Os Mutantes are an influential Brazilian rock band that were linked with the Tropicália movement, a dissident musical movement during the Brazilian dictatorship, of the late 1960s.
Ratos de Porão is a Brazilian hardcore punk band from São Paulo. They were formed in 1981, toured South America, North America, Asia and Europe and still continue to play today. Their core lineup of João Gordo on vocals and Jão on drums and later guitars has remained since virtually the band's beginning.
Rita Lee is a Brazilian rock singer and composer. She is a former member of the Brazilian band Os Mutantes and is a popular figure in Brazilian entertainment, where she is also known for being an animal rights activist and a vegetarian. She has sold more than 60 million albums worldwide.
Arnaldo Dias Baptista is a Brazilian rock musician and composer.
Loki? is the first solo album from Arnaldo Baptista, the keyboardist, bassist and singer of the Brazilian band Os Mutantes. It was released in 1974 after a supposed nervous breakdown and it is considered one of the best albums in the 1970s Brazilian music scene. The album expresses his angst towards the height of post-modern society, along with the suffocating aspect of modernity: pollution, superpopulation, loneliness, etc.
Os Mutantes is the debut eponymous album by the Brazilian tropicalia band. It was originally released in 1968 by Polydor and influenced by traditional Brazilian music styles, as well as American and British bands. The album includes a cover of The Mamas & The Papas' "Once Was a Time I Thought", translated into "Tempo no Tempo", and a cover of "Le premier bonheur du jour", previously recorded by Françoise Hardy. It was reissued in 1999 on Omplatten Records and again in 2006 by Omplatten's parent company, Universal Records.
Mutantes is the second album by the Brazilian tropicalia band Os Mutantes. The album was originally released in 1969 and reissued in 1999 on Omplatten Records and again in 2006 by Omplatten's parent company, Universal Records. It shows a more polished approach than their first album, maintaining the sense of humour while keeping the experimental aspects, such as fusing different genres, studio trickery as well as using found objects and samples from television and movies.
A Divina Comédia ou Ando Meio Desligado is the third album by the Brazilian rock band Os Mutantes. The album was originally released in 1970 and reissued in 1999 on Omplatten Records and again in 2006 by Omplatten's parent company, Universal Records. The title in English means: The Divine Comedy or I Am a Bit Disconnected. "I am a bit disconnected" in this sense means "I feel a little spaced out." The second track features the band imitating California accents. The album as a whole is characterized by a mix of psychedelic and religious imagery.
Jardim Elétrico is the fourth album by the Brazilian Tropicália/psychedelic rock band Os Mutantes. The album was originally released in 1971 on Polydor Records. The title in English means Electric Garden. Five of the songs from this album were originally intended to be released on the album Tecnicolor, but that album was not released until 2000.
Baratos Afins is a long-established Brazilian record label and store, based in São Paulo city.
Tropicália ou Panis et Circencis is a 1968 collaboration album by artists including Gilberto Gil, Caetano Veloso, Tom Zé, Os Mutantes and Gal Costa. Considered an important record in the history of Brazilian music, it features arrangements by Rogerio Duprat and lyrical contributions from Torquato Neto.
Tecnicolor would have been the fourth album by the Brazilian band Os Mutantes. The album was intended to be their introduction in the English-speaking world and included English versions of songs from the albums Os Mutantes and A Divina Comédia ou Ando Meio Desligado, re-recordings in Portuguese and French and several new songs.
O A e o Z is an album by Brazilian rock band Os Mutantes. It was their first record without founding member Rita Lee, and marked a shift in their sound to progressive rock. Recorded in 1973, but shelved until 1992, this was Arnaldo Baptista's last studio record with the group.
Everything is Possible: The Best of Os Mutantes is a best of compilation by the Brazilian tropicalia band Os Mutantes. Compiled by David Byrne of Talking Heads, it was released by his world music record label Luaka Bop in 1999. Aimed towards an English-speaking market, its track selection differs much from other Mutantes compilations. It includes an abridged version of "Ando Meio Desligado."
Mutantes e Seus Cometas no País do Baurets is the fifth album by the Brazilian rock band Os Mutantes and the last to feature all three founding members. The album's cover art is by comic artist Alain Voss.
Mutantes Ao Vivo – Barbican Theatre, Londres 2006 is a live double CD and single DVD by the Brazilian band Os Mutantes. The album was recorded at the first Mutantes concert since 1978, at London's Barbican Arts Centre.
Zélia Duncan, born Zélia Cristina Gonçalves Moreira, is a Brazilian singer and composer.
Hoje É o Primeiro Dia do Resto da Sua Vida is the second solo record by Brazilian singer Rita Lee. Originally intended to be released as an album by Os Mutantes, due to conflicts with the band's record label it was released as a Rita Lee solo effort. The album marks the last time Lee would work with the Baptista brothers before her exit from Mutantes. In a matter of fact, the album was a product of a proper Os Mutantes creative process. The record company Polydor, declined to publish two Mutantes album within one year. The band decided to exclusively give Ms. Lee the vocal role, and publish the album under her name.
Fellini was a Brazilian rock band formed in São Paulo in 1984 by Cadão Volpato, Jair Marcos (guitar), Ricardo Salvagni, and former Voluntários da Pátria and Smack member Thomas Pappon. One of the most well-known bands of the Brazilian underground scene of the mid-1980s, Fellini originally began as a straightforward post-punk band influenced by acts such as Joy Division, The Stranglers and The Durutti Column, but would gradually develop a more eclectic sonority that mixed post-punk with other genres such as MPB, new wave and samba rock, acquiring a unique, almost non-descript musical style.
Marco Antônio Gonçalves dos Santos, better known as Skowa, is a Brazilian singer-songwriter and musician.
