Baptism of Christ is a 1643 painting by Jusepe de Ribera. Since 1881 it has been in the Museum of Fine Arts in Nancy.
Baptism of Christ is a 1643 painting by Jusepe de Ribera. Since 1881 it has been in the Museum of Fine Arts in Nancy.
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Jusepe de Ribera was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century." Jusepe de Ribera has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto by his contemporaries, early historians, and biographers.
Tenebrism, from Italian tenebroso, also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the image. The technique was developed to add drama to an image through a spotlight effect, and is common in Baroque paintings. Tenebrism is used only to obtain a dramatic impact while chiaroscuro is a broader term, also covering the use of less extreme contrasts of light to enhance the illusion of three-dimensionality.
Jacob's Dream is a 1639 oil-on-canvas painting by the Spanish Tenebrist painter José de Ribera.
Massimo Stanzione was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco. His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena. In 1621 Pope Gregory XV gave him the title of Knight of the Golden Spur and Pope Urban VIII made him a knight of St. John around 1624 and a knight of the Order of Christ in 1627. From then on, he liked to sign his works as "EQUES MAXIMUS".
Giovanni Do was a Spanish painter, active in Naples.
Antonio de Bellis was an Italian painter from Naples, active in the Baroque period. Along with Jusepe de Ribera, Bernardo Cavallino and Massimo Stanzioni he was one of the major artists working in Naples in the first half of the seventeenth century, under the influence of the painter Caravaggio.
Bartolomeo Cavarozzi (1587–1625), occasionally referred to as Bartolomeo Crescenzi, was an Italian caravaggisti painter of the Baroque period. Cavarozzi's work begin receiving increased admiration and appreciation from art historians in the last few decades of the 20th century, emerging as one of the more distinct and original followers of Caravaggio. He received training from Giovanni Battista Crescenzi in Rome and later traveled to Spain alongside his master for a few years where he achieved some renown and was significant in spreading "Caravaggism" to Spain before returning to Italy. His surviving works are predominantly Biblical subjects and still-life paintings, although older references note he "was esteemed a good painter especially of portraits".
The Museo de Málaga is a museum in Málaga, Andalusia, Spain. Formed in 1973, it brought together the former Museo Provincial de Bellas Artes, born in 1913, and Museo Arqueológico Provincial, born in 1947. As of 2010, the museum remains institutionally divided into two "sections" corresponding to the older museums. There are slightly over 2,000 pieces in the Fine Arts collection and over 15,000 in the Archeology collection. The museum opened to the public in December 2016, becoming the biggest museum in Andalusia and the 5th in Spain.
The Great Executioner is a mezzotint by the soldier and amateur artist Prince Rupert of the Rhine (1619-1682), finished in 1658.
The Clubfoot is a 1642 oil on canvas painting by Jusepe de Ribera. It is housed in the Musée du Louvre in Paris, and was painted in Naples. Art historian Ellis Waterhouse wrote of it as "a touchstone by which we can interpret the whole of Ribera's art".
Jonathan Mayer Brown was an American art historian, known for his work on Spanish art, particularly Diego Velázquez. He was Carroll and Milton Petrie Professor of Fine Arts at New York University.
Aristotle is a 1637 oil painting by Spanish artist Jusepe de Ribera, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It is part of a series of six portraits of ancient philosophers commissioned by the Prince of Liechtenstein in 1636.
The Martyrdom of Saint Philip is a painting by Jusepe de Ribera from 1639.
Pietà is painting of 1637 by the Spanish artist Jusepe de Ribera, produced for the Tesoro Nuovo chapel in the Certosa di San Martino in Naples, where it still hangs.
The Martyrdom of Saint Bartholomew is a painting by the Naples-based Spanish artist Jusepe de Ribera, produced between 1630 and 1640 and now in the Galleria Palatina of the Uffizi in Florence.
Tityos is a 1632 painting, signed and dated by Jusepe de Ribera and showing the torture inflicted on the giant Tityos. It was part of a series of four paintings - the other three showed the tortures of Sisyphus, Tantalus and Ixion, but only those of Tityos and Ixion still survive, both now in the Prado Museum in Madrid.
Ixion is a 1632 oil painting, signed and dated by Jusepe de Ribera. It shows a scene from Classical mythology, of Ixion being tortured as the eternal punishment meted out by Zeus. It is one of a series of four paintings by Ribera of the four "Furies" or "Condemned" from Greek mythology. It is held by the Museo del Prado in Madrid, along with Ribera's painting of Tityos; the other two, of Sisyphus and Tantalus, are lost.
Allegories of the Five Senses is a series of early-17th-century paintings by the Spanish artist Jusepe de Ribera. One of the series (Hearing) has been lost and is known only through copies.
The Martyrdom of Saint Andrew is a 1628 painting by Jusepe de Ribera.
Saint Peter and Saint Paul is a circa 1616 Catholic Baroque painting by the Spanish-born Neapolitan artist Jusepe de Ribera. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 180.
