Anand Ashram | |
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Directed by | Shakti Samanta |
Written by | Shakti Samanta Kamleshwar (dialogue-Hindi) Prabhat Roy (dialogue-Bengali) |
Screenplay by | Shakti Samanta |
Story by | Sailajananda Mukhopadhyay |
Produced by | Shakti Samanta |
Starring | Ashok Kumar Uttam Kumar Sharmila Tagore |
Cinematography | Aloke Dasgupta |
Edited by | Bijoy Chowdhary |
Music by | Shyamal Mitra |
Production company | Shakti Films |
Distributed by | Shakti Films |
Release date |
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Running time | 141 minutes |
Country | India |
Languages | Hindi Bengali |
Ananda Ashram(Hindi: Anand Ashram, English: The Ashram of joy) is a 1977 Indian bilingual romantic drama film made in Bengali and Hindi language simultaneously, co-written and directed by Shakti Samanta. Based on a story by film director and novelist, Sailajananda Mukhopadhyay, [1] it stars Ashok Kumar, Uttam Kumar, Sharmila Tagore, Moushumi Chatterjee and Rakesh Roshan (making his debut in Bengali cinema) in lead roles. [2] [3] The same story was earlier filmed as 'Doctor' in 1940 starred by Pankaj Mullick, Ahindra Choudhury and Bharati Devi. [4]
Dr. Amaresh lives with his wealthy father, a Thakur, in a small town in India. While the Thakur would like to get Amaresh to marry a woman from an equally wealthy family, he has fallen in love with a poor woman named Asha, and would like to marry her. The Thakur is displeased, and asks Amaresh to leave his house, never to return. A few months later, Thakur's employee, Girdhari, informs him that he has found an abandoned child by the river bank, and would like to adopt him. Initially, the Thakur does not want anything to do with the child, but when he sees it for the first time, he decides to let Girdhari have his way. Years later, young Samaresh has grown up under Girdhari and Thakur's care, and travels abroad to study in order to be a doctor. When he returns, he decides to work with a chemical company. His travels take him to meet a beautiful woman named Sumita, her father, and an elderly man named Doctor. Samaresh is perturbed by this doctor, who seems to know him very well, and wants him to leave his job at the chemical company, and start practicing medicine in the small town where they live. What Samaresh does not know that this doctor is none other than his biological father, Amaresh. What both don't know is what steps the Thakur will take when he finds out that Samaresh is none other than his grandson.
After the success of Amanush in 1975 Shakti Samanta cast almost same actors including Ashok Kumar. The film marked the collaboration for the first and only time where two legendary actor of hindi and Bengali cinema Uttam Kumar and Ashok Kumar worked together. It's making again in double version.
This film also shot in Sandeshkhali Sundarban like Amanush and the Nataraj Studio Bombay. There was a scene in Anand Ashram where Uttam Kumar would come down from a high hill, speak a dialogue with the heroine. So then Uttam Kumar already had two heart attacks. Uttam Kumar rose to a high place at that age with great difficulty. Then the director Shakti Samant understood the mistake and apologized. He says to changing the set. But Uttam Kumar said nothing. The with that body, he ran down the two-storey hill again and did it ok in one shot. [5] Director Prabhat Roy (also the assistant director in the film) remembered the dedication of Uttam Kumar which is bring him to the top and different to the other artists.
