Anthony Alofsin | |
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Born | Memphis, Tennessee, U.S. | June 22, 1949
Occupation |
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Nationality | American |
Education | Memphis Academy of Art Phillips Academy Harvard College (BA) Harvard Graduate School of Design (MArch) Columbia University (PhD) |
Anthony Alofsin (born June 22, 1949 in Memphis, Tennessee) is an American architect, artist, art historian, writer, and professor. [1] Educated at Memphis Academy of Art and Phillips Academy, Andover, he received from Harvard College and the Harvard Graduate School of Design, respectively, a Bachelor of Arts (1971) and Master of Architecture (1981). From Columbia University, he obtained a Ph.D. in Art History and Archaeology (1987).
Alofsin has written books on modern architecture and published numerous essays on architecture, art, and culture that have appeared in a variety of journals and reviews including The Times Literary Supplement, the Burlington Magazine, the New Criterion, and American Art. He was named Roland Gommel Roessner Centennial Professor Emeritus in Architecture in 2020 in recognition of his scholarship and teaching over thirty-three years at the University of Texas at Austin where he founded and directed the Ph.D. program in architectural history. [2]
In 2017 he began donating material to establish the Anthony Alofsin Archive at the University of Texas in Austin. The vast collection contains research materials, his teaching collection, and professional papers. [3]
He is the author of Wright and New York: the Making of America's Architect.The Journal of the Society of Architectural Historians described it “as an exciting story, a cultural drama about power and intrigue, featuring Wright’s ambiguous love/hate relationship with New York City." [4] He wrote Dream Home, What You Need to Know Before You Buy, a guide for consumers buying a home in the suburbs. His Frank Lloyd Wright, Art Collector, is the first publication of Wright's unknown collection of German and Austrian art prints. His book When Buildings Speak: Architecture as Language in the Habsburg Empire and its Aftermath, 1867-1933 won the Vasari Award from the Dallas Museum of Art .; [5] a German language edition was published by the Verlag Anton Pustet in 2011. He is editor of A Modernist Museum in Perspective: The East Building, National Gallery of Art. He is the author of The Struggle for Modernism: Architecture, Landscape Architecture, and City Planning at Harvard, the history of the Harvard Graduate School of Design from its beginnings through the 1960s.
Much of his scholarly writing has focused on issues of influence, how ideas are transmitted and transformed, on the concept of artistic transition as well as reception as an index of cultural and social meaning. He conducts a broad range of research activities including American modernism, Central European modern architecture, the history of ornament, the history of design education in architecture, landscape architecture, and city planning as well as ongoing research on Frank Lloyd Wright. He has written on the role of narrative in architecture and on the origins of regionalism in modern architecture. [2]
Alofsin is internationally recognized as one of the world's leading authorities on the architecture of Frank Lloyd Wright and as an expert on modern architecture. [6] In 2006, he received the Wright Spirit Award from the Frank Lloyd Wright Building Conservancy. The award honors an individual who, through artistic, architectural, scholarly, professional or other endeavors embodies the spirit of Frank Lloyd Wright. ' His pioneering study, Frank Lloyd Wright: the Lost Years, 1910-1922, is acknowledged to be one of the most important books on Wright in the last forty years; [6] the book was a winner in the monograph category in the American Institute of Architects International Book Awards. [7] Alofsin's other publications include the five-volume reference work, Frank Lloyd Wright: An Index to the Taliesin Correspondence, which won the Vasari Award of the Dallas Museum of Art. [8]
Alofsin was ranked “Best of the Best” and in the 90th percentile of research professors, academics, and dons among an international evaluation of schools of architecture by the Key Centre for Architectural Sociology. [9]
Alofsin has been named a Fellow, Helen Riaboff Whiteley Center; Fellow, Bogliasco Foundation, Liguria Study Center for the Arts and Humanities; Ailsa Mellon Bruce Senior Fellow, Center for Advanced Studies in the Visual Arts, National Gallery of Art, Washington, D.C; Fellow, MacDowell Colony; Fellow, the Internationales Forschungszentrum Kulturwissenschaften, Vienna; Visiting Scholar, the Frank Lloyd Wright Foundation; Visiting Fellow, Harvard Graduate School of Design; and Fulbright Professor, Academy of Fine Arts Vienna. [1] In 2017 Alofsin was elected a Fellow of the American Institute of Architects, one of the highest honors given by the profession. [10]
He has been active as a curator and adviser to several architectural exhibitions. He was consulting curator for the major retrospective Frank Lloyd Wright, Architect at the Museum of Modern Art in New York. He curated Prairie Skyscraper on Wright's Price Tower in Bartlesville, Oklahoma, and the exhibition Wright's Wasmuth Folios: Representing the Ideal, at the Ross Gallery, Columbia University. [2]
Alofsin maintains an architectural practice and his projects, which range in scale and style, have been frequently published. The sites of his projects include New Mexico, New York, and Texas. He also lectures internationally. [2]
Frank Lloyd Wright Sr. was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture".
