1854 Royal Panopticon 1858 Alhambra Circus 1864 Alhambra Music Hall 1884 Alhambra Theatre Also: Royal Alhambra Palace; Alhambra Theatre of Varieties; Theatre Royal, Alhambra; Great United States Circus and New Alhambra Theatre | |
Address | 23–27 Leicester Square Westminster, London |
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Coordinates | 51°30′38″N0°07′45″W / 51.5105°N 0.12915°W |
Type | Music hall |
Current use | Odeon Leicester Square (on site) |
Construction | |
Rebuilt | 1866 & 1881 Perry and Reed 1884 Reed 1888 Edward Clark 1892 Clark and Pollard 1897 W. M. Bruton 1912 Frank Matcham |
Years active | 1854–1936 |
Architect | T. Hayter Lewis |
The Alhambra was a popular theatre and music hall located on the east side of Leicester Square, in the West End of London. It was built originally as the Royal Panopticon of Science and Arts [1] opening on 18 March 1854. It was closed after two years and reopened as the Alhambra. The building was demolished in 1936. The name was also adopted by many other British music hall theatres located elsewhere; in Bradford, in Hull and in Glasgow etc. The name comes from association with the Moorish splendour of the Alhambra palace in Granada, Spain.
The Alhambra was originally known as the Royal Panopticon and was a landmark building at 23–27 Leicester Square, completed in 1854 by T. Hayter Lewis as a venue for showcasing the finest in the arts and for scientific demonstrations and popular education. This lasted for two years, and then the decision to add a circus ring was taken. When it reopened on 3 April 1858 it was renamed the Alhambra.
The 1858 building conversion to the Alhambra Circus, was also by T. Hayter Lewis. It had a 104 feet (31.7 m) frontage and was very tall for the time. It was built in a Moorish style, with lavish fenestration, two towers and a dome, similar to the eponymous Bradford theatre in architectural style. It was a complete contrast with the neighbouring buildings. Inside there was a central rotunda 94 feet (29 m) in diameter and 94 feet (29 m) high. There was a secondary entrance to the rear on Charing Cross Road. [2]
The Leicester Square theatre's name was changed frequently, but usually reflected the building's (very loose) stylistic associations with the celebrated Alhambra in Granada, Spain. By 1864, the circus had become the Alhambra Music Hall. Rebuildings occurred in 1866 and 1881, by Perry and Reed. From 1871, when it obtained a licence, an equestrian ballet was performed. From 1872 to 1898 (except for 1883–84) Georges Jacobi was musical director of the Alhambra. Over the years he composed more than 100 works for ballet, many of them performed at the Alhambra where for some years the prima ballerina was Emma Palladino.
The Alhambra was destroyed by fire in 1882, [3] and was rebuilt in a more restrained style by Reed, reopening in 1884 as the Alhambra Theatre. Further rebuildings were in 1888 by Edward Clark, 1892 by Clark and Pollard, 1897 by W. M. Brutton, and in 1912 by the prolific theatre architect, Frank Matcham. Other names used during the life of the theatre were the Royal Alhambra Palace; Alhambra Theatre of Varieties; Theatre Royal, Alhambra; Great United States Circus and New Alhambra Theatre. [2]
London's Alhambra was predominantly used for the popular entertainment of the day, music hall. The usual music hall acts were performed, as well as the début of Jules Léotard performing his aerial act, above the heads of diners in May 1861. Other entertainments included "patriotic demonstrations" celebrating the British Empire and British military successes. The theatre also staged ballet and light opera. In the 1860s, John Hollingshead took over management at the Alhambra and made it famous for its sumptuous staging, alluring corps de ballet and the notorious front-of-house Promenade bar. [4] At its bars, the attractions of the Alhambra's ballet were not merely artistic:
You must please imagine yourself a man about town, with money in your pocket and a fancy for a night of pleasure. It is early in the year 1870. You find a congenial companion with similar inclination, and after a leisurely dinner at the club you find yourself looking at the Alhambra. You are purposely too late for the strident 'variety' with which the programme opens, but in easy time for the Ballet which concludes the first half and is followed by a long – a very long – interval. The interval is one of the main features of the show, for the huge basement canteen is open to any of the audience who think a visit worth while ... You wander down after the ballet, pick up a couple of dancers and buy them champagne. They are cheerful young women still wearing their scanty ballet costumes and with plenty to say for themselves. Nearly an hour passes in telling stories and gossiping about the crowd of swells and chorines who skirmish and lounge and laugh in the long, bare but well lighted room. It is now nearly time for the notorious Can-Can, and you prepare to return to your seats. The ladies wish to say thank you for their wine, and each, with an arm round your neck or his, puts unmistakable provocation into her kiss. She probably ventures other familiarities, and certainly asks softly if you will be near the stage-door when the show is over.
The Can-Can as presented at the Alhambra by the 'Parisian Colonna' troupe proved so sexually provocative that in October 1870 the Alhambra was deprived of its dancing licence.
Another example of the fare on offer was this 1882 production, written by Dion Boucicault [lower-alpha 1] and J. R. Planche:
Marian, the giant Amazon queen, will make her first appearance in England at the Royal Alhambra Theatre on Saturday, 8th July, in the magnificent silver armour scene in the enormously successful fairy extravaganza, "Babil & Bijou". This young lady was born on the 31st January, 1866, at Benkendorf, a village near the Thuringia Mountains, Germany, and has attained the remarkable height of 8 feet 2 inches (2.49 m), and is still growing.
— Alhambra Theatre poster. Marian the Giant Amazon Queen, 1882 [5]
Early films were also a part of the entertainment, with Robert W. Paul, a former collaborator of Birt Acres, presenting his first theatrical programme on 25 March 1896. This included films featuring cartoonist Tom Merry drawing caricatures of the German Emperor Kaiser Wilhelm II (1895), [6] and Prince Bismarck (1895). [7] Merry had previously performed his lightning fast drawing as part of a music hall stage act.
