| The Martyrdom of Saint Bartholomew | |
|---|---|
 | |
| Artist | Jusepe de Ribera  |
| Year | 1634 |
| Medium | oil paint, canvas |
| Dimensions | 104 cm (41 in) × 113 cm (44 in) |
| Location | National Gallery of Art |
| Accession No. | 1990.137.1 |
The Martyrdom of Saint Bartholomew is a 1634 painting by Jusepe de Ribera. [1]
Nothing is known of its provenance before its purchase around 1810 by Richard Barré Dunning, Lord Ashburton to give to George Cranstoun, Lord Corehouse, his uncle-in-law. It passed down through the Cranstoun family until being sold at Sotheby's in 1983. It was then sold from another private collection in 1990 to the National Gallery of Art in Washington, where it now hangs. [2]
Bartholomew was one of the twelve apostles of Jesus according to the New Testament. Most scholars today identify Bartholomew as Nathanael or Nathaniel, who appears in the Gospel of John.
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, in Trafalgar Square since 1838, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi.
Peter Doig is a Scottish painter. He has settled in Trinidad since 2002.
Domenico Zampieri, known by the diminutive Domenichino after his shortness, was an Italian Baroque painter of the Bolognese School of painters.
Jusepe de Ribera was a Spanish painter and printmaker who, along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, is regarded as one of the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was no longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century." Jusepe de Ribera has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto by his contemporaries, early historians, and biographers.
Dieric Bouts was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 until his death in 1475.
Jean Restout the Younger was a French artist, who worked in painting and drawing. Although little remembered today, Restout was well-respected by his contemporaries for his religious compositions.
The Calling of Saint Matthew is an oil painting by Caravaggio that depicts the moment Jesus Christ calls on the tax collector Matthew to follow him. It was completed in 1599–1600 for the Contarelli Chapel in the church of the French congregation, San Luigi dei Francesi in Rome, where it remains. It hangs alongside two other paintings of Matthew by Caravaggio, The Martyrdom of Saint Matthew and The Inspiration of Saint Matthew (1602).
Mattia Preti was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John.
The Alba Madonna is a tondo (circular) oil on wood transferred to canvas painting by the Italian High Renaissance artist Raphael, created c. 1511, depicting Mary, Jesus, and John the Baptist in a typical Italian countryside.
The Garvagh Madonna is an oil painting by the Italian Renaissance artist Raphael, dating to c. 1509–1510. It depicts the Virgin, the Christ Child and the infant John the Baptist, and is one of many paintings by Raphael with this trio. It is from early in the artist's third, or Roman period, in which distinctive changes are seen from his Umbrian or Florentine period in style and use of colour, with the introduction of more natural subjects and settings.
The Soviet sale of Hermitage paintings in 1930 and 1931 resulted in the departure of some of the most valuable paintings from the collection of the State Hermitage Museum in Leningrad to Western museums. Several of the paintings had been in the Hermitage Collection since its creation by Empress Catherine the Great. About 250 paintings were sold, including masterpieces by Jan van Eyck, Titian, Rembrandt, Rubens, Raphael, and other important artists. Andrew Mellon donated the twenty-one paintings he purchased from the Hermitage to the United States government in 1937, which became the nucleus of the National Gallery of Art in Washington, D.C.
The Railway, widely known as Gare Saint-Lazare, is an 1873 painting by Édouard Manet. It is the last painting by Manet of his favourite model, the fellow painter Victorine Meurent, who was also the model for his earlier works Olympia and the Luncheon on the Grass. It was exhibited at the Paris Salon in 1874, and donated to the National Gallery of Art in Washington, D.C. in 1956.
Fourteen Rembrandt paintings are held in collections in Southern California. This accumulation began with J. Paul Getty's purchase of the Portrait of Marten Looten in 1938, and is now the third-largest concentration of Rembrandt paintings in the United States. Portrait of Marten Looten is now housed at the Los Angeles County Museum of Art (LACMA).
The Santa Lucia de' Magnoli Altarpiece is a painting by the Italian painter Domenico Veneziano, dated to around 1445–1447. Once placed at the high altar of the church of Santa Lucia dei Magnoli, Florence, it is now in the Uffizi Gallery in the same city. The large panel had originally a predella, which has been divided between museums in Washington, Berlin and Cambridge.
Charles Louis Müller was a French painter.
The Martyrdom of Saint Bartholomew is a painting by Jusepe de Ribera conserved at the National Art Museum of Catalonia.
Girl with a Flute is a small painting attributed to either Johannes Vermeer or one of his associates. It is currently believed to have probably been painted between 1669–1675. It is owned by the National Gallery of Art in Washington, D.C. along with three paintings attributed to Vermeer: Woman Holding a Balance, A Lady Writing a Letter, and Girl with a Red Hat.
The Martyrdom of Saint Philip is a painting by Jusepe de Ribera from 1639.
Self-Portrait as Saint Catherine of Alexandria is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London, which purchased it in 2018 for £3.6 million, including about £2.7 million from its American Friends group.
 | This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it. |