Actionable Offenses: Indecent Phonograph Recordings from the 1890s

Last updated
Actionable Offenses: Indecent Phonograph Recordings from the 1890s
Actionable Offenses Indecent Phonograph Recordings from the 1890s.jpeg
Compilation album by
Various Artists
Released2007
Recorded ca. 1892–1900
Genre Spoken word
Length59:16
Label Archeophone Records
Producer David Giovannoni, Meagan Hennessey, Richard Martin

Actionable Offenses: Indecent Phonograph Recordings from the 1890s is a compilation of jokes and stories recorded to wax cylinders during the 1890s. At the time the recordings were made, they were considered indecent, and nearly all similar recordings from this era have been destroyed, often by law. The compilation was assembled by Patrick Feaster and David Giovannoni, and released on Archeophone Records, an archival reissue label, in 2007. It received two Grammy Award nominations.

Contents

Historical background

By the 1890s, phonograph machines became common in public places, and were found in American cities at county fairs, public halls, saloons, and department stores. In many places, such as bars and taverns, patrons could place money into a coin slot and choose a recording to listen to, like a jukebox. Some establishments began placing cylinders of a sexually explicit nature into their machines during this decade, and local authorities often took steps to remove the cylinders from use and charge those responsible under indecency statutes. [1] In New York City, Anthony Comstock and his Society for the Suppression of Vice spent several years investigating cases of indecent material in phonograph booths throughout the city. [2] In 1899, Comstock succeeded in pushing through a statute specifically criminalizing the distribution and airing, public or private, of recorded material which used profanity or sexually explicit language; as a result, most of those in the business of making such records ceased to do so after 1900. [2]

In addition to commercial recordings, the advent of home recording also allowed for the creation of obscene or sexually explicit recordings. Such machines were available by the 1890s, and the ability to use the machine to record such material was actually used as a selling point by some purveyors of home recording machines. [3]

Assembly of the compilation

The recordings on the album comprise two collections of cylinders: the Walter Miller Collection and the Bruce R. Young Collection. The Walter Miller Collection was compiled by the manager of Thomas Edison's commercial apparatus until 1937, and his collection of commercial recordings was preserved by the Edison National Historic Site from the 1950s. The latter collection was purchased by a collector in 1997, and consisted of what are probably home recordings. Both of the collections are presented in their entirety on the compilation; tracks 1–14 are the Miller Collection and tracks 15–43 are the Young collection. [4] The Miller Collection was digitized in November 2006. [5]

Performers

Cal Stewart

Cal Stewart in 1912 Cal Stewart in 1912 - (SAYRE 9649) (cropped).jpg
Cal Stewart in 1912

Cal Stewart (c. 1856 – 1919) began his career in vaudeville after injuring his hand and foot working on a railroad. by 1895 he was performing in New York City at the Union Square Theatre, and in 1897 he made his first phonograph recordings. Stewart was best known for his monologues depicting stereotypical "rubes" and "Yankees". Working extensively as a performer and recorder up to the time of his death in 1919, he became a nationally celebrated humorist. The curators of the collection identified Stewart as the most likely performer of the first two tracks of the disc.

Russell Hunting

Russell Hunting.jpg

Russell Hunting (1864–1943) worked as a stage manager for a Boston theater, and recorded comedy routines centering on stereotypical Irish Americans from the early 1890s. His recurring character "Michael Casey" became a centerpiece of his comedy and was widely imitated. [6] Hunting was actually arrested by Anthony Comstock in June 1896, and served three months in prison as a result; he returned to the recording business upon his release, but emigrated to England in 1898. [7] There he continued using the Casey routines to great success and worked as a recording executive. The curators of the collection identified Hunting as the most likely performer of tracks 3–11.

James H. White

James H. White (1872–1944) was the manager of the motion picture wing of Thomas Edison's business from 1896 to 1903. Concomitantly, he took over the recording of the "Michael Casey" sketches after Hunting was arrested. After 1903 White moved to England and managed portions of Edison's businesses there. The curators of the collection identified White as the most likely performer of tracks 12–14.

