Naples Cathedral

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Naples Cathedral
Cathedral of the Assumption of Mary
Cattedrale di Santa Maria Assunta
Naples Cathedral - Duomo di Napoli, Facade (5315-Pan).jpg
The west front of Naples Cathedral
Religion
Affiliation Roman Catholic Church
Province Archdiocese of Naples
Ecclesiastical or organizational status Cathedral
Year consecrated 13th century
StatusActive
Location
LocationNaples, Italy
Geographic coordinates 40°51′09″N14°15′35″E / 40.8525°N 14.2596°E / 40.8525; 14.2596
Architecture
TypeChurch
Style Gothic, Renaissance, Baroque, Neo-Gothic
Groundbreaking13th century
Completed19th century

Naples Cathedral (Italian : Duomo di Napoli; Neapolitan : Viscuvato 'e Napule), or the Cathedral of the Assumption of Mary (Italian: Cattedrale di Santa Maria Assunta), is a Roman Catholic cathedral, the main church of Naples, southern Italy, and the seat of the Archbishop of Naples. It is widely known as the Cathedral of Saint Januarius (Cattedrale di San Gennaro), in honour of the city's patron saint.

Contents

History

View of the interior, towards the apse Naples Cathedral - Duomo di Napoli, Central nave (5325).jpg
View of the interior, towards the apse

The present cathedral in Angevin Gothic style (Italian : gotico angioino) was commissioned by King Charles I of Anjou. Construction continued during the reign of his successor, Charles II (1285–1309) and was completed in the early 14th century under Robert of Anjou. It was built on the foundations of two palaeo-Christian basilicas, whose traces can still be clearly seen. Underneath the building excavations have revealed Greek and Roman artifacts.

The Archbishop's Palace adjoins the cathedral.

Interior and artwork

Dome of the Royal Chapel of the Treasure of St. Januarius San Gennaro's chapel - Dome (Naples).jpg
Dome of the Royal Chapel of the Treasure of St. Januarius

The cathedral gives access to the archaeological remains in the crypt of the neighbouring original palaeochristian church of Santa Restituta where there is a Greek wall belonging to the temple of Apollo, in opus reticulatum . Under the apse the peristyle of a late imperial domus can be seen; also a stretch of Roman aqueduct after the foundation of the city and a stretch of Greek road on an inclined plane.

Another attraction of the interior is the Royal Chapel of the Treasure of San Gennaro, with frescoes by Domenichino and Giovanni Lanfranco, altarpieces by Domenichino, Massimo Stanzione and Jusepe Ribera, the rich high altar by Francesco Solimena, the bronze railing by Cosimo Fanzago and other artworks, including a reliquary by French masters of the 14th century.

Other artworks include an Assumption by Pietro Perugino, canvasses by Luca Giordano and the palaeo-Christian baptistery, with mosaics from the 4th century. The main chapel is a restoration of the 18th century, with a Baroque relief by Pietro Bracci. The Minutolo Chapel, mentioned in Boccaccio's Decameron , has 14th-century frescoes.

The crypt is by the Lombard Tommaso Malvito. The façade was reworked by Enrico Alvino in the late 19th century, but retains the 15th century portal, including some sculptures by Tino da Camaino.

Miracle of the Blood

The church houses a vial of the blood of Saint Januarius, which is brought out three times a year, on the first Saturday in May, on 19 September and 16 December, when the dried blood usually liquefies. If the blood fails to liquefy, then legend has it that disaster will befall Naples.

A recent hypothesis by Garlaschelli, Ramaccini, and Della Sala is that the vial contains a thixotropic gel, [1] [2] he also explained on the Blood Miracle of Riddles of the Dead series on National Geographic Channel. [3] In such a substance viscosity increases if left unstirred and decreases if stirred or moved. Researchers have proposed specifically a suspension of hydrated iron oxide, FeO(OH), which reproduces the color and behavior of the 'blood' in the ampoule. [4] The suspension can be prepared from simple chemicals that would have been easily available locally since antiquity. [5] [6] On March 21, 2015, the blood in the vial appeared to liquify during a visit by Pope Francis. This was taken as a sign of the saint's favour of the pope. The blood did not liquify when Pope Benedict XVI visited in 2007.

Burials

Detail of the apse Naples Cathedral - Duomo di Napoli, Apse, detail (5334).jpg
Detail of the apse

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<i>Saint Januarius Emerges Unscathed from the Furnace</i> 1646 painting by José de Ribera

Saint Januarius Emerges Unscathed from the Furnace is an oil on copper painting by Jusepe de Ribera, commissioned in 1643 and completed three years later, in 1646. It is now in the Royal Chapel of the Treasure of St. Januarius in Naples Cathedral. It shows a legend relating to Naples' patron saint Januarius, shown as a bishop.

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References

  1. Garlaschelli, L.; Ramaccini, F.; Della Sala, S. (1994). "The Blood of St. Januarius". Chemistry in Britain. 30 (2): 123. Archived from the original on 26 April 2017. Retrieved 28 July 2009.
  2. Christopher, Kevin (22 September 2000). "The Miracle Blood of Saint Januarius". Committee for Skeptical Inquiry. Archived from the original on 6 February 2007. Retrieved 2 March 2007.;
  3. National Geographic ChannelRiddles of the DeadBlood Miracle
  4. Garlaschelli, Luigi (June 2002). "Sangue prodigioso" (PDF). RICHMAC Magazine (in Italian). 84: 67–70. Archived from the original (PDF) on 12 January 2011. Retrieved 5 January 2021.
  5. Epstein, Michael; Luigi Garlaschelli (1992). "Better Blood Through Chemistry: A Laboratory Replication of a Miracle" (PDF). Journal of Scientific Exploration . 6: 233–246. Archived from the original (PDF) on 17 July 2009. Retrieved 2 March 2007.[ unreliable source? ]
  6. Owen, Richard (20 September 2005). "Naples blood boils at miracle's 'debunking'". The Times . London: Times Newspapers Ltd. Archived from the original on 11 March 2007. Retrieved 2 March 2007.