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Saint Januarius Emerges Unscathed from the Furnace is an oil on copper painting by Jusepe de Ribera, commissioned in 1643 and completed three years later, in 1646. It is now in the Royal Chapel of the Treasure of St. Januarius in Naples Cathedral. It shows a legend relating to Naples' patron saint Januarius, shown as a bishop. [1]
Januarius, also known as Januarius I of Benevento, was Bishop of Benevento and is a martyr and saint of the Catholic Church and the Eastern Orthodox Church. While no contemporary sources on his life are preserved, later sources and legends claim that he died during the Great Persecution, which ended with Diocletian's retirement in 305.
The Feast of San Gennaro, also known as San Gennaro Festival, is a Neapolitan and Italian-American festival dedicated to Saint Januarius, the patron saint of Naples and Little Italy, New York.
The Illustrious Royal Order of Saint Januarius is a Roman Catholic order of knighthood founded by Charles VII of Naples in 1738. It was the last great dynastic order to be constituted as a chivalric fraternity, with a limitation to Roman Catholics and a direct attachment to the dynasty rather than the state. The founder of the order, Charles VII of Naples, ruled from 1734 until 1759.
Saint Proculus (Proclus) of Pozzuoli was martyred around 305 AD, according to Christian tradition, at the same time as Saint Januarius.
Joppolo is a comune (municipality) in the Province of Vibo Valentia in the Italian region of Calabria, located about 70 kilometres (43 mi) southwest of Catanzaro and about 20 kilometres (12 mi) southwest of Vibo Valentia.
The Naples Cathedral, or Cathedral of the Assumption of Mary, is a Roman Catholic cathedral, the main church of Naples, southern Italy, and the seat of the Archbishop of Naples. It is widely known as the Cattedrale di San Gennaro, in honour of the city's patron saint.
The Catacombs of San Gennaro are underground paleo-Christian burial and worship sites in Naples, Italy, carved out of tuff, a porous stone. They are situated in the northern part of the city, on the slope leading up to Capodimonte, consisting of two levels, San Gennaro Superiore, and San Gennaro Inferiore. The catacombs lie under the Rione Sanità neighborhood of Naples, sometimes called the "Valley of the Dead". The site is now easily identified by the large church of Madre del Buon Consiglio.
Saint Agrippinus (Arpinus) of Naples was a bishop of Naples and is venerated in that city as a saint. According to tradition, Agrippinus was the sixth bishop of Naples. He lived at the end of the 3rd century, and seems not to have been a martyr.
Patricia of Naples is an Italian virgin and saint. Tradition states that she was noble; she may have been related to the Roman Emperor. Some sources say that she was a descendant of Constantine the Great. The particulars traditional about her are unreliable and in some instances contradictory.
Aspren or Asprenas was a 1st-century Christian saint and venerated as the first Bishop of Naples.
Saint Severus was a bishop of Naples during the 4th and 5th centuries. He is considered the twelfth bishop of Naples, succeeding Maximus. His episcopate ran from February 363 to April 29, 409, the traditional date of his death. Maximus is actually considered the 10th bishop by the Catholic Church; between the episcopates of Maximus and Severus was the episcopate of Zosimus, who was Arian and thus considered heretical by the Catholic Church.
The city of Naples has more than 50 official patron saints, although its principal patron is Saint Januarius. Second in terms of importance is Saint Aspren (Sant'Aspreno), first bishop of Naples.
Leopoldo Giovanni Giuseppe Michele of Bourbon-Two Sicilies, Prince of Salerno was a member of the House of Bourbon-Two Sicilies and a Prince of Bourbon-Two Sicilies.
Prince Januarius Maria Immaculata Louis of Bourbon-Two Sicilies, Count of Caltagirone was the twelfth and youngest child of Ferdinand II of the Two Sicilies and his wife Maria Theresa of Austria. Januarius was a member of the House of Bourbon-Two Sicilies. The prince was named for Saint Januarius, patron saint of Naples.
Christianity and religion in general has always been an important part of the social and cultural life of Naples. It is the seat of the Archdiocese of Naples, and the Catholic faith is highly important to the people of Naples and there are hundreds of historic churches in the city. The Cathedral of Naples is the most important place of worship in the city, each year on September 19 it hosts the Miracle of Saint Januarius, the city's patron saint. In the miracle which thousands of Neapolitans flock to witness, the dried blood of Januarius is said to turn to liquid when brought close to relics said to be of his body: this is one of the most important traditions for Neapolitans.
The Royal Chapel of the Treasure of St. Januarius, or the Reale cappella del Tesoro di San Gennaro, is a chapel located in the Cathedral of Naples, Italy, and dedicated to St. Januarius, patron saint of the city. This is the most lavishly decorated chapel in the Cathedral, and contains contributions by the premier Baroque artists in Naples.
Saint Januarius in the Amphitheatre at Pozzuoli is a 1635-1637 oil on canvas painting by Artemisia Gentileschi. The work shows the moment that the Christian martyr Januarius and his followers are thrown to a group of wild animals in the amphitheatre in Pozzuoli - however, they lick the saint's feet rather than attacking him and Januarius is unharmed.
Adoration of the Magi is a 1635–1637 painting by Artemisia Gentileschi. Along with Saint Januarius in the Amphitheatre at Pozzuoli and Saints Proculus and Nicea, it was commissioned by Martín de León Cárdenas, bishop of Pozzuoli for Pozzuoli Cathedral. Adoration was held in Naples for around fifty years for conservation before being returning to its original position in the Cathedral in May 2014.
Saints Proculus and Nicea is a 1635-1637 painting by Artemisia Gentileschi of Proculus and Nicea. Along with Adoration of the Magi and Saint Januarius in the Amphitheatre at Pozzuoli, it was commissioned by Martín de León Cárdenas for the choir of Pozzuoli Cathedral, of which he was bishop. After around fifty years' restoration in Naples, the painting was returned to its original spot in May 2014 when the Cathedral reopened for worship.
Don Leonardo VII Tocco, later also known under the full name Leonardo di Tocco Cantelmo Stuart, was an 18th-century Italian noble, serving as the Prince of Montemiletto and the titular Prince of Achaea from the death of his father Carlo Antonio Tocco in 1701 to his own death in 1776.
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