Antigrazioso (The Mother) | |
---|---|
Artist | Umberto Boccioni |
Year | 1912 - 1913 |
Type | sculpture |
Medium | patinated gesso |
Dimensions | 58 cm× 50 cm(23 in× 20 in);cm 50 x 40 x h58 |
Location | Galleria nazionale d'arte moderna e contemporanea, Rome |
Antigrazioso or L'antigrazioso (Italian for "The Anti-graceful"), also known as The Mother (La madre), is a patinated gesso sculpture by Umberto Boccioni realized between 1912 and 1913; it is located in the Galleria nazionale d'arte moderna e contemporanea of Rome. [1]
The bust is one of the few surviving examples of Futurist sculptures made by Boccioni in 1912 and 1913 and exhibited at the Galerie 23 in Paris in 1913.
The original gesso, exhibited since 1938 in the Galleria nazionale d'arte moderna, was acquired in 1950 by the museum from Benedetta Marinetti. [1]
The sculpture represents the futurist decomposition of the face of the artist's beloved mother, also portrayed in the 1913 painting Materia. Boccioni also executed a 1913 painting with the same title, Antigrazioso, but with a different setting.
The sculpture has a similar style of Unique Forms of Continuity in Space . [2]
In 1950-1951, a bronze casting of the artwork was made. It was acquired and exhibited by the Metropolitan Museum of New York.
Futurism was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).
Umberto Boccioni was an influential Italian painter and sculptor. He helped shape the revolutionary aesthetic of the Futurism movement as one of its principal figures. Despite his short life, his approach to the dynamism of form and the deconstruction of solid mass guided artists long after his death. His works are held by many public art museums, and in 1988 the Metropolitan Museum of Art in New York City organized a major retrospective of 100 pieces.
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Dynamism of a Cyclist is a 1913 oil painting by Italian Futurist artist Umberto Boccioni (1882–1916) that demonstrates the Futurist fascination with speed, modern methods of transport, and the depiction of the dynamic sensation of movement.
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