Discipline | Ethnomusicology |
---|---|
Language | English |
Edited by | Lee Watkins |
Publication details | |
History | 1954-current |
Publisher | |
Frequency | Annual |
Delayed, two-years | |
Standard abbreviations | |
ISO 4 | Afr. Music |
Indexing | |
ISSN | 0065-4019 (print) 2524-2741 (web) |
LCCN | 60045755 |
JSTOR | 00654019 |
OCLC no. | 1036109 |
Links | |
African Music is an annual peer-reviewed academic journal published by the International Library of African Music. It covers contextualized studies of African music and related arts. Articles are made freely accessible after a two-year embargo period. [1]
The journal was established by Hugh Tracey in 1954, [2] in the same year as the International Library of African Music. Tracey was the first editor-in-chief until his death in 1977. [3] [4] Publication was interrupted from 2000 until 2007. Since it was re-launched in 2007, the journal includes a collection of music performances and audio examples relating to articles published within the respective issues. [5]
The following persons are or have been editor-in-chief of the journal:
The journal is abstracted and indexed in: [6]
Mbira are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs, the right forefinger, and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020.
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Hugh Travers Tracey was an English ethnomusicologist. He and his wife collected and archived music from Southern and Central Africa. From the 1920s through the 1970s, Tracey made over 35,000 recordings of African folk music. He popularized the mbira internationally under the name kalimba.
The International Library of African Music (ILAM) is an organization dedicated to the preservation and study of African music. Seated in Grahamstown, South Africa, ILAM is attached to the Music Department at Rhodes University and coordinates its Ethnomusicology Programme which offers undergraduate and post-graduate degrees in Ethnomusicology that include training in performance of African music. ILAM, as the largest repository of indigenous African music, is particularly known for its study of the lamellophone mbira of Zimbabwe and Mozambique, as well as the Chopi people's Timbila, a variant of the marimba from southern Mozambique.
Andrew Tracey is a South African ethnomusicologist, promoter of African music, composer, folk singer, band leader, and actor. His father, Hugh Tracey (1903–1977), pioneered the study of traditional African music in the 1920s–1970s, created the International Library of African Music (ILAM) in 1954, and started the company African Musical Instruments (AMI) which manufactured the first commercial kalimbas in the 1950s.
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John Anthony Randoll Blacking was a British ethnomusicologist and social anthropologist.
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