Euine Fay Jones was an American architect and designer. An apprentice of Frank Lloyd Wright during his professional career, Jones is the only one of Wright's disciples to have received the AIA Gold Medal (1990), the highest honor awarded by the American Institute of Architects. He also achieved international prominence as an architectural educator during his 35 years of teaching at the University of Arkansas School of Architecture.
Henry Hobson Richardson, FAIA was an American architect, best known for his work in a style that became known as Richardsonian Romanesque. Along with Louis Sullivan and Frank Lloyd Wright, Richardson is one of "the recognized trinity of American architecture".
The Price Tower is a nineteen-story, 221-foot-high tower at 510 South Dewey Avenue in Bartlesville, Oklahoma. It was built in 1956 to a design by Frank Lloyd Wright. It is the only realized skyscraper by Wright, and is one of only two vertically oriented Wright structures extant; the other is the S.C. Johnson Wax Research Tower in Racine, Wisconsin.
Marion Mahony Griffin was an American architect and artist. She was one of the first licensed female architects in the world, and is considered an original member of the Prairie School. Her work in the United States developed and expanded the American Prairie School, and her work in India and Australia reflected Prairie School ideals of indigenous landscape and materials in the newly formed democracies. The scholar Deborah Wood stated that Griffin "did the drawings people think of when they think of Frank Lloyd Wright ." According to architecture critic, Reyner Banham, Griffin was "America’s first woman architect who needed no apology in a world of men."
Werner Seligmann was an architect, urban designer and educator.
The Wasmuth Portfolio (1910) is a two-volume folio of 100 lithographs of the work of the American architect Frank Lloyd Wright (1867–1959).
Charles Gwathmey was an American architect. He was a principal at Gwathmey Siegel & Associates Architects, as well as one of the five architects identified as The New York Five in 1969. Gwathmey was perhaps best known for the 1992 renovation of Frank Lloyd Wright's Guggenheim Museum in New York City.
Richard W. Bock was an American sculptor and associate of Frank Lloyd Wright.
Harwell Hamilton Harris, was a modernist American architect, noted for his work in Southern California that assimilated European and American influences. He lived and worked in North Carolina from 1962 until his death in 1990.
Ezra Stoller was an American architectural photographer.
Henry-Russell Hitchcock (1903–1987) was an American architectural historian, and for many years a professor at Smith College and New York University. His writings helped to define the characteristics of modernist architecture.
James F. O'Gorman is a leading American architectural historian, author, lecturer, editor, and consultant who taught for many years at Wellesley College. O'Gorman received a B.Arch. degree from the School of Architecture at Washington University in St. Louis in 1956 and an M.Arch. from the University of Illinois, Urbana-Champaign, in 1961. He earned a Ph.D. in Art History from Harvard University in 1966.
H. Allen Brooks was an architectural historian and longtime professor at the University of Toronto. Brooks wrote on Frank Lloyd Wright and the Prairie School and on the early years of Le Corbusier.
The A. D. German Warehouse is a Frank Lloyd Wright designed Mayan Revival warehouse that was constructed in Richland Center, Wisconsin in 1921. Wright was born in Richland Center in 1867. The building is on the National Register of Historic Places.
Martin Myles Filler is an American architecture critic. He is best known for his long essays on modern architecture that have appeared in The New York Review of Books since 1985, and which served as the basis for his 2007 book Makers of Modern Architecture, published by New York Review Books.
George Joseph Ranalli is an American modernist architect, scholar, curator, and fellow of the American Institute of Architects. He is based in New York City.
The Walter Gerts House in River Forest, Illinois, the United States, was originally designed in 1905 by Charles E. White, who studied with Frank Lloyd Wright at his Oak Park studio. White went on to pursue a successful career as both an architect and writer about related matters, and designed several important buildings in Oak Park including the massive Art Deco post office in 1933. The house shows influences both from White's East Coast beginnings in its colonial symmetry and his training with Wright in the Prairie School of architecture.
Arthur Justin Drexler was a museum curator and director of the Museum of Modern Art (MoMA) for 35 years.
Penelope Jane Ellis Davies is a Roman archaeologist and art historian. She specialises in the architectural history of ancient Rome. She is a Professor of Art History, Roman Art and Architecture at the University of Texas at Austin.
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