The Barbarian and the Geisha

Last updated
The Barbarian and the Geisha
Barbarian Geisha 1958.jpg
Theatrical release half-sheet display poster
Directed by John Huston
Screenplay by Charles Grayson
Story byEllis St. Joseph
Produced by Eugene Frenke
Starring John Wayne
Narrated by Eiko Ando
Cinematography Charles G. Clarke
Edited by Stuart Gilmore
Music by Hugo W. Friedhofer
Color process Color by DeLuxe
Production
company
20th Century Fox
Distributed by 20th Century Fox
Release date
  • September 30, 1958 (1958-09-30)
Running time
105 minutes
CountryUnited States
LanguageEnglish
Budget$3,495,000 [1]
Box office$2.5 million [2]

The Barbarian and the Geisha (working titles The Townsend Harris Story and The Barbarian) is a 1958 American adventure film directed by John Huston and starring John Wayne. The film was shot primarily on location in Japan.

Contents

Townsend Harris is appointed the first Consul General to Japan. Upon his arrival, Harris discovers that the Japanese thoroughly mistrust all foreigners, despite a two-year-old treaty between Japan and the United States. Harris slowly earns the respect of the local governor and trust of the local townsfolk and is eventually granted an audience with Japan's military dictator, the Shōgun.

Plot

In 1856, Townsend Harris (John Wayne) is sent by President Franklin Pierce to serve as the first U.S. Consul General to Japan, following the treaty written by Commodore Matthew Perry two years before. Accompanied only by his translator-secretary, Heusken (Jaffe) and three Chinese servants, Harris comes ashore at the town of Shimoda prefecture, as specified in the treaty as the location for an American consulate.

However, the Japanese governor (Sō Yamamura) refuses to accept his credentials, denying him any official status, due to a conflict between interpretations of the treaty terms. While Harris believes that the Consul shall be present whenever either country requires, the Japanese believe the terms to permit a consul only when both countries require. The governor holds to his interpretation, largely because of objections over the threats under which the treaty was forced upon them. Harris is permitted to remain in Shimoda, but only as a private citizen, with no recognition of his official status. He is provided the use of an abandoned home, adjacent to the town cemetery.

The governor explains that, in the two years following Perry's visit, various natural disasters had taken place. Some Japanese believed them to be warnings from the gods to avoid foreign influences. In the weeks that follow, Harris is the target of distrust and hostility, to the extent that Tamura orders townspeople to not even sell him food. Some in Japan wanted the country opened, but many others feared the corruption of foreign influences, and invasion by the barbarians of other lands. For this reason, Harris is not permitted to leave Shimoda, nor to go any closer to the capitol in Edo, 100 miles away.

For his own part, Harris does his best to cooperate with the Governor, even obeying orders to take down the American flag which had been raised to mark the location of the consulate. His cooperation noted, after several months, Harris is eventually invited to dine with the Governor, a dinner following which Tamura sends a geisha named Okichi (Eiko Ando) to take care of Harris' needs.

The relationship between Harris and Okichi grows closer and more intimate, and she helps him understand Japanese culture.

Harris helps rid the village of a cholera epidemic and out of this comes Harris' opportunity to go to Edo, where he must then convince the Shogunate to open the country, while facing his greatest crisis.

Cast

Production

Director Anthony Mann initially owned the story but he sold the rights to 20th Century Fox after being unable to sign a big star to play the lead.

Exteriors were shot on location in Japan at Kyoto and the Tōdai-ji shrine in Nara. Interiors and additional scenes were completed at Toho Studios in Tokyo and 20th Century Fox Studios, Los Angeles. During filming, Wayne and director John Huston did not get along; in one altercation, Wayne throttled and punched Huston on set. [3] [4]

The film was heavily re-edited by 20th Century Fox before release. Director John Huston denounced this version and even wanted to have his name removed from the credits. [5] Huston had wanted to make a particularly Japanese film in terms of photography, pacing, color and narration but according to him only a few edits – representing his vision – were left intact in the theatrical version.

Reception

The film performed disappointingly at the box office. Despite Huston's anger at studio interference, the New York Times Bosley Crowther liked the film's cinematography calling it a "whole picture out of patience and pageantry". [6] Blu-ray.com's Casey Broadwater observed this about the film: "Wayne's restrained and uncomfortable "other-ness" as a gaijin in Japan is essential to the story. With his cowboy swagger and deep commanding drawl, Wayne typifies every Japanese stereotype about brash, take-charge Americans, and Barbarian's specific frisson comes from seeing his character stumped and stymied by a culture that values group-think over individualism".

