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Antediluvian Rocking Horse (ARH), formed 1994 St. Kilda, Australia, is an audio project maintained by two core artists credited as DJ2 and DJ3. DJ2 is Paul Wain, a sculptor and graduate of the Victorian College of the Arts. DJ3 is Susan King, a collage artist, writer and anti-copyright advocate. [1] The composer Ollie Olsen was also a member. [2] The project produces music and soundscapes that are entirely recycled from other recorded works.[ citation needed ]
Copyright is an unambiguous focus for the project. Its work in multi-source soundscapes and ambient mashup is informed by appropriation and wilful detournement. Like The Evolution Control Committee, with whom the project has performed, [3] Antediluvian Rocking Horse does not seek permission for use of samples.
King addressed the eighth biennial Copyright Law & Practice Symposium on 7 November 1997 on the topic of fair dealing for copyrighted materials in art. In a lecture delivered to then Attorney-General of Australia, Daryl Williams, she argued that the re-use of culture should be encouraged, not hindered and litigated. [4] In the 21 March 1998 edition of the Sydney Morning Herald , King was interviewed and described as Australia's "lone voice of dissent" in her public call for the diminution of copyright law. At around this time, King also assisted Negativland in its campaign to sue the RIAA. [5]
The project insists that all of its works are "one hundred per cent recycled". [4] This is apparent in pieces like "September Shuffle", a track that uses excerpts from Fox News, The Pixies and, possibly, the KLF.
ARH actively defies copyright law and to promote fair use within its pieces. One contribution was to the Illegal Art MP3 exhibit Alias Frequencies. [6]
In 2003, King told The Age newspaper that the "remix" was nothing new and that appropriation inhered in the production of all artworks. [7]
The pair takes further inspiration from Dada and Situationist texts and practises. [8] ("Dada" is a term employed by French children to signify hobby horse. This translation, presumably, provided the spur for the project's name.) Matthew Rimmer interviewed the project for his doctoral thesis, "The Pirate Bazaar: The Social Life of Copyright Law". He noted a distinction between the clearly political anti-copyright agenda of Negativland and the Dada humour of Antediluvian Rocking Horse. It was Rimmer's contention that the project chooses psychedelic mischief over lucid political action.
In September 2006, DJ3 (King) performed new works at Psy-Geo-Conflux, the annual situationist festival of psychogeography in New York City. [9] This preoccupation with the psychogeography of Guy Debord continued with a project called Aural Maps which is a serial artwork seeking to navigate situations through sound.
Through unpacking the familiar, we chart our scope of reference, and consider how sound delineates space and creates patterns of movement, both physically and creatively. [10]
ARH sprang out of the techno culture of the early 1990s. Initially, the project was embraced by techno media. In reviewing ARH's first international release, Dom Phillips of Mixmag wrote, "imagine techno, yet constructed with burps, old samples and rocking through a gallery of strange voices, cut-ups, '70's elevator music run backwards...the lot....crazy channel hopping mish-mash, yet it all works!" Diane Lowry, then editor of Electronic Musician , named the same disc Best Electronic Album for May 1997 and wrote, "Techno dance group ARH approaches the editing of samples and tape loops the same as MTV cuts videos: fast and furious. Paul Wain, Susan King, and Ollie Olsen chop up, reverse, layer, and fade in and out television and radio broadcasts, found sounds, movies, vinyl, and CDs, thereby constantly changing the aural pictures." Later outings are less influenced by techno.
Antediluvian Rocking Horse has collaborated with the Australian composer Ollie Olsen. [11] It has collaborated in live performance with Damo Suzuki of Can. [12]
ARH has worked with the psychedelic Japanese project Boredoms [13] and has performed with the What Is Music festival.[ citation needed ]
Over 22 years they have played over 1,000 gigs.[ citation needed ]
The project's first CD, Music for the Odd Occasion, was the first non-US signing to Negativland's Seeland Records label. This work appeared at 150 in issue 520 of the CMJ New Music Report. In Australia, the record was available from the trance label, Psy-Harmonics.
The project has released Music for Transportation [14] on Japanese label musicmine and Forward into the Furniture.
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism.
