Cultural imperialism comprises the cultural dimensions of imperialism. The word "imperialism" describes practices in which a country engages culture to create and maintain unequal social and economic relationships among social groups. Cultural imperialism often uses wealth, media power and violence to implement the system of cultural hegemony that legitimizes imperialism.
Odinani, also known as Odinala, Omenala, Odinana, and Omenana, is the traditional cultural belief and practice of the Igbo people of south east Nigeria. These terms, as used here in the Igbo language, are synonymous with the traditional Igbo "religious system" which was not considered separate from the social norms of ancient or traditional Igbo societies. Theocratic in nature, spirituality played a huge role in their everyday lives. Although it has largely been syncretised with Catholicism, the indigenous belief system remains in strong effect among the rural, village and diaspora populations of the Igbo. Odinani can be found in Haitian Voodoo, Obeah, Santeria and even Candomblé. Odinani is a pantheistic and polytheistic faith, having a strong central deity at its head. All things spring from this deity. Although a pantheon of other gods and spirits, these being Ala, Amadiọha, Anyanwụ, Ekwensu, Ikenga, exists in the belief system, as it does in many other Traditional African religions, the lesser deities prevalent in Odinani serve as helpers or elements of Chukwu, the central deity.
Highlife is a Ghanaian music genre that originated along the coastal cities of present-day Ghana in the 19th century, during its history as a colony of the British and through its trade routes in coastal areas. It describes multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional African music, but is typically played with Western instruments. Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound.
The afro is a hair style created by combing out natural growth of afro-textured hair, or specifically styled with chemical curling products by individuals with naturally curly or straight hair. The hairstyle can be created by combing the hair away from the scalp, dispersing a distinctive curl pattern, and forming the hair into a rounded shape, much like a cloud or puff ball.
Guy Warren of Ghana, also known as Kofi Ghanaba, was a Ghanaian musician, most notable as the inventor of Afro-jazz — "the reuniting of African-American jazz with its African roots" — and as a member of The Tempos, alongside E. T. Mensah. He also inspired musicians such as Fela Kuti. Warren's virtuosity on the African drums earned him the appellation "The Divine Drummer". At different stages of his life, he additionally worked as a journalist, DJ and broadcaster.
Punctuality is the characteristic of completing a required task or fulfilling an obligation before or at a previously designated time. "Punctual" is often used synonymously with "on time".
"New Negro" is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term "New Negro" was made popular by Alain LeRoy Locke in his anthology The New Negro.
African Australians are Australians descended from the any peoples of Sub-Saharan Africa, including naturalised Australians who are immigrants from various regions in Sub-Saharan Africa and descendants of such immigrants. At the 2021 census, the number of ancestry responses categorised within Sub-Saharan African ancestral groups as a proportion of the total population amounted to 1.3%.
Black People's Time is an American expression referring to African Americans as frequently being late. It claims that African Americans can have a relaxed or indifferent view of punctuality, which leads to them being labeled as lazy or unreliable.
Culture change is a term used in public policy making and in workplaces that emphasizes the influence of cultural capital on individual and community behavior. It has been sometimes called repositioning of culture, which means the reconstruction of the cultural concept of a society. It places stress on the social and cultural capital determinants of decision making and the manner in which these interact with other factors like the availability of information or the financial incentives facing individuals to drive behavior.
Diaspora literacy is a phrase coined by literary scholar Vévé Clark in her work "Developing Diaspora Literacy and Marasa Consciousness". It is the ability to understand and/or interpret the multi-layered meanings of stories, words, and other folk sayings within any given community of the African diaspora. These meanings supersede those of "...Western or westernized signification" (42), meaning that they go beyond literal or typical literary interpretation into an area of folk understanding that could only be recognized by the eye skilled in such an understanding. Readers rely solely upon a knowledge and lived experience of social, historical, and cultural climates of the various cultures of the African diaspora as a foundation for interpretation.
Coolness, or being cool, is an aesthetic of attitude, behavior, comportment, appearance, and style that is generally admired. Because of the varied and changing interpretation of what is considered cool, as well as its subjective nature, the word has no single meaning. For most, coolness is associated with exemplifying composure and self-control. When used in conversation, it is often as an expression of admiration or approval, and can be used when referencing both people and items of interest. Although commonly regarded as slang, cool is widely used among disparate social groups and has endured in usage for generations.
Cultural sensitivity, also referred to as cross-cultural sensitivity or cultural awareness, is the knowledge, awareness, and acceptance of other cultures and others' cultural identities. It is related to cultural competence, and is sometimes regarded as the precursor to the achievement of cultural competence, but is a more commonly used term. On the individual level, cultural sensitivity is a state of mind regarding interactions with those different from oneself. Cultural sensitivity enables travelers, workers, and others to successfully navigate interactions with a culture other than their own.
The Ghanaian people are a nation originating in the Ghanaian Gold Coast. Ghanaians predominantly inhabit the Republic of Ghana and are the predominant cultural group and residents of Ghana, numbering 34 million people as of 2024, making up 85% of the population. The word "Ghana" means "warrior king". An estimated diaspora population of 4 million people worldwide are of Ghanaian descent. The term ethnic Ghanaian may also be used in some contexts to refer to a group of related ethnic groups native to the Gold Coast.
Cultural racism, sometimes called neo-racism, new racism, postmodern racism, or differentialist racism, is a concept that has been applied to prejudices and discrimination based on cultural differences between ethnic or racial groups. This includes the idea that some cultures are superior to others or in more extreme cases that various cultures are fundamentally incompatible and should not co-exist in the same society or state. In this it differs from biological or scientific racism, which refers to prejudices and discrimination rooted in perceived biological differences between ethnic or racial groups.
Kelechi Promise Iheanacho is a Nigerian professional footballer who plays as a striker for La Liga club Sevilla and the Nigeria national team.
Tardiness is the habit of being late or delaying arrival. Being late as a form of misconduct may be formally punishable in various arrangements, such as workplace, school, etc. An opposite personality trait is punctuality.
Gold Coast Euro-Africans were a historical demographic based in coastal urban settlements in colonial Ghana, that arose from unions between European men and African women from the late 15th century – the decade between 1471 and 1482, until the mid-20th century, circa 1957, when Ghana attained its independence. In this period, different geographic areas of the Gold Coast were politically controlled at various times by the Portuguese, Germans, Swedes, Danes, Dutch and the British. There are also records of merchants of other European nationalities such as the Spaniards, French, Italians and Irish, operating along the coast, in addition to American sailors and traders from New York, Massachusetts and Rhode Island. Euro-Africans were influential in intellectual, technocratic, artisanal, commercial and public life in general, actively participating in multiple fields of scholarly and civic importance. Scholars have referred to this Euro-African population of the Gold Coast as "mulattos", "mulatofoi" and "owulai" among other descriptions. The term, owula conveys contemporary notions of "gentlemanliness, learning and urbanity" or "a salaried big man" in the Ga language. The cross-cultural interactions between Europeans and Africans were mercantile-driven and an avenue to boost social capital for economic and political gain i.e. "wealth and power". The growth and development of Christianity during the colonial period also instituted motifs of modernity vis-à-vis Euro-African identity. This model created a spectrum of practices, ranging from a full celebration of native African customs to a total embrace and acculturation of European culture.
Kelechi Eke is a Nigerian film director. He is the founder of The African Film Festival (TAFF), founder of Village Arts & Film Festival (VILLAFFEST), and the creator of African streaming service, Rootflix. During the coronation in December 2023, he was installed into a chieftaincy role as the "Ichie Ihemba" of Imerienwe in the Imo State of Nigeria.
