Altamura Cathedral (Italian : Duomo di Altamura, Cattedrale di Santa Maria Assunta), dedicated to the Assumption of the Blessed Virgin Mary, is a Roman Catholic cathedral in the city of Altamura, in the Metropolitan City of Bari, Apulia, in southern Italy.
Since 1986 it has been the seat of the Bishop of Altamura-Gravina-Acquaviva delle Fonti, formed in that year. Previously it was the church of the territorial prelature of Altamura (from 1848, Altamura e Acquviva delle Fonti).
The church was built by will of emperor Frederick in 1232–1254. The main gate, the portal, the rose window were all on the opposite side that in today's construction, while the altar was located in the area where the main gate is now. In 1248, under pressure from Frederick, Pope Innocent IV declared Altamura exempt from the jurisdiction of the bishop of Bari, making it a "palatine" church, one of four in Apulia. [1]
Historian Domenico Santoro (1688) hypothesized that the church may occupy the location of a Greek or Roman temple dedicated to Castor and Pollux, [2] since on the capitols of the chorus two statues of Castor and Pollux were present at least until the 18th century, before being destroyed. [3] Vitangelo Frizzale (1755), instead, states that it was a temple devoted to Janus (Latin : Ianus bifrons), a Roman deity. This would be confirmed by the presence, in the past, of a two-faced herm on the cusp of the cathedral's ancient façade. [4] However, during the restoration works performed in the 2010s, this sculpture was instead identified as the head of a Saracen. The sculpture had an apotropaic purpose and it evoked the fears of an invasion of Saracens, which, especially in the 16th century, was a widespread fear among Mediterranean Europe Christians. [5]
An inscription in Latin, located upon the so-called "Angevin door" (Italian : Porta Angioina), says that the church collapsed on January 29, 1316 and that it was rebuilt with the help of skilled constructors from the nearby Bitonto. The first man who correctly translated this inscription was local historian Ottavio Serena, as he stated in his unfinished work Storia di Altamura. Previous historians incorrectly translated the inscription (which was hard to read and written in bad Latin), assigning the inscription referred to a privilege that Altamura benefited, according to which every year Bitonto's mayor used to come to Altamura to take the price list of the foods and to spread it to the whole province. [6]
The current orientation of the church is opposite to the original one, although it is not known if the change dates to Robert of Anjou's reign (early 14th century) or to the enlargement carried out in 1521–1547. The northern portal dates from Robert's time, while the second bell tower, the altar area and the sacristy were added in the 16th century. From the 18th century are the upper parts of the two bell towers and the small loggia between them. A chamber containing a clock (Altamuran dialect: casa dell'arlogio, Italian : casa dell'orologio) with weights and counterweights, was demolished in the first half of the 16th century and then it was built again, and its latter shape it appears an 18th-century painting of Saint Irene in the Council Hall of the city of Altamura. [7] In the same painting, a thunder is shown hitting the tower of the cathedral; this refers to a real accident, which occurred in 1726. According to the sources, the thunder hit the cathedral twice, and it considerably damaged it. Over the following three years, restoration works were carried out and the towers were also extended. Domes were also added to each of the two towers (as shown in the previous paintings, the domes had not been built yet). [8] [9]
On the place where today is the clock tower, just above the seats, the cathedral also had a secondary rose window and other surrounding windows, which are now walled. [10]
In 1729, the statues of the Assumption of Mary (Italian : Assunta) and of the two saints Peter and Paul were made and then added. In the following years, the clock chamber was turned into a Baroque loggia which is now visible between the two towers. [11]
In 1858 (just three days before the Unification of Italy), the clock tower was added (designed by architect Corradino de Judicibus). [12]
Altamura Cathedral has been restored in 2006 [13] The works have restored the external walls of the cathedral to their original white color. [14] Another restoration work has been carried out in 2017 for the floor, the lighting system, the three entrance portals and other wooden structures. [15]
The façade has two tall bell towers with two orders in the right one, and three (including the first in Romanesque style, in the left one, which are joined by a small loggia surmounted by a tympanum. Most portals and windows have Gothic pointed arches (as also Frederick II's Castel del Monte has). The loggia houses a small statue of the Immaculate Virgin, while two statues of Sts. Peter and Paul are located at the tympanum sides. Under the loggia is a 14th-century rose window, with 15 rays and, at its center, a bas relief depicting the Agnus Dei. At the left of the rose windows are three coat of arms: the center one belonged to 16th century emperor Charles V, while the other two date from the 16th century restoration works. Further to the left is a mullioned window with Eastern art-like decorations from the original Frederick II's building.
The façade is completed by a 14th-century portal, included within a prothyrum supported by two columns that have, at their base, two sculpture of lions (1533). At the top is a tympanum with the coats of arms of the House of Anjou and of the princes of Taranto, rulers of Altamura in the late 14th century. The portal is decorated with numerous sculpted Biblical scenes: in the lunette is a Virgin with Child and Two Angels; in the architrave is a Last Supper: finally, the arches houses 22 scenes from the Gospels, depicting Jesus' life from the Annunciation to the Pentecost.
The church has a nave and two aisles separated by columns and pillars, with matronaea at the sides. The capitals, in Byzantine style, are the last decoration detail visible today of the original Frederick II's building, together with the matronaea and the apse at the left of the portal.
