Amy Karle

Last updated

Amy Karle
Amy Karle. Artist, Bioartist, Futurist.jpg
Amy Karle in 2019
Born1980 (age 43–44)
New York, U.S.
Notable workRegenerative Reliquary, Internal Collection, Heart of Evolution?, Biofeedback, Cyborg Couture
MovementUltra-contemporary art, contemporary art, conceptual art, new media art, bioart, hybrid arts, digital art, computational art, performance art
Website www.amykarle.com

Amy Karle (born 1980) is an American artist, bioartist, and futurist whose work focuses on the relationship between technology and humanity, specifically how technology and biotechnology impact health, humanity, society, evolution, and the future. [1] [2] [3] Karle combines science and technology with art and is known for using living tissue in her work. [4] [5] [6]

Contents

In 2018, Karle was an Artist Diplomat [7] [8] sponsored by the U.S. Department of State, for a cultural exchange initiative in conjunction with the Copernicus Science Center in Poland where she led workshops focusing on women's empowerment in STEAM fields. [9] [10] In 2019, she was named one of the BBC's 100 women. [11]

Personal life

Karle was born in New York in 1980 [12] and grew up in Endicott, outside the upstate city of Binghamton. Her mother was a biochemist and her father was a pharmacist and Karle has said she "grew up in the lab and in the pharmacy". [13] Karle is an alumnus of the School of Art and Design at Alfred University and Cornell University where she received degrees in Art and Design and Philosophy. [14]

Karle was born with a rare condition, aplasia cutis congenita, missing a large region of skin on her scalp and also missing bone in her skull. She underwent a series of experimental surgical procedures as a child. The skin was repaired by tissue expansion surgery that was considered dangerous and experimental at the time that it was performed. [15] [13] This experience impacted her work and desire to heal and enhance the human body and human condition. [16] This early experience also inspired her interest in the links between biology, medical futuring and art. [11] [5]

Work

Karle researches and explores the impact of technology on bodily enhancement through her artwork. [6] [17] [2] Her work is often classified as bioart; she describes her intentions for this work:

My relationship with health and the future perspective of medicine reflects the story of my life, intertwined with medical challenges and the discovery of vulnerability, fragility, strength, and complexity of the human body. The narrative of illness, with all its fears, hopes, and the quest for healing, constitutes a common thread in my research and work." [18]

Karle has created a number of artworks and performances using biofeedback and neurofeedback including: [19] A work from 2011, Biofeedback Art, was a durational performance where Karle's body was connected to a Sandin Image Processor that detected the changes that occur while she meditated over periods of 5–8 hours. Video art was created in the form of projections during the process. [17] In the same year, Resonation involved an EEG neuroheadset connected to a Chladni plate to generate bio-signals into visuals and sounds. Her 2018 Performance in Salt Mine was conducted in the Bochnia Salt Mine and Wieliczka Salt Mine using an EEG neuroheadset to translate her brainwaves into digital music and projected visualizations, which were later used in a planetarium film she made. [20] [21] [19]

Karle was named as one of the BBC's 100 women in 2019. [11]

Selected works

Regenerative Reliquary (2016), a BioArt sculpture of a hand-shaped scaffold for cell culture Regenerative Reliquary by Amy Karle 2016 01.jpg
Regenerative Reliquary (2016), a BioArt sculpture of a hand-shaped scaffold for cell culture
Internal Collection (2016-17) sculptural garments based on human anatomy Internal Collection by Artist Amy Karle garments based on anatomy exhibited at at FILE 2017 Electronic Language International Festival Sao Paulo Brazil.png
Internal Collection (2016-17) sculptural garments based on human anatomy

Regenerative Reliquary (2016) is a sculpture that features a 3D-printed bioprinted hydrogel scaffold shaped like the bones of a human hand placed inside a glass vessel. Human Mesenchymal stem cells from a living donor were placed on the scaffold which over time grew into bone. [6] [22] [23] [24] It has been exhibited internationally. [4] [25] [26]

Internal Collection (2016–2017) is a series of garments based on human anatomy. The fabrication consists of 3D body scanning, computer-aided design, laser cutting, and hand-sewing techniques to create representations of internal body systems. [27] [28]

The Body and Technology: A Conversational Metamorphosis (2017) is a collection of 2D artworks by Amy Karle made by hand and with artificial neural networking, machine learning, and artificial intelligence. In this body of work, Karle coupled artificial intelligence in healthcare with generative design to devise a system for leveraging AI in the diagnosis of disease, with generative CAD designing replacement parts, and 3D bioprinting to create implants. [29]

