The Mackintosh Man | |
---|---|
Directed by | John Huston |
Screenplay by | Walter Hill |
Based on | The Freedom Trap by Desmond Bagley |
Produced by | John Foreman |
Starring | Paul Newman Dominique Sanda James Mason Harry Andrews Ian Bannen |
Cinematography | Oswald Morris |
Edited by | Russell Lloyd |
Music by | Maurice Jarre |
Production company | Newman-Foreman Company |
Distributed by | Warner Bros. (US) Columbia-Warner Distributors (UK) |
Release dates |
|
Running time | 99 minutes |
Countries | United States [2] United Kingdom [3] |
Language | English |
Box office | $1,500,000 (US/ Canada rentals) [4] |
The Mackintosh Man is a 1973 Cold War spy film directed by John Huston from a screenplay by Walter Hill, based on the novel The Freedom Trap by English author Desmond Bagley. [5] Paul Newman stars as Joseph Rearden, a jewel thief-turned-intelligence operative, sent to infiltrate a Soviet spy ring in England, by helping one of their agents break out of prison. The cast also features Dominique Sanda, James Mason, Harry Andrews, Michael Hordern and Ian Bannen.
Filmed in England, Malta, and the Republic of Ireland, The Mackintosh Man was released in the United States by Warner Bros. on July 25, 1973, where it received a mixed critical response. [6] Huston called it "a spy thriller with some amusing moments" that was similar to his earlier The Kremlin Letter . [7]
Joseph Rearden, a petty criminal-turned-agent for British intelligence, arrives in London. There, MI5 officer Mackintosh and his deputy, Mrs. Smith, inform Rearden of a way to steal diamonds which are transported via the postal service. This he does, punching a postman in the process. That evening, however, two detectives visit Rearden's hotel room.
At his trial, the judge is angered by the failure to recover the stolen diamonds and sentences Rearden to 20 years in jail. [a] There, He slowly begins to blend in with the other prisoners, and is assigned to laundry-washing duties. Days after entering, he encounters Ronald Slade, a former intelligence officer kept in high security after having been exposed as a KGB mole. He makes innocent enquiries of his fellow inmates about Slade, but not a great deal is known about him.
Weeks later, he is approached by an inmate mentioning an organisation which can spring him from prison in exchange for a cut of the diamonds. Rearden agrees. Two days later, a diversion is arranged, and smoke bombs are hurled over the walls. Rearden and a fellow prisoner, who turns out to be Slade, are then lifted by a cargo net and driven away. They are then drugged and taken to a secret location, somewhere in wild, deserted countryside. After awaking, Rearden and Slade are told that they will be kept there for a week until the hunt for them dies down.
In London, Mackintosh monitors Rearden's progress. Rearden's entry into prison has been a planned sting operation to smoke out the organisation. In the House of Commons, an old friend and war comrade, Sir George Wheeler MP, gives a speech attacking the handling of the Slade escape. Mackintosh later approaches Wheeler and advises him that it would be better to remain silent or risk embarrassing himself. Wheeler, however, despite masquerading as a patriotic right-winger, is actually a Communist agent of the KGB. He tips off the head of the organisation where Rearden is being held. Mackintosh had suspected Wheeler and had used their meeting to try to flush him out. Before Mackintosh can act, he is run down by a car and dies.
Meanwhile, Rearden falls under suspicion by the escape organisation. Doubting his claims to be an Australian criminal, they beat him and attack him with a guard dog. He fights back and escapes the building, setting it on fire. Outside, he is still pursued by his guards and the dog. Rearden is eventually forced to drown the dog in a stream to throw his assailants off the scent. He then reaches a nearby town and discovers that he is on the west coast of Ireland. He has apparently been staying on the estate of a close friend of Wheeler. Rearden contacts Mrs Smith, who flies to meet him in Galway. Realising that Slade has been smuggled out of Ireland on Wheeler's private yatch, they now head to Valletta, Malta, where Wheeler is heading.
In Malta, they try to infiltrate one of Wheeler's parties and discover Slade's whereabouts. Wheeler recognises Mrs Smith — Mackintosh's daughter — drugs her, and takes her aboard his yacht. Rearden tries to get the Maltese police to raid the boat, but they refuse to believe that Wheeler, a respected man, can be involved in kidnapping and treason. Instead, they move to arrest Rearden, who is still a wanted man. Forced to flee, Rearden follows Wheeler to a church where he and Slade are holding Mrs Smith. Pulling a gun on them, Rearden orders them to hand over Mrs Smith. Wheeler and Slade try to persuade Rearden to let them go unharmed, in return for which they will also spare him and Mrs Smith. Reluctantly Rearden agrees, but Mrs Smith takes up a gun and shoots Slade and Wheeler, avenging Mackintosh's murder. She then abandons Rearden, angry at the way he has not followed his own orders.
