| Dynamism of a Human Body: Boxer | |
|---|---|
 | |
| Artist | Umberto Boccioni |
| Year | 1913 |
| Type | Ink on paper |
| Dimensions | 29 cm× 25 cm(11 in× 9.8 in) |
| Location | Museo Nacional Thyssen-Bornemisza, Madrid |
Dynamism of a Human Body: Boxer is a 1913 dynamism drawing created by the futurist Italian artist Umberto Boccioni. The work was intended to show a subject in between a state of motion and stillness.
Painter Umberto Boccioni, one of the earliest members of the school of futurism, had in 1912 found an interest in sculpture. During the early stages of his pursuit, Boccioni found himself working on the dynamism of forms. Boccioni wanted to find a single form which would capture all movement, as opposed to having a series of images. [1] Viewing the past as a constraining force, Boccioni wanted to separate Italian art from the old methods and techniques. Boccioni had declared that "plastic dynamism is the simultaneous action of the motion characteristic of the object, mixed with the transformation which the object undergoes in relation to its mobile and immobile environment". Ultimately, Boccioni sought a form that was caught between spatial and temporal components. [2]
The work was part of a forty-six drawing series executed at a time when Boccioni was exploring dynamism in his paintings. According to Ester Coen, Boccioni's primary aim in these paintings was the "exploration of spatial solutions". A painting such as Dynamism of a Human Body (1913) departs from Boccioni's more usual style into three dimensions. [3] Boccioni wrote that the painting is meant not to be viewed in any type of motion or fixed presence, but rather in such a way that it would "decompose according to the tendencies of its forces". [3] Despite the abstractness of the painting, the viewer can make out movement by view of the contours and bundles of muscles. In general, the series of Boccioni's dynamisms attempt to document progressive movement through its various elements. [3]
The series of forty-six "Dynamism" drawings was displayed in the spring of 1914 at Florence. [1]
Futurism was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).
Umberto Boccioni was an influential Italian painter and sculptor. He helped shape the revolutionary aesthetic of the Futurism movement as one of its principal figures. Despite his short life, his approach to the dynamism of form and the deconstruction of solid mass guided artists long after his death. His works are held by many public art museums, and in 1988 the Metropolitan Museum of Art in New York City organized a major retrospective of 100 pieces.
Giacomo Balla was an Italian painter, art teacher and poet best known as a key proponent of Futurism. In his paintings, he depicted light, movement and speed. He was concerned with expressing movement in his works, but unlike other leading futurists he was not interested in machines or violence with his works tending towards the witty and whimsical.
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Unique Forms of Continuity in Space is a 1913 bronze Futurist sculpture by Umberto Boccioni. It is seen as an expression of movement and fluidity. The sculpture is depicted on the obverse of the Italian-issue 20 cent euro coin.
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