Actions | |
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Live album by | |
Released | 1971 |
Recorded | October 17, 1971 |
Venue | Donaueschingen Festival, Donaueschingen, Germany |
Genre | Free jazz |
Label | Philips 6305 153 |
Producer | Joachim-Ernst Berendt |
Actions is a live album featuring debut performances of works by composer Krzysztof Penderecki and trumpeter and composer Don Cherry. It was recorded on October 17, 1971, at the Donaueschingen Festival in Donaueschingen, Germany, and was released on LP later that year by Philips. The music was performed by an ensemble called The New Eternal Rhythm Orchestra, composed of top European improvisors. In 1998, the album was reissued on CD by Transparency Records. It was remastered and reissued again in 2001 by Intuition Records. [1] [2] [3]
According to Cherry, the title of "Humus - The Life Exploring Force" refers to "the fundament of life, the earth which we are ravaging every day, the very substance of life." [4] The piece employs Balinese, African, and Indian material, and uses seven themes, none of which were notated for the performance. [4] "Sita Rama Encores" features Cherry interacting with the audience, as he teaches them the sixteen-beat Hindustani teental pattern. [4]
Penderecki composed "Actions for Free Jazz Orchestra" after hearing a performance by the Globe Unity Orchestra. [5] The performance heard on the album marked the composer's debut as a conductor. [6] In interviews following the performance of "Actions," some of the players commented that, because Penderecki had notated pitches and rhythms, they missed their usual freedom to improvise. The composer, however, noted that he attempted to maintain the flavor of jazz, and stated that if he had granted more freedom to the players, it would not have been his piece. [7] [8]
In 2018, saxophonist Mats Gustafsson and his Fire! Orchestra were commissioned to revive "Actions" for the Sacrum Profanum Festival in Kraków, Poland. A recording of the group's performance of an expanded version of the composition was released on CD by Rune Grammofon in 2020. [9] [10]
Review scores | |
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Source | Rating |
AllMusic | [11] |
The Penguin Guide to Jazz | [12] |
The Virgin Encyclopedia of Jazz | [13] |
In a review for AllMusic, Brian Olewnick wrote: "The orchestra is truly an all-star cast of the cream of European improvisers, each and every one having gone on to significant achievements." He compared "Humus" to Cherry's Eternal Rhythm and Relativity Suite , and praised its "enthusiasm and joy," but noted that Penderecki's "Actions" "doesn't quite hold together as a solid work," although he notes that it is "of some degree of historical import." He concluded: "Fans of Cherry... will definitely want to own this disc as a significant addition to his stellar work of the late '60s and early '70s." [11]
The authors of the Penguin Guide to Jazz Recordings described the album as "a confrontation between free jazz and the new music," and stated that the collaboration "hasn't aged well." [12]
Writing for the BBC , Ian R. Watson commented: "the combustible influences that shaped both pieces are still relevant today and find echoes in the work of Butch Morris and myriad others... this is still damn fine music of any stripe that can be enjoyed without any prior knowledge of its participants whatsoever." [14]
Phil Freeman, writing for Burning Ambulance, called "Actions" one of the "essential documents of large scale avant-jazz," praising its "swinging ensemble passages interspersed with frequently raucous but sometimes quite beautiful solo and duo sections." [9]
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Donald Eugene Cherry was an American jazz trumpeter. Beginning in the late 1950s, he had a long tenure performing in the bands of saxophonist Ornette Coleman, including on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1960). Cherry also collaborated separately with musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler.
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