Alice N' Chains (originally Sleze) was an American glam metal band from Seattle, Washington, formed in 1984, who became known for being the first band Layne Staley sang for. Sleze were mostly a cover band[citation needed] and went through several lineup changes before changing their name in 1986, and recording two demos.[2] The band broke-up in 1987, and a few months later, Staley formed the successful similarly-named grunge band, Alice in Chains.
Sleze was established in 1984 by guitarists Johnny Bacolas and Zoli Semanate, drummer James Bergstrom, and bassist Byron Hansen, all of whom attended Shorewood High School.[3] While walking between classes one day at school, Bergstrom ran into Ken Elmer, a friend from the school marching band.[3] Elmer knew that Bergstrom and his bandmates were looking for a singer and suggested they audition his stepbrother Layne Staley, who at that time went by the name Layne Elmer.[3] Elmer said that Staley played drums but "he wants to be a singer".[3] Bergstrom agreed and Elmer paid Staley a visit to encourage him to try out for the band.[4] Despite what Elmer told Bergstrom, Staley's mother Nancy McCallum has claimed her son was hesitant and said, "Well, I'm not a singer", but his stepbrother replied, "Why don't you try out anyhow?"[4] Staley agreed and an audition took place at the Bergstrom residence, where the band had their jam room set up in the basement.[3][4]
Johnny Bacolas has given various interviews recalling how he and the other instrumentalists "were just blown away" by Staley despite him being "really shy, real timid"[3][4] as he looked down while he sang but "the grain of his voice was there, the soul was there".[4] Bacolas and the other three instrumentalists – Bergstrom, Semanate, and Hansen – have all said they are fairly certain the first song they played with Staley was "Looks That Kill" by Mötley Crüe and it was at that moment they knew they were onto something.[3]
"When he got to the part, 'Now she's a cool cool black,' he could actually hit those notes. We were like, 'Oh my God! This is awesome!'" Bergstrom recalls with a laugh. "So you had that feeling, 'Here's this kid. He's got a great sounding voice. He's cool. He could sing on key. And he also had good range and he was soulful, though he was just a raw beginner.' So we knew we had something special, and we were like in heaven from then, man. We became a band."[3]
Zoli Semanate had a similar impression of Staley, adding, "He had a really high voice, kind of Vince Neil-ish, he could nail that pretty good. So I was happy."[3] Bacolas also expressed his pleasure at finding Staley, saying, "Layne had his own thing, and I think that's what was the most appealing (thing) about him. He had a very distinctive voice. I didn't want another Morrison or another Rob Halford. We weren't looking for that. I don't know what we were looking for. We just kind of—we just found it."[3]
Sleze went through several lineup changes, with Zoli Semanate leaving first and being replaced by guitarist Chris Markham.[citation needed] The band continued performing for a while as a quintet before Markham and Hansen would also eventually step down, and Jim Sheppard filled the bass slot.[citation needed] At some point, Bacolas temporarily left Sleze to jam with another band called Ascendant on bass, which would become his primary instrument throughout his later career, and Staley invited his friend Nick Pollock to play guitar.[citation needed] Eventually, Sheppard went back to his other band Sanctuary and Mike Mitchell filled the bass role before Bacolas rejoined.[citation needed]
In a 1985 airing of the television program, Town Meeting, featured on KOMO 4 Seattle, Staley and Bacolas are in attendance in the studio audience to protest censorship from the PMRC (Parents Music Resource Center). Frank Zappa was the guest speaker in opposition of the PMRC. At one point during the program, the host, Ken Schram, gives Staley an opportunity to speak into the microphone and Staley makes the following statement, directed to one of the co-founders of the PMRC and guest speaker on the program, Sally Nevius, "I play for a rock band called Sleze, and there's enough controversy on our name, more or less than our songs. We just signed with a local record company. I don't feel there's anything objectionable about any of our songs, but I don't feel anyone anyone else has the right to rate our songs, I mean, I'm the only one that has the right to rate my album, you don't have it."[5]
Name change and recordings
(Clockwise from top left) Nick Pollock, Johnny Bacolas, Layne Staley, James Bergstrom
In 1986, shortly after Bacolas rejoined the band, they changed their name to Alice N' Chains due to a conversation Bacolas had with Russ Klatt, who sang with another band called Slaughterhouse Five, about backstage passes.[4]
[W]e were talking about different concepts for backstage passes. It would say, like, 'Sleze: The Welcome to Wonderland Tour.' That ended up turning into a discussion - we were talking about changing the band name. And we were saying, 'Alice in Wonderland? How about this, how about that? Maybe...Alice in Chains? We could put her in bondage stuff!' I liked the ring [of] 'Alice in Chains' - I remember I came back to the next band rehearsal and I told the guys. The issue was the reference to bondage, which our parents would not go for. Layne's mom was very hardcore Christian. So we ended up changing it to Alice 'N Chains, which made it more like Alice and Chains.[4]
However, Staley's mother Nancy McCallum has said she still did not approve of this at first:
I had a sense of humor about the name Sleze. But when [Layne] came home and said they were changing the name to Alice 'N Chains, I was not happy. I said, 'Honey, that is female bondage. You don't want to choose a name like that - it's going to push your female audience away. I really feel strong about this.' He was adamant and I was adamant. For the first time in my life, I didn't have much of a conversation with him for about two weeks, because I was concerned, and also offended. How could my child possibly choose a name like 'Alice N' Chains?[4]
Johnny Bacolas stated that the decision to use the apostrophe-N combination in their name had nothing to do with the Los Angeles band Guns N' Roses. The name change happened in 1986, a year before Guns N' Roses became a household name with their first album Appetite for Destruction, which was released in July 1987.[6]
According to Staley, the reason they chose this name was because they wanted to dress in drag and play heavy metal as a joke.[7][8][9]
Alice N' Chains recorded two demos known primarily as "Demo No.1" and "Demo No.2"; both from 1987. Physical copies of the cassettes are extremely rare as only 100 of "Demo No.1" were made.
Pre-production for "Demo No.1" began whilst the band were still calling themselves Sleze and with a different bass player named Mike Mitchell, who appears on the tracks "Fat Girls" and "Over the Edge" according to producer Tim Branom.[10] Recording for these two tracks took place at London Bridge Studio with the help of its founding engineer brother Rick and Raj Parashar.[10]
Bergstrom became a founding member of the band Second Coming and was later joined by Bacolas, who replaced Ron "Junkeye" Holt on bass.[citation needed] Staley made a guest appearance on their debut album L.O.V.Evil.[12] This band signed to Capitol Records in May 1998 and recorded two more studio albums and one extended play before breaking up in 2008.[13]
Zoli Semanate joined a punk rock band that would become known as The Dehumanizers, which garnered significant attention throughout the Seattle area in 1986 for their song "Kill Lou Guzzo",[14] Jim Sheppard continued playing bass with Sanctuary until their break-up in 1992, and he along with a few other members of that band later formed Nevermore.[citation needed]
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