Ad Astra (Original Motion Picture Soundtrack) | ||||
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Soundtrack album by | ||||
Released | October 18, 2019 | |||
Recorded | July 2019 | |||
Studio | ||||
Genre | Film score | |||
Length | 126:47 | |||
Label | Deutsche Grammophon | |||
Producer | Max Richter | |||
Max Richter chronology | ||||
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Singles from Ad Astra (Original Motion Picture Soundtrack) | ||||
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Ad Astra (Original Motion Picture Soundtrack) is the soundtrack to the 2019 psychological science fiction film Ad Astra directed by James Gray and starring Brad Pitt,Tommy Lee Jones,Ruth Negga,Liv Tyler and Donald Sutherland. The film's soundtrack consisted of 29 tracks which consisted of music composed by Max Richter and additional music contributed by Lorne Balfe and Nils Frahm. The soundtrack was released digitally through Deutsche Grammophon on October 18,2019. The album was nominated for Grammy Award for Best Score Soundtrack for Visual Media.
On December 2018,it was announced that Max Richter would compose the film's score. [1] [2] The film's plot mirrors 2001:A Space Odyssey (1968) which Richter shared a personal connection with (he watched the film first as a teenager) and the score had been constructed owing to his admiration for Kubrick's choice of classical music. Richter described that the film consists of two films—a psychological drama revolving around the father-son relationship and the adventure in space—which he liked on the way it superimposed on top of one another that eventually described the musical language. [3] Richter's musical themes for the father-son relationship consisted of traditional instrumentation,while the space portions would consist of epic orchestral and electronic music;however,he thought "What about the big-picture music,what about the physics,and,you know,all of that science?" [3] This resulted him to research about the Voyager 1 and Voyager 2 probes which resulted him to contact the faculties and students of the Department of Physics and Astronomy at the University of Iowa which got data that the Voyager probes recorded on their journey. [3]
The students measured the plasma wave data recorded and transformed it into musical sounds,to utilize it like "a location-recording approach to the electronic music so that when Brad’s character goes past a planet,you’re actually hearing data collected there,transformed into music." [3] He eventually built computer-modeled instruments out of that data to manipulate and transform the data into actual sounds and then play it into actual instrumentation so that the music is literally embedded in space. [4] Most of them had been made with old mood synths from the late 1960s to channelize the spirit of György Ligeti's work in 2001. [4] To find the balance between the emotional relationship between the father and son and being a space drama,he had "to tow the line between punchy sounds and these tender,introspective moments,where the music has to symbolize and elevate all that isolation Brad is feeling". [4]
Richter employed numerous sounds that evoke traditional religious music,choral writing and glassy,high-frequency tones transcending in some way and evoke the colors. The reverberation is a digital model of the Notre-Dame de Paris,which he described it as "a virtual cathedral [laughs] that all the music is being played through". [3] For two of the themes:"Encounter" and "Forced Entry" he put guitar pedals on the orchestra to provide gritty energy,and besides the planetary instruments made from the Voyager data,he used a Moog System 55 synthesizer to provide an analog sound. [3]
Richter recorded the score at the AIR Studios in London,while the orchestra and choir were recorded the Synchron Stage Vienna. Lorne Balfe was brought in during post-production to provide additional music for the film,along with Nils Frahm. [5] [6] Balfe eventually liked the film because of the protagonist where he could relate as a father and son. [7]
On September 20,2019,in conjunction with the film's release,a single "To the Stars" was released for digital download. [8] [9] Nearly a month after the film's release,Deutsche Grammophon released the 29-track album consisting of 20 tracks from Richter's score,where eight tracks were composed by Balfe and one by Frahm. [10] [11]
