"No Limit" is a song recorded by Belgian/Dutch Eurodance group 2 Unlimited, released in January 1993 by Byte, ZYX and PWL. It was their fifth single in total and the first to be released from their second album, No Limits! (1993). Co-written by the group's Ray Slijngaard and Anita Dels, the song became one of their most commercially successful singles, especially in Europe, reaching the number-one spot in 35 countries and the top 10 in several others. Like previous releases, the UK version of the single removed all of the raps from Slijngaard, leaving just Dels' vocals. One word from the rap was kept, the word 'Techno' which was looped and repeated during the middle of the song, turning the line into "Techno! Techno! Techno! Techno!" and giving the song an extra vocal hook. Its accompanying music video was directed by Nick Burgess-Jones and received heavy rotation on MTV Europe.
"Old Pop in an Oak" is a song recorded by Swedish band Rednex, released in 1994 as the second single from their debut album, Sex & Violins (1995). It reached number-one in many countries, including Austria, Belgium, Denmark, Finland, and Sweden. In the UK, it peaked at number 12.
"Tears in Heaven" is a song by English guitarist, singer, and songwriter Eric Clapton and Will Jennings, written about the death of Clapton's four-year-old son, Conor. It appeared on the 1991 Rush film soundtrack. In January 1992, Clapton performed the song in front of an audience at Bray Studios, Berkshire, England for MTV Unplugged, with the recording appearing on his Unplugged album.
"Angel" is a song by Jamaican reggae artist Shaggy featuring additional vocals from Barbadian singer Rayvon. Sampling the 1973 song "The Joker" by American rock band Steve Miller Band and interpolating the 1967 song "Angel of the Morning" written by Chip Taylor, it was released to radio on 9 January 2001 as the follow-up to Shaggy's international number-one hit, "It Wasn't Me". "Angel" also proved to be successful, reaching number one in 12 countries, including Australia, Germany, Ireland, the United Kingdom, and the United States.
"All for Love" is a song written by Bryan Adams, Robert John "Mutt" Lange, and Michael Kamen for the soundtrack The Three Musketeers: Original Motion Picture Soundtrack. It is performed by Adams, Rod Stewart, and Sting. The power ballad was released as a CD single in the United States on November 16, 1993, by A&M and Hollywood. It was a worldwide hit, reaching number one across Europe, in Australia and in North America.
Cartoons, also known as Cartoons DK, are a Eurodance band from Denmark, best known for their song "DooDah!" and their cover of the 1958 novelty song "Witch Doctor", both hits released in 1998.
The Canadian Singles Chart was a chart compiled by the American-based music sales tracking company, Nielsen SoundScan, which began publication in November 1996. It was published every Wednesday and also published on Thursday by Jam!/Canoe. The chart also appeared in Billboard until March 2006, when Billboard stopped publishing the Canadian Singles Chart in favor of the Canadian Digital Songs Sales Chart. Billboard later introduced their own singles chart for Canada, the Canadian Hot 100, on June 7, 2007.
Russian duo t.A.T.u. have released six studio albums, one compilation album, two remix albums, eighteen singles, and three promotional singles. t.A.T.u. debuted in 2000 with the single "Ya Soshla S Uma" from their debut album 200 Po Vstrechnoy, released in 2001 by Universal Music Russia. The album reached number one in the Czech Republic, Poland, and Slovakia. After selling 850,000 copies in Russia, it was certified platinum by the IFPI for more than one million copies in Europe, the first time for an Eastern European act. The album's English-language counterpart, 200 km/h in the Wrong Lane, was released worldwide through Interscope Records in 2002. It reached number thirteen on the US Billboard 200 and was certified gold by the RIAA. In Japan, the album reached number one, the first time for a foreign group, and sold 1.8 million copies. It was also certified platinum by the IFPI for more than one million copies sold in Europe. 200 km/h in the Wrong Lane was promoted with the duo's first international single "All the Things She Said", which topped the charts in Australia, Ireland, New Zealand, and the United Kingdom while peaking at number twenty on the Billboard Hot 100. The album produced three more singles—"Not Gonna Get Us", "30 Minutes", and "How Soon Is Now?"—, with the former becoming t.A.T.u.'s second top 10 single in Ireland and the United Kingdom. Ultimately, 200 km/h in the Wrong Lane became the twelfth best-selling album of 2003, and sold over 5 million copies worldwide. A remix album titled Remixes was released in 2003 and certified gold in Russia.
"Understanding" is a song by American R&B group Xscape. Written by Manuel Seal, the song was released as the group's second single from the group's 1993 debut album Hummin' Comin' at 'Cha. The song reached number eight on the US Billboard Hot 100 and spent two weeks at number one on the Hot R&B Singles chart.