During the film production Mohunbagan Footballers in Mumbai at that time to play the Rovers Cup Final of 1977. On the evening, footballers turned upon the set to watching the shooting. Uttam Kumar always being a Mohunbagan fan. Uttam Kumar said to the footballers You should have to win the final and return to Kolkata with the trophy. Mohunbagan really become champions and kept good words of Uttam. [6]
Ananda Ashram | ||||
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Film score by | ||||
Released | 1977 | |||
Recorded | 1977 | |||
Studio | Shakti Films | |||
Genre | Feature Film Soundtrack, Bengali Ghazals | |||
Length | 23:01 (hindi) | |||
Label | Sa Re Ga Ma | |||
Producer | Shakti Samanta | |||
Shyamal Mitra chronology | ||||
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The film had music by Shyamal Mitra, with lyrics by Indeevar
Song | Singer (s) | Duration |
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"Tum Itni Sundar Ho" | Yesudas, Preeti Sagar | 3:55 |
"Sara Pyar Tumhara" | Asha Bhosle, Kishore Kumar | 3:58 |
"Tere Liye Maine Sabko Chhoda" | Kishore Kumar | 4:01 |
"Raahi Naye Naye Rasta Naya Naya" | Kishore Kumar | 3:40 |
"Safal Wohi Jeevan Hai" | Shyamal Mitra | 3:38 |
"Jab Chaho Chali Aaoongi" | Lata Mangeshkar | 3:49 |
In the article of 2015 The Hindu wrote It is Uttam Kumar’s commanding performance that leaves an impression on the viewer, especially the latter stage of his character when he carries himself with distinction. At no point does he indulge in histrionics. The director in fact does not allow anyone to drift from the balanced narration. [7]
The songs of the film become blast hits and again the reunite of Uttam and Kishore Kumar and there combination is huge popular in 1970s after the significant success of Amanush. The songs become evergreen and got the cult status. [8]
Hindi and the bengali version both released in the same date while bengali version make it's released on the occasions of Durga Puja in Bengal. Unfortunately the hindi version didn't well at the box office but bengali version become all time blockbuster as expected and Kumar puja track record. The film saw the run 26 weeks constantly in theaters and become highest grossing bengali film in 1977. This film become one of Kumar's most successful film ever. [9]
Ashok Kumar, was an Indian actor who attained iconic status in Indian cinema. He was considered the first big star of Indian cinema as well as the first lead actor to play an anti-hero. He also became the first star to reinvent himself, enjoying a long and hugely successful career as a character actor. He was a member of the cinematic Ganguly family. He was honoured in 1988 with the Dadasaheb Phalke Award, the highest national award for cinema artists, by the Government of India. He received the Padma Shri in 1962 and Padma Bhushan in 1999 for his contributions to Indian cinema.
Uttam Kumar, widely known as Mahanayak, was an Indian film actor, producer, director, screenwriter, composer, and playback singer who predominantly worked in Bengali cinema. His career spanned three decades, from the late 1940s until his death in 1980. Kumar is regarded as one of the greatest actors in the history of Indian cinema and also the most popular and successful film star in Bengal.
Shakti Samanta was an Indian film director and producer, who founded Shakti Films in 1957, which is most known for films such as Anand Ashram (1977), Anusandhan /Barsaat Ki Ek Raat (1981), Anyay Abhichar (1985), Howrah Bridge (1958), Insan Jaag Utha (1959), China Town (1962), Kashmir Ki Kali (1964), An Evening in Paris (1967), Aradhana (1969), Kati Patang (1971), and Amar Prem (1972), Amanush (1975).
The Filmfare Award for Best Story is given by Filmfare as part of its annual Filmfare Awards for Hindi films, to recognise a writer who wrote a film's story.
Shaukeen (transl. Enthusiast) is a 1982 Indian Hindi-language comedy film directed by Basu Chatterjee based on story Ram Nam Kewalam by Samaresh Basu. The movie stars Ashok Kumar, Utpal Dutt, A.K. Hangal, Rati Agnihotri and Mithun Chakraborty.
Amar Prem is a 1972 Indian Hindi romantic drama film directed by Shakti Samanta. It is a remake of the Bengali film Nishi Padma (1970), directed by Arabinda Mukherjee, who wrote screenplay for both the films based on the Bengali short story Hinger Kochuri by Bibhutibhushan Bandopadhyay. The film portrays the decline of human values and relationships and contrasts it by presenting an illustrious example of a boy's innocent love for a neighbourhood tawaif (courtesan). The movie is about a school boy, who is ill-treated by his step mother, and becomes friends with a courtesan neighbour. The film stars Sharmila Tagore playing a hooker with a heart of gold, with Rajesh Khanna in the role of a lonely businessman and Vinod Mehra as adult Nandu, the young child, who they both come to care for.