Critical reception

Archeophone Records issued the compilation to CD in 2007 with extensively researched liner notes. The New York Times noted the compilation's historical importance and noted that the jokes "still kill" more than 100 years after being recorded. [8] NPR noted that the compilation was "as lewd and often obscene as anything Howard Stern has to offer." [9] Metro noted in jest, "Some of this material would get you arrested, even today". [10] The compilation was nominated for two Grammy awards, for Best Album Notes and Best Historical Album. [11]

Track listing

Believed to be by Cal Stewart
By an Unknown Performer, Possibly Russell Hunting
Believed to Be By Russell Hunting
Believed to Be By James White
By an Unknown Performer, Probably Home Recordings

Related Research Articles

<span class="mw-page-title-main">Phonograph</span> Device for the analogue recording of sound

A phonograph, in its later forms also called a gramophone or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogue recording and reproduction of sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.

<span class="mw-page-title-main">Phonograph cylinder</span> Medium for recording and reproducing sound

Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" in their era of greatest popularity, these hollow cylindrical objects have an audio recording engraved on the outside surface, which can be reproduced when they are played on a mechanical cylinder phonograph. In the 1910s, the competing disc record system triumphed in the marketplace to become the dominant commercial audio medium.

<span class="mw-page-title-main">Edison Records</span> Early record label

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry.

<span class="mw-page-title-main">George W. Johnson (singer)</span> American singer

George Washington Johnson was an American singer and pioneer sound recording artist. Johnson was the first African American recording star of the phonograph. His most popular songs were "The Whistling Coon" and "The Laughing Song".

<span class="mw-page-title-main">Polk Miller</span> Musical artist

Polk Miller was a musician and entertainer from Richmond and Bon Air, Virginia. He was also a pharmacist and the founder of Sergeant's Pet Care Products, Inc.

<span class="mw-page-title-main">Graphophone</span> Phonograph

The Graphophone was the name and trademark of an improved version of the phonograph. It was invented at the Volta Laboratory established by Alexander Graham Bell in Washington, D.C., United States.

<span class="mw-page-title-main">George J. Gaskin</span> American musician

George J. Gaskin was one of the most popular singers in the United States during the 1890s and an early American recording artist.

The Cylinder Audio Archive is a free digital collection maintained by the University of California, Santa Barbara Library with streaming and downloadable versions of over 10,000 phonograph cylinders manufactured between 1893 and the mid-1920s. The Archive began in November 2003 as the successor of the earlier Cylinder Preservation and Digitization Pilot Project.

<span class="mw-page-title-main">Henry Burr</span> Musical artist

Henry Burr was a Canadian singer, radio performer and producer. He was born Harry Haley McClaskey and used Henry Burr as one of his many pseudonyms, in addition to Irving Gillette, Henry Gillette, Alfred Alexander, Robert Rice, Carl Ely, Harry Barr, Frank Knapp, Al King, and Shamus McClaskey. He produced more than 12,000 recordings, by his own estimate, and some of his most popular recordings included "Just a Baby's Prayer at Twilight", "Till We Meet Again" with Albert Campbell, "Beautiful Ohio", "I Wonder Who's Kissing Her Now" "When I Lost You" and "In The Shade Of The Old Apple Tree". A tenor, he performed as a soloist and in duets, trios and quartets.

<span class="mw-page-title-main">Russell Hunting</span>

Russell Dinsmore Hunting was an American comic entertainer, pioneer sound recordist, and an influential figure in the early years of the recorded music industry. He was described as "the most popular pre-1900 recording artist".

<span class="mw-page-title-main">Cal Stewart</span> American comedian

Cal Stewart was an American comedian and humorist who pioneered in vaudeville and early sound recordings. He is best remembered for his comic monologues in which he played "Uncle Josh" Weathersby, a resident of a mythical New England farming town called "Pumpkin Center" or "Punkin Center", leading to a number of small towns across the U.S. adopting those names.