"The Twelfth of Never" is a popular song written in 1956 and first recorded by Johnny Mathis the following year. The title is a popular expression, which is used as the date of a future occurrence that will never come to pass. In the case of the song, "the 12th of Never" is given as the date on which the singer will stop loving his beloved, thus indicating that he will always love him or her.
"No Matter What" is a song from the 1996 musical Whistle Down the Wind that was popularised by Irish boyband Boyzone in 1998 when they recorded it to tie in with the show's first UK production. The song was written by Andrew Lloyd Webber and Jim Steinman, while Lloyd Webber, Steinman and Nigel Wright produced the track, with additional production by Franglen & Lupino. The song was also featured on the US edition of the soundtrack to the 1999 film Notting Hill, and was released to American radio on 10 May 1999.
"One and One" is a song written by Billy Steinberg, Rick Nowels and Marie-Claire D'Ubaldo. The song was performed by Edyta Górniak. It was covered by Robert Miles in 1996.
"Everytime We Touch" is a cover song by German techno and Eurodance trio Cascada, taken from their 2006 debut album of the same name. It was arranged and produced by the band's DJs, Manian and Yanou. The writing and composing credits were given to Maggie Reilly, Stuart Mackilliop, and Peter Risavy, as the song borrows the chorus from Reilly's single of the same name.
"Bailando" is a song by Belgian group Paradisio. It was released in 1996 as the lead single from their debut album, Paradisio. The song is produced by Patrick Samoy and Luc Rigaux and reached number-one in Italy, Denmark, Norway, Finland and Sweden. It peaked at number 2 in Belgium. In Sweden, it was the best selling single by being triple platinum. The song was a hit in most countries across Europe during the summer of 1997.
"Seven Days and One Week" is a song by Italian-French electronic music act B.B.E. It was released in July 1996 by Triangle as the lead single from their debut album, Games (1996). As a representative of the short-lived dream house sound, the song became a top 10 hit worldwide, most notably reaching number-one in Spain, number two in Belgium, Finland, Ireland and Italy, and number three in Germany, the Netherlands and the United Kingdom. On the Eurochart Hot 100, it also peaked at number three. Its music video was directed by Martin Weisz.
"Fable" is a song by Italian musician Robert Miles, released in May 1996 as the second single from his debut album, Dreamland (1996). The song features uncredited vocals from Fiorella Quinn. Like "Children", the single received universal acclaim. It was a hit in several countries, reaching number one in Italy and entering the top 10 in Austria, Belgium, Finland, France, Germany, Hungary, Iceland, Ireland, Italy, Spain, Switzerland and UK. In 1997, the song charted on the US Billboard Hot Dance Club Play chart, on which it peaked at number one for one week.
"Slave to the Music" is a song by Dutch Eurodance group Twenty 4 Seven, released on 13 August 1993 by Indisc, ZYX Music and Possum, as the third single and first song from their second studio album, Slave to the Music (1994). The song was written by the group with co-producer Ruud van Rijen and peaked within the top 10 in at least eight countries. It peaked at number two in Australia and Zimbabwe.
"Freed from Desire" is a Eurodance song by Italian singer and songwriter Gala. Produced by Maurizio Molella, Phil Jay, and David Seitz it was released in 1996 as the first single from her debut album, Come into My Life (1997). It was a hit in many European countries, reaching number one in France and Belgium. The track was released in the UK in July 1997, peaking at number two and spending eight weeks inside the top 10 and 14 weeks in total in the top 75. Gala achieved a diamond recording certification in France, a double-platinum certification in Belgium and Italy, and a triple-platinum certification in United Kingdom.
"Samba de Janeiro" is a song by German pop group Bellini. It was released on 5 May 1997 in Germany as the lead single from their debut album of the same name (1997). The song was a hit throughout Europe, reaching number-one in Hungary and the top 10 in at least 12 countries. It interpolates the chorus of Airto Moreira's 1972 song "Tombo in 7/4", as well as samples the drum rhythm from Moreira's "Celebration Suite". "Samba de Janeiro" won the award for best dance single at the 7th annual Echo Awards.
American singer Whitney Houston, known as "The Voice", released 57 singles as a leading artist and 4 as a featured artist. Houston is one of the best-selling music artists of all time, with over 220 million records sold worldwide. In the United States, Houston amassed 11 Billboard Hot 100 number-one singles, all of whom have been certified either gold, platinum, multi-platinum or diamond by the Recording Industry Association of America and was one of a selected group of artists to have a top ten single in the Billboard Hot 100 in four different decades. She is currently ranked in seventh place of the artists with the most number one singles in the history of the Billboard Hot 100. Prior to the introduction of digital singles, Houston sold 16.5 million physical singles in the country, the most ever by a female recording artist. In October 2012, the Official Charts Company claimed Houston was the fourth biggest-selling female singles artist of all time with a sales total of 8.5 million singles in that country.