During World War I, a series of hit revues played at the Alhambra that included The Bing Boys Are Here (1916), which featured the first performances of the song If You Were The Only Girl In The World , performed by Violet Lorraine and George Robey . This was followed by The Bing Boys on Broadway (1917) and The Bing Boys are There (1918). The music for the revues was written by Nat D. Ayer with lyrics by Clifford Grey, and the text was by George Grossmith Jr. [8]
Like many other theatres, the Alhambra went into decline after World War I owing to the increasing popularity of cinema and radio. It was demolished in 1936 to make way for the Odeon Leicester Square, [9] which remains on the site. The entrance on Charing Cross Road has also been demolished and is now a modern office block.
Leicester Square is a pedestrianised square in the West End of London, England. It was laid out in 1670 as Leicester Fields, which was named after the recently built Leicester House, itself named after Robert Sidney, 2nd Earl of Leicester. The square was originally a gentrified residential area, with tenants including Frederick, Prince of Wales and the artists William Hogarth and Joshua Reynolds. It became more down-market in the late 18th century as Leicester House was demolished and retail developments took place, becoming a centre for entertainment. Major theatres were built in the 19th century, which were converted to cinemas towards the middle of the next. Leicester Square is the location of nationally significant cinemas such as the Odeon Luxe Leicester Square and Empire, Leicester Square, which are often used for film premieres. The nearby Prince Charles Cinema is known for its screenings of cult films and marathon film runs. The square remains a tourist attraction which hosts events, including for the Chinese New Year.
The following is an overview of the events of 1896 in film, including a list of films released and notable births.
Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the Great War. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts.
The Empire, Leicester Square is a cinema currently operated by Cineworld on the north side of Leicester Square, London, United Kingdom.
The London Coliseum is a theatre in St Martin's Lane, Westminster, built as one of London's largest and most luxurious "family" variety theatres. Opened on 24 December 1904 as the London Coliseum Theatre of Varieties, it was designed by the architect Frank Matcham for the impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, described as the "people's palace of entertainment" of its age.
Birt Acres was an American and British photographer and film pioneer. Among his contributions to the early film industry are the first working 35 mm camera in Britain (Wales), and Birtac, the first daylight loading home movie camera and projector. He also directed a number of early silent films.
Coventry Street is a short street in the West End of London, connecting Piccadilly Circus to Leicester Square. Part of the street is a section of the A4, a major road through London. It is named after the politician Henry Coventry, secretary of state to Charles II.
The Royal Panopticon of Science and Art was one of the grand social institutions and architectural splendours of Victorian London. It was given a royal charter in 1850 and in July 1851 a lease was taken out on a premium site for 60 years and building commenced. The Royal Panopticon of Science and Art was built on the eastern side of Leicester Square, opening on 18 March 1854.
Robert William Paul was an English pioneer of film and scientific instrument maker.
Thomas Barrasford (1859–1910) was a 19th-century British entrepreneur and entertainment impresario, who operated and built a number of theatres across Britain, mainly under the Barrasford Halls brand.
The Alhambra Theatre is a theatre in Bradford, West Yorkshire, England, named after the Alhambra palace in Granada, Spain, which was the place of residence of the Emir of the Emirate of Granada. It was built in 1913 at a cost of £20,000 for theatre impresario Francis Laidler, and opened on Wednesday 18 March 1914. In 1964, Bradford City Council bought the Alhambra for £78,900 and in 1974, it was designated a Grade II listed building. It underwent extensive refurbishment in 1986. Today it is a receiving house for large-scale touring theatre of all types and the main house seats 1,456.
Katti Lanner was a Viennese ballet dancer, choreographer, and ballet mistress who found fame in Germany and England, where she staged many productions at the Empire Theatre in London.
Moss Empires was a company formed in Edinburgh in 1899, from the merger of the theatre companies owned by Sir Edward Moss, Richard Thornton and Sir Oswald Stoll. This created the largest chain of variety theatres and music halls in the United Kingdom. The business was successful, with major variety theatres in almost every city in the UK and Ireland, and was advertised as the largest group in the world.
John Hollingshead was an English theatrical impresario, journalist and writer during the latter half of the 19th century. After a journalism career, Hollingshead managed the Alhambra Theatre and was later the first manager of the Gaiety Theatre, London. Hollingshead also wrote several books during his life.
William Mecham was a British cartoonist and performer, taking the stage and pen name Tom Merry.
Frederick John D'Auban was an English dancer, choreographer and actor of the Victorian and Edwardian eras. Famous during his lifetime as the ballet-master at the Theatre Royal, Drury Lane, he is best remembered as the choreographer of many of the Gilbert and Sullivan operas.
George Wilford Bulkley Byng was an English conductor, composer, music arranger and musical director of the late 19th and early 20th centuries. He is known for composing music for ballet productions staged at the Alhambra Theatre in London during the Edwardian era, for his theatre compositions, and as a conductor for HMV from World War I up to about 1930. Byng was his stage name.
Georges Jacobi was a German violinist, composer and conductor who was musical director of the Alhambra Theatre in London from 1872 to 1898. His best-known work was probably The Black Crook (1872) written with Frederick Clay for the Parisian operetta-star Anna Judic and which ran for 310 performances. Although never achieving the standing of Hervé, or Offenbach or Sullivan, he composed over 100 pieces for ballet and the theatre which were popular at the time.
Emma Amalia Virginia Palladino was an Italian ballet dancer who for seven years was the prima ballerina at the Alhambra Theatre in London where she danced to the ballet music of the theatre's resident composer and conductor Georges Jacobi.