The script was written by Walter Hill who later recalled it as an unhappy experience. He was having a legal dispute with Warner Bros over the fact they had sold his script for Hickey & Boggs to United Artists without paying Hill any extra money. As a compromise, Warners sent Hill some novels they had optioned and offered to pay for him to write the script for one. He selected The Freedom Trap by Desmond Bagley. [9] The 1971 novel was loosely based on the exposure and defection of George Blake, a Soviet mole in MI6. [10] [11]
Hill said, "I wrote a quick script which I was not particularly enamored with myself" and "much to my shock and surprise" Paul Newman agreed to star and John Huston wanted to direct. Newman's producing partner John Foreman would produce. [9] [12] The film was financed by Warners as part of the slate of films for Dick Shepherd. [13]
"One would like to think you are mistaken about the wonders of your work, but I didn't believe it", said Hill. "That part turned out to be true." [9]
Hill worked on the script with Huston and says the director was ill. Although Hill ended up with sole screen credit, he says, "I wrote 90% of the first half, various people wrote the rest. I didn't think it was a very good film." [9]
William Fairchild was one of the uncredited writers on the script. [14]
According to a contemporary article on the making of the film, the script was not completed two weeks into shooting. [15]
The film was shot in England, Republic of Ireland and Malta. The scene where Slade and Rearden escape from prison was inspired by Blake's escape from Wormwood Scrubs in 1966. The jail scenes were filmed at Liverpool Prison and Kilmainham Gaol in Dublin, Ireland.
The house where Slade and Rearden stay after their escape is Ardfry house, Oranmore, county Galway, Ireland, an abandoned castle in ruins. [16]
The scene in which Rearden realises that Slade is on board Wheeler's yacht was shot at Roundstone, County Galway, Ireland.
The film received a mixed reception when it was released, and did not perform well at the box office, in either the United Kingdom, United States or Canada. David Robinson, reviewer for The Times , found the story a very predictable and typical espionage thriller, while the direction by John Huston still made it watchable because of Huston's gift for storytelling. [1] Variety wrote it was "a tame tale of British espionage and counter-espionage", and added that "there's a whole lot of nothing going on here." [17] The Hollywood Reporter called it "a good genre film in the ice cold vein of The Maltese Falcon", and though "it isn't nearly as rich nor fine as that early Huston classic but tells an interesting story with a sure sense of atmosphere, location and supporting characters." [18] Roger Ebert wrote it was "perhaps the first anti-spy movie", as it "seems to have been made by a group of people with no sympathy or understanding for spy movies." [19] Time Out called it a "reasonably entertaining old-fashioned thriller" "if you can accept Newman as a totally unconvincing Australian..., an appalling array of accents (mainly Irish), and Dominique Sanda as an unlikely member of the British Secret Service." [20]
Walter Hill says he never saw the final product, but was told it was "a real bomb". [21]
John Marcellus Huston was an American film director, screenwriter and actor. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics. He received numerous accolades including two Academy Awards and three Golden Globe Awards. He also received a star on the Hollywood Walk of Fame in 1960 and the BAFTA Fellowship in 1980.
Desmond Bagley was an English journalist and novelist known mainly for a series of bestselling thrillers. He and fellow British writers such as Hammond Innes and Alistair MacLean set conventions for the genre: a tough, resourceful, but essentially ordinary hero pitted against villains determined to sow destruction and chaos for their own ends.
Ian Edmund Bannen was a Scottish actor with a long career in film, on stage, and on television. He was nominated for an Academy Award for his performance in The Flight of the Phoenix (1965), the first Scottish actor to receive the honour, as well as two BAFTA Film Awards for his performances in Sidney Lumet's The Offence (1973) and John Boorman's Hope and Glory (1987).
The Hill is a 1965 British prison drama war film directed by Sidney Lumet, set in an army prison in North Africa during the Second World War. It stars Sean Connery, Harry Andrews, Ian Bannen, Ossie Davis, Ian Hendry, Alfred Lynch, Roy Kinnear and Michael Redgrave. The screenplay was by Ray Rigby based on the 1965 play of the same title by Rigby and R.S Allen.
