Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on 7 August 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross, but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.
Palabas is the debut studio album by Filipino rock band Sponge Cola. It was released on October 18, 2004, under Sony Music Philippines. This album contains some songs that the band members made even before the group was officially formed, and includes an abundance of Tagalog-language tracks.
Razamanaz is the third studio album by the Scottish hard rock band Nazareth, released in May 1973. It was the band's first LP record to break the charts and was produced by Roger Glover of Deep Purple, who the band was on tour with at the time. "Woke Up This Morning" was re-recorded for this album.
Dandy in the Underworld is the twelfth and final studio album by English rock band T. Rex. It was released on 11 March 1977 by record label EMI. It reached No. 26 in the UK charts, the band's highest-charting album since 1974's Zinc Alloy. The lead-off single "I Love to Boogie" had been a hit single in the UK the previous year, peaking at number 13 in the singles chart.
Seventh Heaven is the third studio album by the Japanese rock band Buck-Tick. It was released on vinyl, cassette and CD on June 21, 1988, through Victor Entertainment, and has been certified gold by the RIAJ for sales over 100,000 copies. The album was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. The lyrics for "Physical Neurose" mention Gregor Samsa, the main character of Franz Kafka's The Metamorphosis. "...In Heaven...", "Oriental Love Story" and "Victims of Love" were later re-recorded for the group's compilation album Koroshi no Shirabe: This Is Not Greatest Hits (1992). Seventh Heaven peaked at number three on the Oricon charts, and 1st on the LP chart; it has sold 110,000 copies.
Darker Than Darkness: Style 93 is the seventh studio album by the Japanese rock band Buck-Tick. It was released on June 23, 1993, through Victor Entertainment. The album peaked at number two on the Oricon chart, became a certified gold seller by July 1993, and subsequently sold 213,260 copies. Darker Than Darkness: Style 93 was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. "Dress" was remixed and used as the opening theme for the anime Trinity Blood (2005), this version was also released as a single. The album was named one of the top albums from 1989 to 1998 in a 2004 issue of the music magazine Band Yarouze.
Arise! is the second album by the British crust punk band Amebix. It was released on 14 September 1985 by Alternative Tentacles and reissued on CD and vinyl in 2000 with two bonus tracks recorded in 1987. The album was remastered a second time in 2014.
Nosound is an Italian alternative rock band started in 2002 by Giancarlo Erra. The group plays music in several different genres, including alternative rock, post rock, electronic, and ambient. All their early recordings were composed, performed, produced, engineered, and released by Erra, who subsequently formed Nosound in 2006.
Rhythm of Life is the debut studio album by the Scottish musician Paul Haig, released in November 1983 by Island Records. It was recorded at Sigma Sound Studios in New York City and RAK Studios in London with renowned record producer Alex Sadkin, known for his work on multiple albums by Grace Jones, and Thompson Twins. The album features guest musicians such as Bernie Worrell of Parliament-Funkadelic, Anton Fier of the Feelies and the Golden Palominos, and Tom Bailey of Thompson Twins. Four singles were released from Rhythm of Life: "Heaven Sent", "Never Give Up ", "Justice" and "Blue for You". The track "Adoration" was originally performed while Haig was still a member of the post-punk band Josef K. The album spent 2 weeks on the UK Albums Chart, peaking at No. 82.
Fellini was a Brazilian rock band formed in São Paulo in 1984 by Cadão Volpato, Jair Marcos (guitar), Ricardo Salvagni, and former Voluntários da Pátria and Smack member Thomas Pappon. One of the most well-known bands of the Brazilian underground scene of the mid-1980s, Fellini originally began as a straightforward post-punk band influenced by acts such as Joy Division, The Stranglers and The Durutti Column, but would gradually develop a more eclectic sonority that mixed post-punk with other genres such as MPB, new wave and samba rock, acquiring a unique, almost non-descript musical style.
Carlos Adão "Cadão" Volpato is a Brazilian musician, artist, journalist and writer. He is best known for being the frontman of cult post-punk band Fellini.
O Adeus de Fellini is the debut album by Brazilian post-punk band Fellini. It was released in 1985 via the independent record label Baratos Afins and re-released in CD form in 1995, with an additional live track.
Fellini Só Vive 2 Vezes is the second studio album by Brazilian post-punk band Fellini. It was released in 1986 by Baratos Afins and re-released in CD form in 1995.
3 Lugares Diferentes is the third studio album by Brazilian post-punk band Fellini. It was released in 1987, and was their last album to be released under the Baratos Afins imprint. Fans consider this to be Fellini's best album. It was also re-released in CD form in 1995.
Amanhã É Tarde is the fifth studio album by Brazilian band Fellini. It was released on March 4, 2002, by independent carioca label Midsummer Madness. It is their first album of new material since 1990's Amor Louco. Although it is labeled as a Fellini album, it doesn't feature Jair Marcos and Ricardo Salvagni; as it happened in their 1986 album Fellini Só Vive 2 Vezes, it only features Cadão Volpato and Thomas Pappon.
Você Nem Imagina is a compilation album by Brazilian band Fellini. It was released on December 6, 2010, by Fonomatic, a subsidiary of independent record label-distributor Tratore. It features re-recordings of some of Fellini's previous songs, ranging from their 1985 debut album O Adeus de Fellini to 1990's Amor Louco. It is the band's last album before they broke up again.
La Biblia Según Vox Dei en Vivo 1986 is the second live album by Argentine rock band Vox Dei. It was released in 1987 by B.B. Records, this was the group's first album in nine years.
Trashland is the second and last studio album by Brazilian post-punk band Mercenárias. It was released in 1988 via EMI, and produced by Edgard Scandurra and Thomas Pappon. Contrasting with the aggressiveness of the punk-like sonority of their previous album, Cadê as Armas?, Trashland is characterized by more atmospheric pieces reminiscent of Siouxsie and the Banshees, with emphasis given to the tracks "Kyrie", "Angelus", "Mesmas Leis", "Lembranças" and "Provérbios do Inferno", a compilation of William Blake's Proverbs of Hell translated into Portuguese and set to music.
Tudo que Eu Quero Dizer Tem que Ser no Ouvido is the debut solo studio album by Brazilian musician Cadão Volpato, famous for his work with post-punk band Fellini. It was released on April 4, 2005 via Brazilian independent label Outros Discos, and recorded in two sessions: one in the Estúdio Quadrophenia in September 2003 and the other at the Estudio del Bojo in September 2004.
Funziona Senza Vapore is the only release by Funziona Senza Vapore, a very short-lived side project founded by former Fellini vocalist Cadão Volpato in 1992, two years after Fellini's first break-up. It was recorded in 1992, but wouldn't be released until 2002, by Brazilian independent label Outros Discos.