Psychogeography is the exploration of urban environments that emphasizes interpersonal connections to places and arbitrary routes. It was developed by members of the Letterist International and Situationist International, which were revolutionary groups influenced by Marxist and anarchist theory as well as the attitudes and methods of Dadaists and Surrealists. In 1955, Guy Debord defined psychogeography as "the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals." One of the key tactics for exploring psychogeography is the loosely defined urban walking practice known as the dérive. As a practice and theory, psychogeography has influenced a broad set of cultural actors, including artists, activists and academics.
Psy-Geo-Conflux is an annual New York City festival dedicated to psychogeography, where visual, performance and sound artists, writers, urban adventurers, researchers and the public gather for four days to explore the physical and psychological landscape of the city.
Helter Stupid is Negativland's fifth studio album, released in 1989. It is a concept album that focuses on a hoax that the band started, which claimed that the Negativland song "Christianity Is Stupid" inspired a teenager to murder his family with an axe.
Kenji Suzuki, better known as Damo Suzuki (ダモ鈴木), is a Japanese musician who has been living in Germany since the early 1970s and is best known as the former lead singer of the krautrock group Can.
Ollie Olsen is an Australian multi-instrumentalist, composer and sound designer. He has performed, recorded and produced rock, electronic and experimental music since the mid-1970s. His post punk groups included Whirlywirld (1978–80), Orchestra of Skin and Bone (1984–86) and No (1987–89). Olsen joined with Michael Hutchence to form a short-term band, Max Q, which issued an album in 1989. He co-founded the alternative electronic music record label Psy-Harmonics with Andrew Till in 1993. In 2014 he formed Taipan Tiger Girls.
Max Q were an Australian band formed in 1989. Playing electronic music, the band was a collaboration between Michael Hutchence of INXS and Ollie Olsen.
John Russell Murphy was an Australian drummer, percussionist and multi-instrumental session musician who played in Australian and British post-punk, ambient and industrial music groups.
Michael Sheridan is an Australian guitarist. Having played and recorded with an array of artists his versatility in original music spans the styles of rock, jazz/punk, industrial, metal, and sonic art including glitch & noise. He has released solo works such as Scaleshack,Digital Jamming and collaborations with Nicholas Littlemore and associates. He has been a member of several bands since 1975 including No (1987–1989) with Ollie Olsen and Marie Hoy, which were described as "One of Australias most compelling stage acts incorporating speed metal, hip hop and electro funk". In 1989 he followed Olsen to join Max Q with Michael Hutchence of INXS on vocals. He runs the label Zenith Wa Recordshttps://zenithwarecords.bandcamp.com/
Unitary urbanism (UU) was the critique of status quo "urbanism", employed by the Letterist International and then further developed by the Situationist International between 1953 and 1960.
Streets of Rage is a series of side-scrolling beat 'em up video games, centering on the efforts of several ex-police vigilantes trying to rid the fictional American metropolis of Wood Oak City from a crime syndicate that has corrupted its local government. The first three games in the franchise were developed and published by Sega for the Sega Genesis in the early 1990s and have since been ported and re-released on various platforms. A fourth entry was released in 2020.
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A Big 10-8 Place is the third album by Negativland, released in 1983. It was the first album with the involvement of band member Don Joyce. The album's title is a reference to the radio ten-code "10-8," which means "back in service" or "available for next call" in the context of common CB radio usage. The lyrics and collage sound clips on the album make frequent reference to the CB radio hobby, as well as mischief like jamming.
Matt Schwartz is an Israeli-British record producer, songwriter, composer, arranger, programmer, sound engineer, mixing engineer and DJ.
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Negativland is an American experimental music band that originated in the San Francisco Bay Area in the late 1970s. They took their name from a Neu! track, while their record label is named after another Neu! track. The core of the band consists of Mark Hosler, David Wills, Peter Conheim and Jon Leidecker.
Damo and Ivor was a comedy duo act from Ireland, composed of two contrasting Dublin stereotypes, both portrayed by Andrew Quirke. The characters first appeared on bebo and YouTube - most notably in 'Skanger Me Banger(sic)'in late 2007/early 2008 and first on television in RTE's, Republic of Telly in 2011. Their musical parody, "Everybody's Drinkin'" debuted at sixth position in the Irish Singles Chart in April 2011 after the music video was shown on the programme. On 16 September 2013 their television show, Damo and Ivor debuted on RTÉ Two.
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