Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the best-known American composers of the 20th century, and his compositions had a significant influence on popular music.
Anna Harriette Leonowens was an Anglo-Indian or Indian-born British travel writer, educator, and social activist.
The King and I is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time, and has had many tours and revivals.
Yuliy Borisovich Briner, known professionally as Yul Brynner, was a Russian-born actor. He was known for his portrayal of King Mongkut in the Rodgers and Hammerstein stage musical The King and I (1951), for which he won two Tony Awards, and later an Academy Award for Best Actor for the 1956 film adaptation. He played the role 4,625 times on stage and became known for his shaved head, which he maintained as a personal trademark long after adopting it for The King and I.
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century.
Flower Drum Song was the eighth musical by the team of Rodgers and Hammerstein. It is based on the 1957 novel, The Flower Drum Song, by Chinese-American author C. Y. Lee. It premiered on Broadway in 1958 and was then performed in the West End and on tour. It was adapted for a 1961 musical film.
Anna and the King of Siam is an American 1946 drama film directed by John Cromwell. An adaptation of the 1944 novel of the same name by Margaret Landon, it was based on the fictionalized diaries of Anna Leonowens, an Anglo-Indian woman who claimed to be British and became governess in the Royal Court of Siam during the 1860s. Darryl F. Zanuck read Landon's book in galleys and immediately bought the film rights.
Robert Russell Bennett was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers.
Rodgers and Hammerstein's Cinderella is a musical written for television, but later played on stage, with music by Richard Rodgers and a book and lyrics by Oscar Hammerstein II. It is based upon the fairy tale Cinderella, particularly the French version Cendrillon, ou la petite pantoufle de verre, by Charles Perrault. The story concerns a young woman forced into a life of servitude by her cruel stepmother and self-centered stepsisters, who dreams of a better life. With the help of her fairy godmother, Cinderella is transformed into a princess and finds true love with the kingdom's prince.
Margaret Landon was an American writer known for Anna and the King of Siam, her best-selling 1944 novel of the life of Anna Leonowens which eventually sold over a million copies and was translated into more than twenty languages. In 1950, Landon sold the musical play rights to Richard Rodgers and Oscar Hammerstein II, who created the musical The King and I from her book. A later work, Never Dies the Dream, appeared in 1949.
Eileen Patricia Augusta Fraser Morison was an American stage, television and film actress of the Golden Age of Hollywood and mezzo-soprano singer. She made her feature film debut in 1939 after several years on the stage, and amongst her most renowned were The Fallen Sparrow, Dressed to Kill opposite Basil Rathbone and the screen adaptation of The Song of Bernadette. She was lauded as a beauty with large blue eyes and extremely long, dark hair. During this period of her career, she was often cast as the femme fatale or "other woman". It was only when she returned to the Broadway stage that she achieved her greatest success as the lead in the original production of Cole Porter's Kiss Me, Kate and subsequently in The King and I.
Brian Tochi is an American actor. During the late 1960s through much of the 1970s and 1980's, he was one of the most widely seen East Asian child actors working in U.S. television, appearing in various TV series and nearly a hundred advertisements. He is recognized around the world for starring in some of the most popular film franchises of all time, and best known for his characters Toshiro Takashi from the Revenge of the Nerds film franchise, Cadet Tomoko Nogata from the third and fourth films in the Police Academy series, and as the voice of Leonardo in the first three live-action Teenage Mutant Ninja Turtles films.
The King and I is a 1956 American musical film made by 20th Century-Fox, directed by Walter Lang and produced by Charles Brackett and Darryl F. Zanuck. The screenplay by Ernest Lehman is based on the 1951 Rodgers and Hammerstein musical The King and I, which is itself based on the 1944 novel Anna and the King of Siam by Margaret Landon. That novel in turn was based on memoirs written by Anna Leonowens, who became school teacher to the children of King Mongkut of Siam in the early 1860s. Leonowens' stories were autobiographical, although various elements of them have been called into question. The film stars Deborah Kerr and Yul Brynner.
The King and I is a 1999 American animated musical film directed by Richard Rich. As of February 2024, it is the only animated feature film produced by Morgan Creek Entertainment. Loosely based on Richard Rodgers and Oscar Hammerstein II's 1951 stage musical of the same name, it portrays a fictionalized account of English school teacher Anna Leonowens' historical encounter with king Mongkut of Siam and the royal court. The voice cast stars Miranda Richardson and Martin Vidnovic as Leonowens and Mongkut, respectively, with Ian Richardson, Darrell Hammond, and Adam Wylie. The score, songs, and some of the character names come from the stage musical. Screenwriters Peter Bakalian, Jacqueline Feather, and David Seidler took creative liberties with the history and with the source material from the musical in an attempt to make the film palatable to all audiences.
The King and I is a 1951 musical by Rodgers and Hammerstein.
Anna and the King of Siam is a 1944 semi-fictionalized biographical novel by Margaret Landon.
Rodgers & Hammerstein's Cinderella is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove, and written by Robert L. Freedman. Based on the French fairy tale of the same name by Charles Perrault, the film is the second remake and third version of Rodgers and Hammerstein's musical, which originally aired on television in 1957. Adapted from Oscar Hammerstein II's book, Freedman modernized the script to appeal to more contemporary audiences by updating its themes, particularly re-writing its main character into a stronger heroine. Co-produced by Whitney Houston, who also appears as Cinderella's Fairy Godmother, the film stars Brandy in the title role and features a racially diverse ensemble cast consisting of Jason Alexander, Whoopi Goldberg, Bernadette Peters, Veanne Cox, Natalie Desselle, Victor Garber, and Paolo Montalban.
"Shall We Dance?" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I. It is sung by the characters of Anna Leonowens and the King of Siam, originated on Broadway by Gertrude Lawrence and Yul Brynner respectively. Valerie Hobson played Anna in the original London West End production, and Marni Nixon in the 1956 film of The King and I. The song comes about after Anna and the King disagree about love's meaning; the King believes that love is a "silly complication of a pleasant simplicity" and a "fairy tale" while Anna believes that love is real and natural. They sing "The Song of the King" first. Anna then tries to explain the idea of romance in a simple way to the King, and becomes caught up in her own experience of love at first sight at an English dance. Her reminiscences become the introductory verse of "Shall We Dance?".
The original cast recording of The King and I was issued in 1951 on Decca Records, with Gertrude Lawrence, Yul Brynner, Dorothy Sarnoff and Doretta Morrow. The Broadway cast recording was directed by John Van Druten, with orchestrations by Robert Russell Bennett and musical director Frederick Dvonch. The recording was inducted into the Grammy Hall of Fame in 2001.
The London cast album of The King and I by Rodgers and Hammerstein was issued in 1953 with Valerie Hobson as Anna and Herbert Lom as the King and featuring Muriel Smith as Lady Thiang, with Doreen Duke and Jan Mazarus as Tuptim and Lun Tha. The record was issued in the UK on Philips Records, and by Stet Records in the US.
