Adoration of the Shepherds | |
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Artist | Jusepe de Ribera |
Year | c.1650 |
Medium | oil on canvas |
Location | Santissima Maria Assunta and San Catello Co-Cathedral, Castellammare di Stabia |
Adoration of the Shepherds is an oil on canvas painting by the Spanish artist Jusepe de Ribera, executed c. 1650. It is now on display in the left transept of Santissima Maria Assunta and San Catello Co-Cathedral in Castellammare di Stabia.
It is almost identical to the artist's work on the same subject in Paris, apart that work being in portrait format and the Castellammare di Stabia work is in landscape format. Neither are securely dated and so it is unknown which is a copy of the other. [1]
Pompei or Pompeii is a city and commune in the Metropolitan City of Naples, Italy, home of the ancient Roman ruins of Pompeii that are part of the UNESCO World Heritage Sites.
Sebastiano Conca was an Italian painter.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
Jusepe de Ribera was a Spanish painter and printmaker who, along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, is regarded as one of the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was no longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century." Jusepe de Ribera has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto by his contemporaries, early historians, and biographers.
Castellammare di Stabia is a comune in the Metropolitan City of Naples, Campania region, in southern Italy. It is situated on the Bay of Naples about 30 km (19 mi) southeast of Naples, on the route to Sorrento.
Buccino is a town and comune in Campania in Italy, in the province of Salerno, located about 700 m above sea level.
Massimo Stanzione was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco. His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena. In 1621 Pope Gregory XV gave him the title of Knight of the Golden Spur and Pope Urban VIII made him a knight of St. John around 1624 and a knight of the Order of Christ in 1627. From then on, he liked to sign his works as "EQUES MAXIMUS".
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Pietro Cussida, Pietro Cuside or Pedro Cossida was a Spanish diplomat in the service of Philip III of Spain and his successor, Philip IV. He was an art collector and patron, known for his patronage of Caravaggisti artists, including Jusepe de Ribera and Dirck van Baburen.
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The Co-Cathedral of Saint Mary of the Assumption and Saint Catellus is the Roman Catholic duomo or cathedral of Castellammare di Stabia in the metropolitan city of Naples, in the region of Campania, Italy. It is the main church in Castellammare di Stabia and it is co-cathedral of the Archdiocese of Sorrento-Castellammare. It was built in 1587 and was consecrated in 1893. Inside on display for worship is the statue of Saint Catello, the patron saint of the city.
Deposition of Christ is an early 17th-century painting by Jusepe de Ribera It was found on the altar of the Ara Pacis chapel in the co-cathedral of Castellammare di Stabia by count Vincenzo Coppola and donated by him to the bishop of the Diocese of Castellamare di Stabia. It is now in the Santissima Maria Assunta and San Catello Co-Cathedral in Castellammare di Stabia.
Saint Jerome and the Angel of Judgement is an oil on canvas painting by Jusepe de Ribera, signed and dated by the artist in 1626. It was produced as a display for a side chapel next to the high altar of the church of Santissima Trinità delle Monache, which also housed Ribera's Earthly Trinity. After the religious order running the building was suppressed in 1813, the canvas entered the Bourbon Collection and the National Museum of Capodimonte in Naples, where it still hangs today.
The Earthly Trinity with Saints and God the Father are a pair of c.1626-c.1635 oil on canvas paintings by Jusepe de Ribera, both now in the Museo nazionale di Capodimonte in Naples. Along with the Holy Family, the main work shows Bruno of Cologne, Benedict of Nursia, Bernardino of Siena and Bonaventure.