Morphologies of Resurrection (2020) is a series of 6 sculptures created as part of a Smithsonian residency, and exhibited at the Smithsonian Institution. [30] Karle's process examined the possibilities of reconstructive technologies and future evolution through biotechnological advancements. [31] [32] The artworks are novel evolutionary forms based upon extinct species to explore “hypothetical evolutions through technological regeneration”, 3D printed in biocompatible material. [33]

Artificial intelligence

Her AI and bio-AI hybrid artworks have been in museum exhibitions including: Artificial Intelligence: AI / The Other I Ars Electronica Linz, Austria, [4] La Fabrique Du Vivant Centre Pompidou, Paris, France, [26] and Future and the Arts: How Humanity Will Live Tomorrow Mori Art Museum, Tokyo, Japan. [12] [34]

Related Research Articles

<span class="mw-page-title-main">Digital art</span> Art that is generated digitally with a computer

Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process. It can also refer to computational art that uses and engages with digital media.

<span class="mw-page-title-main">AI takeover</span> Hypothetical outcome of artificial intelligence

An AI takeover is an imagined scenario in which artificial intelligence (AI) emerges as the dominant form of intelligence on Earth and computer programs or robots effectively take control of the planet away from the human species, which relies on human intelligence. Stories of AI takeovers remain popular throughout science fiction, but recent advancements have made the threat more real. Possible scenarios include replacement of the entire human workforce due to automation, takeover by a superintelligent AI (ASI), and the notion of a robot uprising. Some public figures, such as Stephen Hawking and Elon Musk, have advocated research into precautionary measures to ensure future superintelligent machines remain under human control.

BioArt is an art practice where artists work with biology, live tissues, bacteria, living organisms, and life processes. Using scientific processes and practices such as biology and life science practices, microscopy, and biotechnology the artworks are produced in laboratories, galleries, or artists' studios. The scope of BioArt is a range considered by some artists to be strictly limited to "living forms", while other artists include art that uses the imagery of contemporary medicine and biological research, or require that it address a controversy or blind spot posed by the very character of the life sciences.

<span class="mw-page-title-main">Ben Goertzel</span> American computer scientist and AI researcher

Ben Goertzel is a computer scientist, artificial intelligence researcher, and businessman. He helped popularize the term 'artificial general intelligence'.

<span class="mw-page-title-main">Daniela L. Rus</span> American computer scientist

Daniela L. Rus is a roboticist and computer scientist, Director of the MIT Computer Science and Artificial Intelligence Laboratory (CSAIL), and the Andrew and Erna Viterbi Professor in the Department of Electrical Engineering and Computer Science (EECS) at the Massachusetts Institute of Technology. She is the author of the books Computing the Future and The Heart and the Chip.

<span class="mw-page-title-main">Hybrid art</span> Art that works with science and technology

Hybrid art is a contemporary art movement in which artists work with frontier areas of science and emerging technologies. Artists work with fields such as biology, robotics, physical sciences, experimental interface technologies, artificial intelligence, and information visualization. They address the research in many ways such as undertaking new research agendas, visualizing results in new ways, or critiquing the social implications of the research. The worldwide community has developed new kinds of art festivals, information sources, organizations, and university programs to explore these new arts.

<span class="mw-page-title-main">Anna Dumitriu</span>

Anna Dumitriu is a pioneering visual artist based in Brighton, England, specialising in BioArt. Her installations, interventions and performances use digital, biological and traditional media including bacteria, digital technology and craft techniques, working with diverse audiences.

<span class="mw-page-title-main">Fei-Fei Li</span> Chinese-American computer scientist (born 1976)

Fei-Fei Li is a Chinese-American computer scientist, known for establishing ImageNet, the dataset that enabled rapid advances in computer vision in the 2010s. She is the Sequoia Capital professor of computer science at Stanford University and former board director at Twitter. Li is a co-director of the Stanford Institute for Human-Centered Artificial Intelligence and a co-director of the Stanford Vision and Learning Lab. She served as the director of the Stanford Artificial Intelligence Laboratory from 2013 to 2018.

Suzanne Anker is an American visual artist and theorist. Considered a pioneer in Bio Art., she has been working on the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, her work calls attention to the beauty of life and the "necessity for enlightened thinking about nature's 'tangled bank'." Anker frequently assembles with "pre-defined and found materials" botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens.

<span class="mw-page-title-main">Nettrice Gaskins</span>

Nettrice R. Gaskins is an African-American digital artist, academic, cultural critic and advocate of STEAM fields. In her work, she explores "techno-vernacular creativity" and Afrofuturism.