There Was a Crooked Man... is a 1970 American Western film directed by Joseph L. Mankiewicz and starring Kirk Douglas and Henry Fonda. It was the only western made by Mankiewicz. It was written by David Newman and Robert Benton, their first script after Bonnie and Clyde.
Man in the Attic is a 1953 American horror film directed by Hugo Fregonese and starring Jack Palance, Constance Smith and Byron Palmer. The screenplay was by Barré Lyndon and Robert Presnell Jr. based on the 1913 novel The Lodger by Marie Belloc Lowndes which fictionalizes the Jack the Ripper killings. It had been previously filmed by Alfred Hitchcock in 1927, by Maurice Elvey in 1932, by John Brahm in 1944; it was again filmed by David Ondaatje in 2009.
Dominique Marie-Françoise Renée Varaigne professionally known as Dominique Sanda, is a French actress.
Confessions of a Nazi Spy is a 1939 American spy political thriller film directed by Anatole Litvak for Warner Bros. It was the first explicitly anti-Nazi film to be produced by a major Hollywood studio, being released in May 1939, four months before the beginning of World War II in Europe, and two and a half years before the United States' official entry into the war.
The Maltese Falcon is a 1941 American film noir written and directed by John Huston in his directorial debut. Based on the 1930 novel The Maltese Falcon by Dashiell Hammett, it is a remake of the 1931 film of the same name.
Background to Danger is a 1943 World War II spy thriller film starring George Raft and featuring Brenda Marshall, Sydney Greenstreet, and Peter Lorre.
The Life and Times of Judge Roy Bean is a 1972 American Western comedy film written by John Milius, directed by John Huston, and starring Paul Newman. It is loosely based on the life of American saloon-keeper and Justice of the Peace in Val Verde County, Texas Roy Bean.
Harper is a 1966 American mystery thriller film directed by Jack Smight from a screenplay by William Goldman, based on the 1949 novel The Moving Target by Ross Macdonald. The film stars Paul Newman as Lew Harper, with a cast that includes Lauren Bacall, Julie Harris, Arthur Hill, Janet Leigh, Pamela Tiffin, Robert Wagner and Shelley Winters.
John Foreman was an American film producer.
Across the Pacific is a 1942 American spy film set on the eve of the entry of the United States into World War II. It was directed first by John Huston, then by Vincent Sherman after Huston joined the United States Army Signal Corps. It stars Humphrey Bogart, Mary Astor, and Sydney Greenstreet. Despite the title, the action never progresses across the Pacific, concluding in Panama. The original script portrayed an attempt to avert a Japanese plan to invade Pearl Harbor. When the real-life attack on Pearl Harbor occurred, production was shut down for three months, resuming on March 2, 1942, with a revised script changing the target to Panama.
Tony Williamson was a prolific British television writer, most active from the mid-1960s to the mid-1980s. He wrote primarily for the action-adventure and espionage genres. Perhaps because of his early involvement in The Avengers, he often found work on shows that featured fantasy adventure, rather than the kitchen sink realism that had arisen in Britain at the start of his career. Series with extraordinary lead characters in unusual circumstances, such as Department S, Jason King, Randall and Hopkirk (Deceased) and The Adventurer, dominated his output.
Three Strangers is a 1946 American film noir crime drama directed by Jean Negulesco and starring Sydney Greenstreet, Geraldine Fitzgerald, and Peter Lorre, and featuring Joan Lorring and Alan Napier. The screenplay was written by John Huston and Howard Koch. It was produced and distributed by Warner Brothers.
The Freedom Trap is a novel written by English author Desmond Bagley, and was first published in 1971 with a cover by Norman Weaver. It was loosely based on the escape of George Blake from prison five years before. In 1973 it was made into a film entitled The Mackintosh Man, starring Paul Newman.
The Big Shot (1942) is an American film noir crime drama film starring Humphrey Bogart as a crime boss and Irene Manning as the woman he falls in love with. Having finally reached stardom with such projects as The Maltese Falcon (1941), this would be the last film in which former supporting player Bogart would portray a gangster for Warner Bros..
Gladys Hill was a screenwriter and film executive. She is best known as co-writer of the screenplay for The Man Who Would Be King for which she received a nomination for the Academy Award for Best Adapted Screenplay. She also co-wrote screenplays for The Kremlin Letter and Reflections in a Golden Eye.
Dead Man's Evidence is a 1962 British black-and-white crime thriller "B" film directed by Francis Searle, starring Conrad Phillips and Jane Griffiths. The screenplay was by Arthur La Bern. A British spy is sent to Ireland to investigate the death of a former colleague who defected.