The nave, with a wooden ceiling decorated with gilded stuccoes, ends in a large 18th century high altar, executed in 1736–1793. The altarpiece is an Assumption of the Virgin by Leonardo Castellano (1546). The presbytery houses a lavishly decorated wooden choir from 1543, a stone ambon with sculpted scenes from Jesus' life, and a wooden pulpit also dating from the 16th century.
The aisles feature six side chapels each. The first left chapel is home to a polychrome wooden nativity scene from 1587. The fourth left chapel, dedicated to St. Joseph, is in Baroque and includes a polychrome marble altar with the statue of the saint holding Jesus' hand with a baldachin.
The church also houses a canvas by Domenico Morelli depicting St. Paul's Conversion (1876).
Altamura is a town and comune of Apulia, in southern Italy. It is located on one of the hills of the Murge plateau in the Metropolitan City of Bari, 45 kilometres southwest of Bari, close to the border with Basilicata. As of 2017, its population amounts to 70,595 inhabitants.
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Acquaviva delle Fonti Cathedral is the main church of Acquaviva delle Fonti, dedicated to Saint Eustace. It is now a co-cathedral of the Diocese of Altamura-Gravina-Acquaviva delle Fonti. Previously it was the palatine church of Acquaviva delle Fonti, which became part of the territorial prelature of Altamura e Acquaviva delle Fonti formed by Pius IX in 1848, when he added Acquaviva to the existing territorial prelature of Altamura.
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Castellaneta Cathedral is a Roman Catholic cathedral in Castellaneta, province of Taranto, Apulia, Italy, dedicated to the Assumption of the Virgin Mary. It is the episcopal seat of the Diocese of Castellaneta.
Altamura Castle was a castle located in the city of Altamura, now completely demolished. It was located over today's piazza Matteotti and a few remains of it are still visible inside the adjacent buildings, which were built partly with stones and structural elements from the castle. In a warehouse are an ogival arch and some stone coats of arms. A few other remains are found in the adjacent buildings, which were built in the 19th century.
Pulo di Altamura is a doline located on the Murge plateau. It is the largest doline in that region and it is located about 6 kilometers (3.7 mi) north-west of the city of Altamura. It shares the local toponym pulo with other large dolines of the region, i.e. Pulicchio di Gravina, Pulo di Molfetta and Pulicchio di Toritto.
The University of Altamura was a former university located in Altamura, Apulia, Kingdom of Naples. It was established in Altamura in 1747 by Charles III of Bourbon, following the idea of the archpriest of Altamura Cathedral Marcello Papiniano Cusani. It was officially closed in 1812, mainly due to the lack of funds, even though some documents kept inside library Archivio capitolare in Altamura show that professors continued to teach until 1821.
Piazza del Duomo is the main square of the city of Altamura, Italy. It is located in the center of the historic city center, as well as in the middle of the main street of the city, that is corso Federico II di Svevia. Moreover, Altamura Cathedral, the main church of the city, is located on the square. It is also known because the Tree of Liberty was planted in this square during the so-called Altamuran Revolution (1799).
Onorato Candiota was an Italian professor of philosophy and math at the Real Convitto di Bari, in Bari, Italy. He lived between the 18th and 19th centuries. The exact dates and places of birth and death are currently unknown, even though it is known that he was from Altamura, Italy. He's best known for his participation in the so-called Altamuran Revolution (1799). He died short after 1808.
The Megalithic Walls of Altamura are defensive walls dating back to the 4th century BCE. They were the city walls of the ancient city of Altamura, Italy. Nowadays, only a few parts of the original wall remain; the original track of the wall spanned over a length of about 3.6 km. They were about 4 meters high, while the base of the walls was about 5 meters wide.
Porta Bari, previously called Porta de Bari, was one of the main gates of the city of Altamura, before the city walls of the city were torn down over the 19th century. Similarly to most European cities, the city walls were torn down, because the new technology and military techniques employed starting from the 19th century made them useless for defense purposes.
Giuseppe Carlucci was an Italian professor and astronomer. He was one of the first professors teaching at the University of Altamura (1747-1812).
Porta Matera was one of the main gates of the old city of Altamura. They were part of the City Walls of Altamura, which were completely demolished during the nineteenth century since they had become useless for defence purposes. The gate itself was demolished in 1872. The monastery Monastero del Soccorso is located on the left side of the gate, while on the right some ruins of the city walls can be seen, presumably saved from destruction because of the bas-relief depicting "Pipino's leg".
The City Walls of Altamura were a military structure meant for defensive purposes and located in the city of Altamura, Italy. Its origin dates back to the Middle Ages and it was in use until the 19th century when it started to be gradually torn down. Nowadays only a few isolated parts of the walls survive. It shouldn't be confused with the Megalithic Walls of Altamura, which date back to the 5th–4th century BC and intersect in some parts with the city walls.
Fano Cathedral is the principal church of Fano, Marche, Italy. Originally the seat of the bishop of Fano, since 1986 it has been the episcopal seat of the Diocese of Fano-Fossombrone-Cagli-Pergola. In January 1953 Pope Pius XII elevated it to the rank of a basilica minor.