<span class="mw-page-title-main">Dan W. Quinn</span> American recording artist

Daniel William Quinn was one of the first American singers to become popular in the new medium of recorded music. Quinn was a very successful recording artist whose career spanned from 1892 to 1918. Quinn recorded many of his hits in the legendary Tin Pan Alley of New York City.

<span class="mw-page-title-main">Thomas A. Edison, Inc.</span> Defunct holding company (1911-57) founded by American inventor Thomas Edison

Thomas A. Edison, Incorporated was the main holding company for the various manufacturing companies established by the inventor and entrepreneur Thomas Edison. It was a successor to Edison Manufacturing Company and operated between 1911 and 1957, when it merged with McGraw Electric to form McGraw-Edison.

Archeophone Records is a record company and label founded in 1998 to document the early days of America's recording history. It was started by Richard Martin and Meagan Hennessey, a husband and wife who run the company in Champaign, Illinois. Archeophone restores and remasters audio from cylinders and discs of jazz, popular music, vaudeville, and spoken word recordings.

<span class="mw-page-title-main">Archéophone</span> Electric version of gramophone

The Archéophone is a modern, electric version of the phonographs and ediphones from the 19th and early 20th century. It is specifically designed to transfer phonograph cylinders and other cylinder formats to modern recording media.

<span class="mw-page-title-main">Eddie Morton</span> Musical artist

Edward Farren Morton, usually credited as EddieMorton, was an American singer and comedian who recorded during the ragtime era. Known as "The Singing Cop", he has been described as "one of the most extraordinary performers of the early recording industry."

<span class="mw-page-title-main">Jim Walsh (columnist)</span> American journalist

Ulysses "Jim" Walsh was an American record collector, columnist and radio broadcaster. He was the leading authority on early recording artists of the late 19th and early 20th centuries, and their techniques, especially through his columns written between the 1920s and 1980s, most notably for Hobbies magazine.

<span class="mw-page-title-main">North American Phonograph Company</span>

The North American Phonograph Company was an early attempt to commercialize the maturing technologies of sound recording in the late 1880s and early 1890s. Though the company was largely unsuccessful in its goals due to legal, technical and financial problems, it set the stage for the modern recording industry in the mid 1890s.

Edison Bell was an English company that was the first distributor and an early manufacturer of gramophones and gramophone records. The company survived through several incarnations, becoming a top producer of budget records in England through the early 1930s until, after it was absorbed by Decca in 1932, production of various Edison Bell labels ceased.

<span class="mw-page-title-main">Issler's Orchestra</span> Early recording ensemble

Issler's Orchestra was an early recording ensemble, and perhaps the first popular band. The group formed in the fall of 1889 at the Edison Laboratory Because the purpose of the group was only to make recordings, it had only four or five performers, a form that would come to be known as a "parlor orchestra". Personnel and instrumentation varied in the first year, but most sessions included Edward Issler on piano, George Schweinfest on flute and D.B. Dana on cornet. Clarinetist William Tuson and xylophonist Charles P. Lowe would also become core members in time.

References

  1. Patrick Feaster and David Giovannoni, liner notes, Actionable Offenses. Archeophone, 2007, pp. 5–11.
  2. 1 2 Actionable Offenses, p. 11.
  3. Actionable Offenses, p. 12.
  4. Actionable Offenses, p. 17.
  5. Actionable Offenses, p. 15.
  6. Actionable Offenses, p. 9.
  7. Actionable Offenses, pp. 8–9.
  8. Jody Rosen, There Once Was a Record of Smut.... The New York Times, July 8, 2007.
  9. Old, Lewd Recordings Released on CD. NPR, July 16, 2007.
  10. Almost Too Weird for Words Archived October 12, 2008, at the Wayback Machine . Metro , October 10, 2008.
  11. The Envelope: 2008 Grammy Awards. Los Angeles Times .