Historical background

Lithograph of "Shimoda as seen from the American Grave Yard" looking towards the harbor - artist, Wilhelm Heine (1856). Shimoda 1856.jpg
Lithograph of "Shimoda as seen from the American Grave Yard" looking towards the harbor – artist, Wilhelm Heine (1856).

The film is based on the life of the American diplomat Townsend Harris and his time in Japan during the final years of the Tokugawa shogunate. President Franklin Pierce named Harris the first Consul General to the Empire of Japan in July 1856. He opened the first U.S. Consulate at the Gyokusen-ji Temple in the city of Shimoda, Shizuoka Prefecture. This consolidated the mission by Commodore Perry who established the first trade agreement between the U.S. and Japan in 1853. [7] [8] Harris left Japan in 1861.

In Harris' time, Japan was living through the final years of its period when the country remained in international isolation and adhered to strict customs and regulations intended to promote stability. In 1868, just seven years after Harris' departure, the Meiji Restoration started Japan's emergence as a modernized nation in the early twentieth century through massive industrialization, and enormous reforms to its political and social structure.

The film incorporates the enduring Japanese legend about Harris and a 17-year-old geisha named Okichi (お吉). The story says she was pressured by Japanese authorities into forming a relationship with Harris in order to make the trade meetings go more smoothly. However, after Harris departed Japan to return to America, she was insultingly called the "Barbarian Okichi" and was ostracized by her people; as a result, she began drinking and eventually committed suicide in 1892. [9] According to historians, however, most of the story is simply untrue. [9] Although Okichi was a real person, she was merely one of Harris' housekeepers, and he apparently fired her after only three days of working for him. [9] [10]

Home media

The Barbarian and the Geisha was released as a combo Blu-ray and DVD two disc set on May 8, 2012, by 20th Century Fox Home Entertainment.

See also

Related Research Articles

<i>Bakumatsu</i> 1853–1867 final years of the Edo period of Japan

Bakumatsu was the final years of the Edo period when the Tokugawa shogunate ended. Between 1853 and 1867, Japan ended its isolationist foreign policy known as sakoku and changed from a feudal Tokugawa shogunate to the modern empire of the Meiji government. The major ideological-political divide during this period was between the pro-imperial nationalists called ishin shishi and the shogunate forces, which included the elite shinsengumi swordsmen.

<span class="mw-page-title-main">Shimoda, Shizuoka</span> City in Chūbu, Japan

Shimoda is a city and port located in Shizuoka Prefecture, Japan. As of 1 August 2019, the city had an estimated population of 21,402 in 10,787 households, and a population density of 200 persons per square kilometre. The total area of the city is 104.71 square kilometres (40.43 sq mi). In the 1850s, Japan was in political crisis over its increasing inability to maintain its national seclusion policy and the issue of what relations, if any, it should have with foreign powers. For a few years, Shimoda was central to this debate.

<span class="mw-page-title-main">Izu Province</span> Former province of Japan

Izu Province was a province of Japan in the area of Shizuoka Prefecture. Izu bordered on Sagami and Suruga Provinces. Its abbreviated form name was Zushū (豆州).

<span class="mw-page-title-main">Black Ships</span> 16th-19th-century Japanese term for Western vessels

The Black Ships was the name given to Western vessels arriving in Japan in the 16th and 19th centuries.

<span class="mw-page-title-main">Townsend Harris</span> 19th-century American merchant, politician, and diplomat

Townsend Harris was an American merchant and politician who served as the first United States Consul General to Japan. He negotiated the Harris Treaty between the US and Japan and is credited as the diplomat who first opened Shogunate Japan to foreign trade and culture in the Edo period.

<span class="mw-page-title-main">Treaty of Amity and Commerce (United States–Japan)</span> 1858 trade agreement between the U.S. and Tokugawa Japan

The Treaty of Amity and Commerce between Japan and the United States, also called the Harris Treaty was a treaty signed between the United States and Tokugawa Shogunate, which opened the ports of Kanagawa and four other Japanese cities to trade and granted extraterritoriality to foreigners, among a number of trading stipulations. It was signed on the deck of the USS Powhatan in Edo Bay on July 29, 1858.

<i>The Roots of Heaven</i> (film) 1958 film by John Huston

The Roots of Heaven is a 1958 American adventure film made for 20th Century Fox, directed by John Huston and produced by Darryl F. Zanuck. The screenplay by Romain Gary and Patrick Leigh Fermor is based on Romain Gary's 1956 Prix Goncourt-winning novel of the same name. The film stars Errol Flynn, Juliette Gréco, Trevor Howard, Eddie Albert, Orson Welles, Paul Lukas, Herbert Lom and Grégoire Aslan. Huston later said that Roots of Heaven "could have been a very fine film. And largely owing to me was not a good film at all."