Moushumi Chatterjee is an Indian actress known for her work in Hindi and Bengali cinema. She was one of the highest paid actresses in Hindi films during the 1970s. She joined the Bharatiya Janata Party in 2019; she was previously a member of the Indian National Congress.
Anuraag is a 1972 Indian Hindi-language drama film, directed by Shakti Samanta. The film stars Moushumi Chatterjee, in her debut as a heroine, and Vinod Mehra in lead roles. The Shakti Samanta fixture Rajesh Khanna, having earlier made Aradhana (1969) and Kati Patang (1971) with Samanta, makes a special appearance. The music is by S. D. Burman. Initially, Samanta was unsure if the distributors would buy a film with such a storyline and had shared the idea with Rajesh Khanna, who encouraged Samanta and volunteered to make an extended appearance for the film, and also distributed the film under the banner "Shakti-Raj".
Lal Patthar is a 1971 Indian Hindi-language drama film, produced by F. C. Mehra, and directed by Sushil Majumdar. The film is a remake of the Bengali film, Lal Pathar which was released in 1964 starring Uttam Kumar and Supriya Devi. The film stars Raaj Kumar, Hema Malini, Raakhee, Vinod Mehra, Ajit. The film is one of the rare films where lead actress Hema Malini played a negative role, being a jealous mistress of a zamindar who tries to frame his young wife as an adultress. Her performance received accolades. The music of the film was composed by Shankar–Jaikishan.
Amanush is a 1974 Indian bilingual action film simultaneously shot in Bengali and Hindi languages, co-written, produced and directed by Shakti Samanta, under his banner of Shakti Films. Based on Shaktipada Rajguru's novel Naya Basat, which was written being plotted on the Sundarbans, the film stars Uttam Kumar in the titular role, alongside Sharmila Tagore, Utpal Dutt, Anil Chatterjee and Prema Narayan in lead roles, while Abhi Bhattacharya, Amarnath Mukherjee and Asit Sen play other pivotal roles, with Shambhu Bhattacharya in a special appearance. The soundtrack and background score was composed by Shyamal Mitra, with Bengali and Hindi lyrics penned by Gauriprasanna Mazumder and Indeevar respectively. The Bengali and Hindi screenplay was written by Shaktipada Rajguru himself and Kamleshwar respectively, while the dialogues for the former and latter version were written by Prabhat Roy, who was also the assistant director of the film, and Kamleshwar respectively.
Anurodh is a 1977 Hindi musical drama film, based on the 1963 Bengali film Deya Neya, produced by Girija Samanta and directed by Shakti Samanta.
Shyamal Mitra was an Indian versatile playback singer and music director along with Hemanta Mukherjee and Manna Dey. Mitra had also worked in many Hindi and Bengali films as a music director and film producer. He was the most notable musician of the golden era of Bengali music industry. His baritone voice reflected a range of emotions. Besides recording a huge number of popular Bengali basic songs, he also worked as a playback singer in more than a hundred Bengali films and directed music in more than fifty Bengali films. He also sang in various other Indian languages, like Hindi, Assamese, and Oriya.
The 23rd Filmfare Awards were held on March 30, 1976.
Rajkanya is a 1965 Bengali film directed by Sunil Bandyopadhyay. The movie was based on a story and screenplay by legendary film director Ritwik Ghatak. Uttam Kumar, Rina Ghosh, Bhanu Bandopadhyay, and Tarun Kumar portray the main characters.
Nishi Padma is a 1970 Indian Bengali language action drama film directed by Arabinda Mukhopadhyay and produced by Shantimoy Banerjee. It is based on a short story Hinger Kochuri by Bibhutibhushan Bandopadhyay and released under the banner of Chirantan Chitra.
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Nishan is a Bengali language action drama film directed by S.S. Balan. This film was released on 4 August 1978 under the banner of Gemini Production Circuit Private Limited.
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