at these six inches of wizened grey strands. I realised I must have looked really stupid." [27] (Rossi, 2009 interview)
After years of excess, Rossi is teetotal and no longer takes drugs. Rossi claimed to have spent £1.7 million on cocaine in the 1980s. [29] This heavy cocaine use resulted in a piece of his nasal septum falling out, leaving a hole inside his nose which he once "pushed a cotton bud through during a TV interview" in order to demonstrate the dangers of drug addiction to young people. [30] In October 2014, Rossi told BBC's HARDtalk that alcohol was the gateway that led to his cocaine habit. [31] Despite no longer drinking alcohol, in 2010 Rossi became chairman of the 196-year-old Glen Rossie brand of whisky, which the band used to drink whilst on tour. [32]
Rossi was appointed Officer of the Order of the British Empire (OBE) in the 2010 New Year Honours for services to music and charity, along with Parfitt. [1] [33] Rossi said "It's one thing going out to play in front of 50,000 people but talking to the Queen – well that's quite another. We were both so humbled by the experience. I mean, this is the Queen after all. She is England, isn't she? We have grown up with her as our figurehead since we were tiny children and she's still going strong at 83. Not a very rock and roll thing to say I know, but she is simply amazing." [34]
Status Quo are a British rock band. The group originated in London and was founded in 1962 by Francis Rossi and Alan Lancaster while they were still schoolboys. After a number of name and lineup changes, which included the introduction of John Coghlan in 1963 and Rick Parfitt in 1967, the band became The Status Quo in 1967 and Status Quo in 1969. As of 2022, the group have been active for 60 consecutive years.
Richard John Parfitt, was an English musician, best known as a rhythm guitarist, singer and songwriter with rock band Status Quo.
Andrew Steven Bown is an English musician, who has specialised in keyboards and bass guitar. He is a member of the rock band Status Quo.
Rockin' All Over the World is the tenth studio album by British band Status Quo. It is their first to be produced by Pip Williams and the first to feature Andy Bown as a regular contributor to the band; he would later join the band officially in 1982. Released in November 1977, it reached #5 in the UK.
Alan Charles Lancaster was an English musician, best known as a founding member and bassist of the rock band Status Quo, playing with the band from 1967 to 1985, with brief reunions in 2013 and 2014. As well as contributing to songwriting, he was also one of the lead vocalists on albums and live concerts, taking the lead on tracks such as "Backwater", "Is There a Better Way", "Bye Bye Johnny", "High Flyer" and "Roadhouse Blues".
John Robert Coghlan is an English musician, best known as the original drummer of the rock band Status Quo.
Ma Kelly's Greasy Spoon is the third studio album by English rock band Status Quo, released in August 1970. It was the first album by the band to leave behind their early psychedelic sound and begin experimenting with a hard rock style, which remains the band's signature sound, and the last album to feature keyboardist Roy Lynes. The album failed in sales and charts and was not successful.
Hello! is the sixth studio album by the British rock band Status Quo. Released in September 1973, it was the first of four Status Quo albums to top the UK Albums Chart.
Blue for You is the ninth studio album by English rock band Status Quo. It was released in March 1976, and is the last album until 1980's Just Supposin' that the band produced themselves, which resulted in subsequent albums having a noticeably lighter, more pop oriented sound.
Just Supposin' is the thirteenth album by Status Quo. Co-produced by the group and John Eden, it was recorded at Windmill Lane Studios, Dublin. Released on 17 October 1980, it entered the UK albums chart at number 4.
Ain't Complaining is the eighteenth studio album by British rock band Status Quo. Initially released on the Vertigo label on 6 June 1988, it was the group's first album on that label to fall short of the UK Top 10, breaking a streak of 12 studio albums in the process. It reached no higher than its entry position of number 12 in the UK Albums Chart. The band, however, reentered the Top 10 three years later with Rock 'til You Drop in 1991.
Thirsty Work is the twenty-first studio album by English rock band Status Quo. It yielded three hit singles, "I Didn't Mean It", "Sherri Don't Fail Me Now", and the uncharacteristic ballad "Restless". "Goin' Nowhere" was released as a single in Germany. "Sorry" had originally been recorded by Demis Roussos and released on his 1980 album Man of the World, with Francis Rossi and Bernie Frost on all instruments and backing vocals.
Never Too Late is the fourteenth studio album by English rock band Status Quo, coproduced by the group and John Eden. Released on 13 March 1981, it had been recorded at the same sessions – at Windmill Lane Studios, Dublin – as its predecessor Just Supposin'. It reached number 2 in the UK Albums Chart.
In Search of the Fourth Chord is the twenty-eighth studio album by English rock band Status Quo, released on 17 September 2007. The title is a tongue-in-cheek reference to the rumour that the group always plays the same three chords, and a reference to the album In Search of the Lost Chord by British rock band the Moody Blues. The album's artwork is a parody of the Indiana Jones films.
Robert Keith Young is an English musician and author, who became famous for being the unofficial fifth member of the rock band Status Quo.
Aquostic II – That's a Fact! is the thirty-second studio album by English rock band Status Quo, released on 21 October 2016. It is the last album to feature guitarist and vocalist Rick Parfitt prior to his death on 24 December 2016. Hannah Rickard, with whom Francis Rossi collaborated on their 2019 duet album We Talk Too Much, can be heard as violinist and background singer.
Richie Malone is an Irish musician who plays rhythm guitar for English rock band Status Quo. Malone first played with the band in July 2016, when previous guitarist Rick Parfitt was no longer able to tour due to a heart attack. Parfitt died in December 2016, and Malone became his permanent replacement.
"Forty Five Hundred Times" is a song by British rock band Status Quo. It is the final track on their 1973 album Hello!, almost ten minutes long and regularly performed live. The group's frontmen, Francis Rossi and Rick Parfitt, have said it is one of their favourite songs by the band, with Parfitt using a special dropped tuning. While never released as a single, the song was #1 as voted by fans.
Backbone is the 33rd studio album by British rock band Status Quo. It was released on 6 September 2019 and debuted at number six on the UK Albums Chart. It was the band's 25th UK top ten album and their highest-charting album of original material since 1+9+8+2 (1982). Backbone also entered the Swiss album charts at number two, and the German album charts at number six, giving the band their highest album chart position in the latter, despite a long history of enduring popularity.