<span class="mw-page-title-main">Embassy of the United States, Tokyo</span> Diplomatic mission of the United States to Japan

The Embassy of the United States of America in Tokyo represents the United States in Tokyo, Japan. Along with consulates in Osaka, Nagoya, Sapporo, Fukuoka, and Naha, the Embassy provides assistance to American citizens and residents who live in Japan and issues visas to Japanese nationals, and legal residents in Japan who wish to visit or immigrate to the United States.

<span class="mw-page-title-main">Zenpuku-ji</span> Buddhist temple in Tokyo, Japan

Zenpuku-ji (善福寺), also known as Azabu-san (麻布山), is a Jōdo Shinshū temple located in the Azabu district of Tokyo, Japan. It is one of the oldest Tokyo temples, after Asakusa.

<span class="mw-page-title-main">Gyokusen-ji</span> Buddhist temple in Shizuoka Prefecture, Japan

Gyokusen-ji (玉泉寺) is a Buddhist temple located in the city of Shimoda, Shizuoka Prefecture, Japan. It is noteworthy in that it served as the first American consulate in Japan. The temple and its grounds were designated as a National Historic Site of Japan in 1951.

Eiko Ando was a Japanese-American actress best known for her role as Okichi opposite John Wayne in The Barbarian and the Geisha in 1958.

The Judith of Shimoda is a play attributed to Bertolt Brecht. Long believed to be incomplete, a full German playscript of The Judith of Shimoda was reconstructed by Hans Peter Neureuter and published by Suhrkamp (Frankfurt/Main) in 2006. Markus Wessendorf's 2008 translation of this playscript into English received its first stage production in April 2010 at the Kennedy Theatre in Honolulu and was published in 2019 in a collection of Brecht's dramatic fragments.

<span class="mw-page-title-main">Henry Heusken</span> Dutch-American interpreter

Hendrick Conrad Joannes Heusken was a Dutch American interpreter for the first American consulate in Japan, established at Gyokusen-ji in Shimoda, Shizuoka in the late Bakumatsu period. He played an important role in the negotiations for the "Harris Treaty", which opened commercial relations between Japan and America, and his assassination caused a minor diplomatic crisis between Japan and the various Western powers.

<span class="mw-page-title-main">So Yamamura</span> Japanese actor (1910–2000)

Sō Yamamura, sometimes credited as Satoshi Yamamura, was a Japanese actor and film director.

Kurofune is a 1940 Japanese-language western-style opera by Kosaku Yamada, which is regarded as the first Japanese opera. It is based on the Black Ships story of Tōjin Okichi a geisha "caught up in the turmoil that swept Japan in the waning years of the Tokugawa shogunate".

Hana no Shōgai (花の生涯) is a 1963 Japanese television series. It is the 1st NHK taiga drama.

<span class="mw-page-title-main">1858 Treaty of Amity and Commerce between the Netherlands and Japan</span> The Treaty of Amity and Trade between Japan and the Netherlands of 1858

The Treaty of Amity and Commerce between Japan and the Netherlands was signed between the Netherlands and Tokugawa Shogunate in Edo on August 18, 1858. It opened several Japanese ports and cities for Dutch trade and confirmed extraterritoriality to Dutch nationals in Japan. It was one of the so-called Ansei Treaties.

Consulate-General of the United States in Sapporo is a consulate-general of the United States located in Sapporo, Hokkaido, Japan. It was established on April 28, 1952.

References

  1. Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN   978-0-8108-4244-1. p251
  2. "Top Grossers of 1958". Variety. 7 January 1959. p. 48. Please note figures are for US and Canada only and are domestic rentals accruing to distributors as opposed to theatre gross
  3. John Wayne:American (biography) p.436-437
  4. Emanuel Levy, comment on Barbarian and the Geisha: John Wayne on John Huston
  5. The Innocent Bystander Robinson, David. Sight and Sound; London Vol. 42, Iss. 1,
  6. "The Barbarian and the Geisha (1958)". New York Times . October 3, 1958. Retrieved January 19, 2014.
  7. "Townsend Harris: America's First Consul to Japan" – biography by the Consulate General of Japan in New York Archived 2007-03-12 at the Wayback Machine
  8. Japanese Delegation Visits CCNY July 24 2006 to honor founder Townsend Harris: Visit Coincides With 150th Anniversary of Harris' Appointment as First U.S. Consul to Japan
  9. 1 2 3 Kitao, S. Kathleen. "History and Legend in Shimoda, Japan". Faculty of Culture and Information Science, Doshisha University . Retrieved January 19, 2014.
  10. "Pop Meiji romance revives tired legend of poor Okichi". Japan Times . April 4, 2004. Retrieved January 19, 2014.

Bibliography