Zanobard Reviews assigned 8 (out of 10) and wrote that "Max Richter and Lorne Balfe have created a breathtakingly atmospheric musical world for Ad Astra—one that makes you feel as if you’re floating amongst the stars." [12] A review from The Film Scorer wrote "Though both inhabit the sphere of spacey ambience,Richter opts for a more minimalist approach (which proves the stronger,more engaging portion) while Balfe rounds out the score with a bit more variety,tension,and danger. Together they create a powerfully meditative score that manages to capture both the literal imagery onscreen as well as McBride’s ever-present ruminations." [13] Adrian Barr of Backseat Mafia wrote "Ad Astra is an impressive piece of work that tells a story on its own,so immerse yourself and experience its ethereal journey,across vast solar systems to the edge of new worlds." [14] David Edelstein of Vulture wrote "The composer Max Richter’s usual ambient wash is cut with ethereal harps and plinks from the piano’s highest keys,while sudden silences reverberate with dread." [15] Moira McDonald of The Seattle Times called it as "an insistently throbbing soundtrack contrasting with that curiously flat blue silence of space." [16] Michael Craig of The Glasgow Guardian wrote "a worthy successor to the minimalist style pioneered by the likes of Philip Glass and Steven Reich". [17]
No. | Title | Music | Length |
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1. | "To the Stars" | Max Richter | 3:30 |
2. | "Encounter" | Richter | 5:18 |
3. | "Cosmic Drone Gateway" | Richter | 2:57 |
4. | "I Put All That Away" | Richter | 3:27 |
5. | "A Trip to the Moon" | Richter | 4:36 |
6. | "Terra incognita" | Richter | 2:49 |
7. | "Ex luna scientia (Requiem)" | Richter | 5:17 |
8. | "Journey Sequence" | Richter | 3:20 |
9. | "The Rings of Saturn" | Richter | 2:57 |
10. | "The Wanderer" | Richter | 4:50 |
11. | "Erbarme Dich" | Richter | 3:38 |
12. | "Forced Entry" | Richter | 2:27 |
13. | "Preludium" | Richter | 4:02 |
14. | "Resonantia" | Richter | 3:00 |
15. | "Let There Be Light" | Richter | 2:18 |
16. | "Ursa Minor (Visions)" | Richter | 3:14 |
17. | "Event Horizon" | Richter | 6:13 |
18. | "Musurgia universalis" | Richter | 3:05 |
19. | "You Have to Let Me Go" | Richter | 5:57 |
20. | "Tuesday (Voiceless)" | Richter | 21:07 |
21. | "Opening" | Lorne Balfe | 2:37 |
22. | "Briefing" | Balfe | 2:32 |
23. | "Space Journey" | Balfe | 2:39 |
24. | "Rover Ride" | Balfe | 2:51 |
25. | "Pirate Attack" | Balfe | 2:48 |
26. | "Orbs" | Balfe | 3:44 |
27. | "Underground Lake" | Balfe | 2:15 |
28. | "Trip to Neptune" | Balfe | 5:02 |
29. | "Says" | Nils Frahm | 8:17 |
Total length: | 126:47 |
Award | Date of ceremony | Category | Recipients | Result | Ref. |
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Florida Film Critics Circle | December 23, 2019 | Best Score | Max Richter | Nominated | [18] |
Grammy Awards | March 14, 2021 | Best Score Soundtrack for Visual Media | Ad Astra – Max Richter | Nominated | [19] |
St. Louis Film Critics Association | December 15, 2019 | Best Score | Max Richter | Nominated | [20] |
Max Richter is a German-born British composer and pianist. He works within postminimalist and contemporary classical styles. Richter is classically trained, having graduated in composition from the University of Edinburgh, the Royal Academy of Music in London, and studied with Luciano Berio in Italy.
Lorne Balfe is a Scottish composer and record producer of film, television, and video game scores. A veteran of Hans Zimmer's Remote Control Productions, Balfe's scoring credits include the films Megamind, Penguins of Madagascar, Home, Terminator Genisys, 13 Hours: The Secret Soldiers of Benghazi, The Lego Batman Movie, Mission: Impossible – Fallout and its sequel Mission: Impossible – Dead Reckoning Part One, Bad Boys for Life and its sequel Bad Boys: Ride or Die, Black Widow, Black Adam, Dungeons & Dragons: Honor Among Thieves, and Gran Turismo, as well as the video games Assassin's Creed: Revelations, Assassin's Creed III, Crysis 2, Skylanders, and Call of Duty: Modern Warfare 2, He has also scored the television series The Bible, Marcella, The Crown, and Genius, the latter for which he earned a nomination for a Primetime Emmy Award for Outstanding Original Main Title Theme Music. He also collaborates with directors Michael Bay, Chris McKay, Christopher McQuarrie, and Adil El Arbi and Bilall Fallah.
Megamind: Music from the Motion Picture is a soundtrack to the 2010 film of the same name, released by Lakeshore Records and composed by Hans Zimmer and Lorne Balfe. It was released on November 2, 2010 in the United States and Canada. The soundtrack gathered mixed reviews from most music critics.
Sleep is an eight-and-a-half hour concept album based around the neuroscience of sleep by German-British composer Max Richter. It was released on September 4, 2015, accompanied by a one-hour version with variations, From Sleep, later remixed as Sleep Remixes.