Libby Heaney is a British artist and quantum physicist known for her pioneering work on AI and quantum computing. She works on the impact of future technologies and is widely known to be the first artist to use quantum computing as a functioning artistic medium. Her work has been featured internationally, including in the Victoria and Albert Museum, Tate Modern and the Science Gallery.

<span class="mw-page-title-main">Artificial intelligence art</span> Machine application of knowledge of human aesthetic expressions

Artificial intelligence art is visual artwork created through the use of an artificial intelligence (AI) program.

<span class="mw-page-title-main">Behnaz Farahi</span> Iranian-born American architect and designer

Behnaz Farahi is an Iranian-born American interdisciplinary designer and educator whose work melds architecture, fashion, interaction design, computational design, wearable technology and the human body. Her designs often explore the possibilities of human interaction with the environment and how technology can facilitate this interplay. Her work engages with the human body's relationship to its surroundings and how wearable technology can respond to, or be influenced by stimuli such as human emotions or environmental factors. Leveraging technology and art, Farahi's works are commentaries on power dynamics, society, and identity, frequently drawing inspiration from her cultural background and Western theories and practices, underpinned by theoretical concepts including socio-political feminist theory and anthropology.

<span class="mw-page-title-main">Ai-Da</span> Humanoid robot artist

Ai-Da is described by its creator as "the world's first ultra-realistic humanoid robot" artist. Completed in 2019, Ai-Da is an artificial intelligence robot that makes drawings, painting, and sculptures. It is named after Ada Lovelace The robot gained international attention when it was able to draw people from sight with a pencil using her bionic hand and cameras in her eyes.

Alexander Reben is an American artist, researcher and roboticist. He is best known for his artworks created in collaboration with artificial intelligence, and his research in robotics. Reben's work has been exhibited widely in the United States and Western Europe, including the Museum of Applied Arts, Vienna and the Charlie James Gallery. His work is included in permanent collection of the MIT Museum. He currently serves as Director of Technology and Research at Stochastic Labs, a Berkeley, California-based nonprofit incubator for artists, scientists and engineers.

<span class="mw-page-title-main">Alexandra Daisy Ginsberg</span> British artist (born 1982)

Alexandra Daisy Ginsberg is a British and South African artist who lives and works in London, UK. She is known for artworks that explore the relationship between humans, technology and nature. Many of her works are achieved using artificial intelligence and synthetic biology.

LAS Art Foundation is a forward-thinking arts organisation in Berlin, Germany. It was launched in 2019 by Jan Fischer and Bettina Kames, focussing on exploring the intersection of art, science and technology.

Jennifer S. Willet is a Canadian artist, researcher, and curator. She is a professor in the School of Creative Arts at the University of Windsor and a Canada Research Chair in Art, Science and Ecology. Since 2009, Willet has served as the founder and director of the Incubator Art Lab.

Engineered Arts Ltd is an English engineering, designer and manufacturer of humanoid robots based in Cornwall, England. It was founded in October 2004 by Will Jackson.

<span class="mw-page-title-main">Fungi in art</span> Direct and indirect influence of fungi in the arts

Fungi are a common theme and working material in art. Fungi appear in nearly all art forms, including literature, paintings, and graphic arts; and more recently, contemporary art, music, photography, comic books, sculptures, video games, dance, cuisine, architecture, fashion, and design. There are some exhibitions dedicated to fungi, as well as an entire museum.

