| Alone, Again | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1975 | |||
| Recorded | August 8–9, 1974 | |||
| Studio | Bendiksen Studio, Oslo | |||
| Genre | Jazz | |||
| Length | 36:56 | |||
| Label | Improvising Artists IAI 373840 | |||
| Producer | Paul Bley | |||
| Paul Bley chronology | ||||
| ||||
Alone, Again is a solo piano album by Paul Bley, recorded in Norway in 1974 and released on Bley's own Improvising Artists label in 1975. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Rolling Stone Jazz Record Guide | [3] |
Allmusic awarded the album 3 stars noting "Bley stayed mainly in the piano's center, creating nimble melodies, working off them and crafting alternate directions or intriguing counterpoints. It was intellectual, occasionally stiff, but never dull or detached". [2]
All compositions by Paul Bley except where noted.
Paul Bley/NHØP is a jazz duet album by Paul Bley and Niels-Henning Ørsted Pedersen, released on SteepleChase Records in 1973. The album was recorded in Copenhagen, Denmark in June and July 1973, and primarily features Bley's compositions. Bley's performance here is more extroverted than on some of his other recordings.
Escalator over the Hill is mostly referred to as a jazz opera, but it was released as a "chronotransduction", with "words by Paul Haines, adaptation and music by Carla Bley, production and coordination by Michael Mantler", performed by the Jazz Composer's Orchestra.
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, that was recorded in 1982 and released in 1983. The album was voted jazz album of the year in Down Beat magazine's 1984 critic's poll. Haden and Carla Bley placed first in that 1984 poll's Acoustic Bass and Composer categories, respectively.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Open, to Love is a jazz album by Paul Bley. It features Bley performing seven solo piano pieces and is considered not only one of his best albums, but a defining album in the history of the ECM record label. Three of the tracks were composed by ex-wife Carla Bley and another two by Bley's soon-to-be-ex-wife Annette Peacock. The album is one of the first showcases of the pointillism and silence that would inform much of his later work.
Dinner Music is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1976 and released on the Watt/ECM label in 1977.
Social Studies is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1980 and released on the Watt/ECM label in 1981.
Sing Me Softly of the Blues is an album by Art Farmer's Quartet recorded in 1965, and released on the Atlantic label.
Solemn Meditation is the third album led by jazz pianist Paul Bley featuring tracks recorded in 1957 and released on the GNP Crescendo label.
Footloose! is an album led by jazz pianist Paul Bley featuring tracks recorded in 1962 & 1963 and released on the Savoy label. Tracks from this album, along with alternate takes and addition material from the sessions, were later released as Syndrome and Floater.
Barrage is the fifth album led by jazz pianist Paul Bley. The album was recorded by Bley's quintet in 1964, released by ESP-Disk, and features saxophonist Marshall Allen in a rare appearance outside the band of Sun Ra.
Closer is the seventh album led by jazz pianist Paul Bley, featuring seven compositions by Carla Bley, recorded in 1965 and released on the ESP-Disk label.
Turning Point' is an album led by jazz pianist Paul Bley collecting studio recordings from 1964 and two concert recordings from 1968 which was released on Bley's own Improvising Artists label in 1975.
The Paul Bley Synthesizer Show is an album by Paul Bley performing compositions by Annette Peacock which was released on the Milestone label in 1971.
Quiet Song is an album by pianist Paul Bley, clarinetist Jimmy Giuffre and guitarist Bill Connors recorded in 1974 and released on Bley's own Improvising Artists label in 1975.
Japan Suite is a live album by pianist Paul Bley, drummer Barry Altschul and bassist Gary Peacock recorded in Japan in 1976 and released on Bley's own Improvising Artists label in 1977.
Axis is a live solo album by pianist Paul Bley recorded in New York in 1977 and released on Bley's own Improvising Artists label the following year.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
Coleman Classics Volume 1 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released Bley's on the Improvising Artists label in 1977. The album is an early live recording of Ornette Coleman, made shortly after his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).