Ad Astra is a 2019 American psychological science fiction film produced, co-written, and directed by James Gray. Starring Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler, and Donald Sutherland, it follows an astronaut who ventures into space in search of his lost father, whose obsessive quest to discover intelligent alien life at all costs threatens the Solar System and all life on Earth. The project was announced in early 2016, with Gray saying he wanted to feature "the most realistic depiction of space travel that's been put in a movie". Pitt signed on to star in April 2017 and the rest of the cast joined later that year. Filming began around Los Angeles that August, lasting through October.
Pacific Rim: Uprising – Original Motion Picture Soundtrack is the film score to the 2018 film of the same name, composed by Lorne Balfe. The score was recorded at the Synchron Scoring Stage in Vienna with the Synchron Stage Orchestra conducted by Johannes Vogel. The soundtrack was released by Milan Records digitally on iTunes on March 23, 2018, while the physical soundtrack was released on April 6, 2018.
Black Widow (Original Motion Picture Soundtrack) is the film score for the 2021 Marvel Studios film Black Widow. The score was composed by Lorne Balfe, with the soundtrack album being released by Hollywood Records on July 9, 2021.
Top Gun: Maverick is the soundtrack to the 2022 action film Top Gun: Maverick by Lorne Balfe, Harold Faltermeyer, Lady Gaga, and Hans Zimmer. It consists of the film's score as well as two original songs, "Hold My Hand" by Gaga and "I Ain't Worried" by OneRepublic, which were released as singles prior to the album. The soundtrack contains the song "Danger Zone" by Kenny Loggins, which was also featured in the first film. The soundtrack was released on May 27, 2022, by Interscope Records and Paramount Music through digital and physical formats.
The Lego Batman Movie (Original Motion Picture Soundtrack) is the soundtrack to the 2017 animated film The Lego Batman Movie, which is the second instalment in The Lego Movie franchise. The film is based on the DC Comics superhero Batman, and other primary characters from the DC Universe and the Lego DC Super Heroes' Batman toy line. This is the first and only film in the franchise not to be scored by Mark Mothersbaugh, instead Lorne Balfe scored for the film. The soundtrack to the film was released by WaterTower Music, through two-disc CD formats and for digital download, on February 3, 2017, a week prior to the film's release. A vinyl edition of the soundtrack was released on May 19, 2017.
Dark Phoenix (Original Motion Picture Soundtrack) is the soundtrack album to the 2019 film of the same name, based on the Marvel Comics X-Men characters. It is a sequel to X-Men: Apocalypse (2016) the seventh and final mainline installment in the X-Men film series, and the twelfth installment overall. Directed by Simon Kinberg, the film's musical score is composed by Hans Zimmer; his first superhero film he scored after Batman v Superman: Dawn of Justice (2016). The soundtrack album was released alongside the film on June 7, 2019, by Fox Music. The score received mixed critical response. A second album titled Xperiments From Dark Phoenix released in that August, containing unreleased music from the film, which garnered generally favorable response.
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Mary Queen of Scots (Original Motion Picture Soundtrack) is the soundtrack to the 2018 film Mary Queen of Scots, directed by Josie Rourke starring Saoirse Ronan as Mary, Queen of Scots, and Margot Robbie as her cousin Queen Elizabeth I. Featuring original score by Max Richter, consisting of period and contemporary modern music, the album was recorded at the Air Studios in London, with an 100-piece orchestra and 12-member female choir performing the score. Deutsche Grammophon released the film's score on 7 December 2018.
Black Adam (Original Motion Picture Soundtrack) is the score album composed by Lorne Balfe, for the 2022 film Black Adam, based on the DC Comics character of the same name. The album features 43 tracks and was released by WaterTower Music on October 21, 2022,. It was preceded by two singles – Black Adam and the Justice Society's themes, released on September 30 and October 5, respectively.
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Mission: Impossible – Dead Reckoning Part One is the soundtrack to the 2023 film Mission: Impossible – Dead Reckoning Part One, the seventh instalment in the Mission: Impossible film series and the sequel to Mission: Impossible – Fallout (2018). Lorne Balfe, who composed the score for the predecessor, returned to provide music for the original planned two-part series of Dead Reckoning. The soundtrack to the film was released digitally on July 12, 2023, alongside the film by Sony Music Entertainment and Paramount Music, with a physical release to be followed on July 26, by La-La Land Records. The album was recorded in various parts of Europe with 500 musicians performing the score. The opening titles of the film were released as a single on July 6.
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