 |
 An afghan blanket made using the ripple crochet stitch | |
| Type | Bedding |
|---|---|
| Material | Wool |
| Production method | Knitting or crocheting |
| Production process | Handicraft |
| Place of origin | Afghanistan |
An afghan is a blanket or shawl, usually knitted or crocheted. [1] It is sometimes also called a "throw" of indeterminate size. Afghans are often used as bedspreads, or as a decoration on the back of couches or chairs. [2]
The word afghan refers to the people of Afghanistan. The use of afghan in the English language for a textile object goes back to at least 1831, when Thomas Carlyle mentioned "Afghan shawls" in his Sartor Resartus . [3] By 1860, Afghan as a noun, not an adjective, denoted a type of handicrafted object shown at state fairs and other exhibitions, [4] along with patchwork and knitted quilts, and was being mentioned in novels: [5]
There is a fashion, I observe, in these things; and her work was a sort I perceive to have become very fashionable of late—the netting of soft wools into various articles for women's heads and shoulders, and even into cloaks and large shawls or blankets—Afghans, Lilly says they call them—to be worn as protection against dust in summer drives.
There are many styles of afghans:
Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term crochet, which means 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or even plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.
Knitting is a method for production of textile fabrics by interlacing yarn loops with loops of the same or other yarns. It is used to create many types of garments. Knitting may be done by hand or by machine.
Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings, necklaces, waist beads, and other decorative pieces. The lace is formed by a pattern of rings and chains formed from a series of cow hitch or half-hitch knots, called double stitches, over a core thread. Gaps can be left between the stitches to form picots, which are used for practical construction as well as decorative effect.
Yarn is a long continuous length of interlocked fibres, used in sewing, crocheting, knitting, weaving, embroidery, ropemaking, and the production of textiles. Thread is a type of yarn intended for sewing by hand or machine. Modern manufactured sewing threads may be finished with wax or other lubricants to withstand the stresses involved in sewing. Embroidery threads are yarns specifically designed for needlework. Yarn can be made of a number of natural or synthetic materials, and comes in a variety of colors and thicknesses. Although yarn may be dyed different colours, most yarns are solid coloured with a uniform hue.
Tunisian crochet or Afghan crochet is a type of crochet that uses an elongated hook, often with a stopper on the handle end, called an Afghan hook. It is sometimes considered to be a mixture of crocheting and knitting. As such, some techniques used in knitting are also applicable in Tunisian crochet. One example is the intarsia method.
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design. Quilts may contain valuable historical information about their creators, "visualizing particular segments of history in tangible, textured ways".
A knitting needle or knitting pin is a tool in hand-knitting to produce knitted fabrics. They generally have a long shaft and taper at their end, but they are not nearly as sharp as sewing needles. Their purpose is two-fold. The long shaft holds the active (unsecured) stitches of the fabric, to prevent them from unravelling, whereas the tapered ends are used to form new stitches. Most commonly, a new stitch is formed by inserting the tapered end through an active stitch, catching a loop of fresh yarn and drawing it through the stitch; this secures the initial stitch and forms a new active stitch in its place. In specialized forms of knitting the needle may be passed between active stitches being held on another needle, or indeed between/through inactive stitches that have been knit previously.
A blanket is a swath of soft cloth large enough either to cover or to enfold most of the user's body and thick enough to keep the body warm by trapping radiant body heat that otherwise would be lost through conduction.
Sartor Resartus: The Life and Opinions of Herr Teufelsdröckh in Three Books is a novel by the Scottish essayist, historian and philosopher Thomas Carlyle, first published as a serial in Fraser's Magazine in November 1833 – August 1834. The novel purports to be a commentary on the thought and early life of a German philosopher called Diogenes Teufelsdröckh, author of a tome entitled Clothes: Their Origin and Influence. Teufelsdröckh's Transcendentalist musings are mulled over by a sceptical English Reviewer who also provides fragmentary biographical material on the philosopher. The work is, in part, a parody of Hegel, and of German Idealism more generally.
A shawl is a simple item of clothing, loosely worn over the shoulders, upper body and arms, and sometimes also over the head. It is usually a rectangular piece of cloth, but can also be square or triangular in shape. Other shapes include oblong shawls. It is associated with the inhabitants of the northern Indian subcontinent—particularly Kashmir and Punjab—and Central Asia, but can be found in many other parts of the world.
In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled. Patterns are usually made of paper, and are sometimes made of sturdier materials like paperboard or cardboard if they need to be more robust to withstand repeated use. The process of making or cutting patterns is sometimes compounded to the one-word patternmaking, but it can also be written pattern making or pattern cutting.
Hairpin lace is a lace-making technique that uses a crochet hook and two parallel metal rods held at the top and the bottom by removable bars. Historically, a metal U-shaped eponymous hairpin was used.
Lace knitting is a style of knitting characterized by stable "holes" in the fabric arranged with consideration of aesthetic value. Lace is sometimes considered the pinnacle of knitting, because of its complexity and because woven fabrics cannot easily be made to have holes. Famous examples include the Orenburg shawl and the wedding ring shawl of Shetland knitting, a shawl so fine that it could be drawn through a wedding ring. Shetland knitted lace became extremely popular in Victorian England when Queen Victoria became a Shetland lace enthusiast. Her enthusiasm resulted i.a. in her choosing knitted lacework for presents; e.g. when in ca. 1897 the Queen gave a lace shawl as a present to American abolitionist Harriet Tubman. From there, knitting patterns for the shawls were printed in English women's magazines where they were copied in Iceland with single ply wool.
The Orenburg shawl is a Russian knitted lace textile using goat down and stands as one of the classic symbols of Russian handicraft, along with Tula samovars, the Matrioshka doll, Khokhloma painting, Gzhel ceramics, the Palekh miniature, Vologda lace, Dymkovo toys, Rostov finift (enamel), and Ural malachite.
Edmund Joseph Sullivan (1869–1933), usually known as E. J. Sullivan, was a British book illustrator who worked in a style which merged the British tradition of illustration from the 1860s with aspects of Art Nouveau.
A granny square is a piece of square fabric produced in crochet by working in rounds from the center outward. Granny squares are traditionally handmade as crochet and cannot be manufactured by machine. They resemble coarse lace. Although there is no theoretical limit to the maximum size of a granny square, crocheters usually create multiple small squares and assemble the pieces to make clothing, purses, Afghan blankets, and other household textiles.
Hand knitting is a form of knitting, in which the knitted fabric is produced by hand using needles.
In the textile arts, a motif is a smaller element in a much larger work. In knitting and crochet, motifs are made one at a time and joined together to create larger works such as afghan blankets or shawls. An example of a motif is the granny square. Motifs may be varied or rotated for contrast and variety, or to create new shapes, as with quilt blocks in quilts and quilting. Contrast with motif-less crazy quilting.
The Hat and Fragrance Textile Gallery is an exhibit space at Shelburne Museum in Shelburne, Vermont which houses quilts, hatboxes, and various other textiles. The name "Hat and Fragrance" refers both to Electra Havemeyer Webb's collection of hatboxes and to the fragrant, herbal sachets used to preserve textiles. In 1954, Shelburne Museum was the first museum to exhibit quilts as works of art; prior to this exhibition quilts were only shown as accessories in historic houses.
Pin weaving is a form of small-scale weaving traditionally done on a frame made of pins; the warp and weft are wrapped around the pins. Pin-woven textiles have a selvage edge all the way around.
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