A Walk with Love and Death | |
---|---|
Directed by | John Huston |
Screenplay by | Dale Wasserman |
Based on | A Walk with Love and Death 1961 novel by Hans Koningsberger |
Produced by | Carter DeHaven |
Starring | |
Cinematography | Edward Scaife |
Edited by | Russell Lloyd |
Music by | Georges Delerue |
Color process | Color by DeLuxe |
Production company | 20th Century Fox |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | English |
Budget | $2,410,000 [1] |
A Walk with Love and Death is a 1969 American historical-drama film directed by John Huston and starring Anjelica Huston and Assi Dayan.
The story is based on the 1961 novel by Hans Koningsberger, set at the time of the 1358 uprising of the peasants of northern France known as the Jacquerie. Heron of Fois (Assi Dayan), a student from Paris, crosses territory devastated by the upheaval and the ferocious reprisals of the nobility. He meets with Claudia (Anjelica Huston), the aristocratic daughter of a royal official killed by the peasants, and they attempt to reach Calais. In the novel, Heron's intended final destination is Oxford University while in the film "the sea" less specifically comes to represent an abstract freedom. While differing in their views of the Jacquerie—Heron sympathises with the exploited peasantry, and Claudia sees their rising as mindless savagery—the young couple become lovers. In the end, they fail to escape the chaotic violence around them but await death "strangely happy - we had stopped running from them and we had our hour".
The film marked the screen debut of Huston's daughter Anjelica Huston. [2] It also marked the screen debut of Israeli actor Assi Dayan, son of Moshe Dayan. [3] John Huston plays the role of a noble who defects to the rebels.
Anjelica Huston had been in the running to play Juliet in director Franco Zeffirelli's adaptation of Romeo and Juliet , but John Huston withdrew her from consideration when he decided to cast her as Claudia in A Walk with Love and Death. Huston felt that she was wrong for the role, and has commented on the experience that her father "miscast me first time out and I think he realized that. I was ready to act, but I wasn't ready to act for him...I was difficult, I didn't want to act with no makeup, although I'd have done it for Franco." [4] Father and daughter had a fractious relationship on set, with the young Anjelica's having difficulty learning her lines and focusing, and her father grew more impatient and angry at directing her. [5]
The musical score was the work of the French composer Georges Delerue. It incorporated medieval folk music themes, making extensive use of lute, harpsichord, and recorders.
The film was not a box-office success, [3] but John Huston noted in his autobiography An Open Book (1980) that it was highly praised in France, where there was a greater understanding of the historical context.
According to Fox records, the film required $3,900,000 in rentals to break even and by 11 December 1970 had made $825,000. [6] In September 1970 the studio reported it had lost $1,637,000 on the film. [7]
Some contemporary reviewers considered that the film held up the past as a mirror of the events of 1968, when it was made. Comparisons were variously made with the Vietnam War or the Paris rioting of May/June that year, which required filming to be relocated to Austria and Italy. However a recent and detailed analysis of both novel and film by the essayist Peter G. Christensen concludes that the story is literally a period one, intended to evoke the turbulence of its 14th-century setting rather than illustrating cultural or generational issues of the late 1960s. [8]
John Marcellus Huston was an American film director, screenwriter and actor. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics. He received numerous accolades including two Academy Awards and three Golden Globe Awards. He also received a star on the Hollywood Walk of Fame in 1960 and the BAFTA Fellowship in 1980.
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The Jacquerie was a popular revolt by peasants that took place in northern France in the early summer of 1358 during the Hundred Years' War. The revolt was centred in the valley of the Oise north of Paris and was suppressed after over two months of violence. This rebellion became known as "the Jacquerie" because the nobles derided peasants as "Jacques" or "Jacques Bonhomme" for their padded surplice, called a "jacque". The aristocratic chronicler Jean Froissart and his source, the chronicle of Jean le Bel, referred to the leader of the revolt as Jacque Bonhomme, though in fact the Jacquerie 'great captain' was named Guillaume Cale. The word jacquerie became a synonym of peasant uprisings in general in both English and French.
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