References

  1. ↑ "'How I create art with human cells'". BBC News.
  2. 1 2 Schnugg, Claudia (28 February 2019). Creating ArtScience Collaboration: Bringing Value to Organizations. Springer. ISBN   9783030045494.
  3. ↑ U.S. Department of State. "American Arts Incubator Exchange Artist Amy Karle". American Arts Incubator, initiative of the U.S. Department of State's Bureau of Educational and Cultural Affairs developed in partnership with ZERO1.
  4. 1 2 3 Stocker, Gerfried; Schöpf, Christine; Leopoldseder, Hannes, eds. (2017). "AI Artificial Intelligence - Das andere Ich" (PDF). Ars Electronica . p. 44.
  5. 1 2 "The woman creating art with human stem cells". BBC News. 7 March 2020. Retrieved 6 March 2021.
  6. 1 2 3 Elwell, Sage (7 December 2020). Religion and the Digital Arts. Brill Publishers. ISBN   978-90-04-44759-2.
  7. ↑ "Atlas of Databodies". transcript publishing. Retrieved 14 May 2024.
  8. ↑ "Imagining Life: Amy Karle's Artistic Research Practice" (PDF). Transcript.open. Retrieved 14 May 2024.
  9. ↑ "American Artist and Copernicus Science Center Launch First Arts Incubator Program in Poland". Pl.usembassy.gov. 2 May 2018.
  10. ↑ "Spis treści. Na okładce: Eksponat Chmury, dotyczący zmian klimatu, wystawa RE: Generacja. - PDF Free Download". Docplayer.pl.
  11. 1 2 3 "BBC 100 Women 2019: Who is on the list this year?". BBC News . 16 October 2019. Retrieved 6 March 2021.
  12. 1 2 "Future and the Arts exhibition: How humanity will live tomorrow" (PDF). Mori Art Museum . Mori Arts Centre. March 2020. Retrieved 2 April 2021.
  13. 1 2 Mendoza, Hannah Rose (27 November 2017). "3D Printing Spotlight On: Amy Karle, Award Winning BioArtist". 3DPrint.com | The Voice of 3D Printing / Additive Manufacturing. Retrieved 6 March 2021.
  14. ↑ "Amy Karle | American Arts Incubator" . Retrieved 15 February 2022.
  15. ↑ "Regenerating the human body with art: Amy Karle's bio-artistic proposal". Fahrenheit Magazine . 5 February 2021. Retrieved 6 March 2021.
  16. ↑ "'How I create art with human cells'". BBC News .
  17. 1 2 Bart, Marlene; Breuer, Johannes; Freier, Alex Leo (2022). Atlas of Data Bodies 1: Body images in art, design and science in the age of digital media.Imagining Life: Amy Karle's Artistic Research Practice. Transcript. pp. 22–33. ISBN   978-3-8376-6178-1.
  18. ↑ Villa, Erica (10 November 2023). "Where Will Biotechnology Take Us?". Radar Magazine. Retrieved 4 December 2023.
  19. 1 2 Twardoch-Raś, Ewelina (10 December 2019). "Pętle neurofeedbacku : elektroencefalografia jako strategia artystyczna w wybranych projektach z zakresu art & science". Kultura Współczesna. 4 (107). doi:10.26112/kw.2019.107.11 . Retrieved 10 December 2021.
  20. ↑ Karle, Amy. "What is Life in the Bio-Tech Era? Creating a More Resilient Future". Americanartsincubator.org. Retrieved 10 December 2021.
  21. ↑ "Arts Incubator Program Successfully Concludes with Exhibition at Copernicus Science Center". Pl.usembassy.gov. 21 May 2018. Retrieved 10 December 2021.
  22. ↑ Callaghan, Meaghan Lee (12 October 2016). "An Artist Is Growing A Skeleton Human Hand In A Lab". Popular Science. Retrieved 12 August 2023.
  23. ↑ Pangburn, D. J. (6 July 2016). "This Artist Is Biohacking The Body To 3D-Print Fantastical Human Bones". Fast Company. Retrieved 31 March 2021.
  24. ↑ "Awareness in physical and mental changes in the bioart of Roy Ascott". Fahrenheit Magazine. 17 February 2021. Retrieved 21 June 2023.
  25. ↑ Sina Contemporary Art (8 September 2018). "新浪当代艺术丨【干货】第二届北京媒体艺术双年展（BMAB）论坛 [The 2nd Beijing Media Art Biennale (BMAB) Forum]". Weixin Official Accounts Platform (Contemporary Art Channel). Retrieved 31 March 2021.
  26. 1 2 "Design: Expo "La Fabrique du vivant", le biodesign au Centre Pompidou". Paris-art.com. 17 March 2019.
  27. ↑ "FILE FESTIVAL". file.org.br. Retrieved 21 June 2023.
  28. ↑ Twardoch-Raś, Ewelina (2 November 2021). Sztuka biometryczna w perspektywie filozofii post- i transhumanizmu: w stronę estetyki postafektywnej (in Polish). Wydawnictwo UJ. ISBN   978-83-233-7212-7.
  29. ↑ MacDonald, Amanda (17 February 2021). "Amy Karle BioArtist Invites Exponential Technologist To Collaborate". Ideaxme. (Podcast). Retrieved 2 December 2023.
  30. ↑ "Smithsonian Releases 2.8 Million Images Into Public Domain". Smithsonian Magazine . Retrieved 10 December 2021.
  31. ↑ "Open Access Remix". Smithsonian Institution. Retrieved 10 December 2021.
  32. ↑ "21st-Century Diffusion with Smithsonian Open Access". Smithsonian Institution. Retrieved 10 December 2021.
  33. ↑ "Futurist Amy Karle Unlocks the Potential of Humanity's Future". Design-milk.com. 6 April 2020. Retrieved 10 December 2021.
  34. ↑ Joffrin, Laurent (28 November 2018). "A new special issue: AI, at the heart of the human". LIBERATION. Retrieved 22 June 2023– via amykarle.com.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.