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Museo Archeologico Regionale Antonino Salinas | |
Location | Via Bara all'Olivella 24, Palermo, Italy |
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Coordinates | 38°07′15″N13°21′38″E / 38.12083°N 13.36056°E |
Website | www |
The Antonino Salinas Regional Archeological Museum (Italian : Museo Archeologico Regionale Antonino Salinas) is a museum in Palermo, Italy. It possesses one of the richest collections of Punic and Ancient Greek art in Italy, as well as many items related to the history of Sicily. Formerly the property of the Oratory of Saint Philip Neri, the museum is named after Antonino Salinas, a famous archaeologist and numismatist from Palermo who had served as its director from 1873 until his death in 1914, upon which he left it his major private collection. It is part of the Olivella monumental complex, which includes the Church of Sant'Ignazio all'Olivella and the adjoining Oratory.
The construction of the Olivella complex was begun in the late sixteenth century by the architect Antonio Muttone for the Oratory of Saint Philip Neri and completed in the seventeenth century. Following the law on the suppression of religious orders of 1866 the building was confiscated and became home to the museum.[ citation needed ]
During the Second World War the director of the museum, Jole Bovio Marconi, moved all the material held in the museum to the Abbey of San Martino delle Scale near Monreale. This saved the collection from destruction by the bombing during the Allied invasion of Sicily. In 1949, Bovio Marconi was made responsible for the redevelopment of the museum, as the building was heavily damaged the building was renovated by architect William De Angelis D'Ossat.[ citation needed ] From 18 July 2011, the museum has been closed for renovation. As of September 2015, only a small part of the museum is accessible free of charge. In May 2022, only the Museum's first floor is open to the public. It is uncertain when the full exhibition will be reopened.
On the ground floor, a section is dedicated to the artefacts found underwater, including materials that were part of the cargo of vessels, stone anchors, strains of lead, lamps, amphoras and inscriptions ranging from the culture of the Phoenicians to that of the Romans.
The Phoenician section displays two large anthropomorphic sarcophagi of the fifth century BC from the necropolis of Pizzo Cannita (near modern Misilmeri). There are also sculptures of gods and Phoenician votive stelae from Mozia and Lilybaeum.
A reconstruction of the east pediment of the archaeological site of Selinunte is exhibited, displaying the Gorgon of Temple C, several metopes with mythological reliefs (Temples C and E) and sculptures of the archaic and classical period. In 1823, two British architects, Samuel Angell and William Harris, ventured to excavate at Selinunte in the course of their tour of Sicily, and came upon many fragments of sculptured metopes from the Archaic temple now known as "Temple C". Although local officials tried to stop them, they continued their work, and attempted to export their finds to England, destined for the British Museum. Now in the shadow of the activities of Lord Elgin, Angell and Harris's shipments were diverted to Palermo, where they remain to this day in the Archaeological Museum.
Artifacts from Himera are on display, as well as objects and sculptures from Solunto, Megara Hyblaea, Tindari, Kamarina and Agrigento. Among the most important works of art are the great Ram bronze of the third century BC from Syracuse, a Roman copy of a sculpture by Lysippus depicting Heracles catching the Ceryneian Hind and a Roman copy of a marble statue by Praxiteles depicting a satyr.
The Roman period is documented by a collection of sculptures and mosaics found in villas from Piazza Vittoria in Palermo, where the center of the Roman city was previously located. Even prehistoric cultures present in the caves around the territory of Palermo are exhibited in the museum.
The museum is composed in part by private collections purchased or donated to the museum over the centuries. It also includes the Palermo stone, a portion of a large ancient Egyptian stelae.
It is the oldest collection of the museum which was acquired in 1814 when Giuseppe Emanuele Ventimiglia, Prince of Belmonte left his collection to the University of Palermo at his death. The university in turn sold it to the museum.[ citation needed ][ clarification needed ]
Left to the museum in 1914, this collection is the largest in size with 6, 641 pieces and led to the museum being renamed after Salinas. The collection consists of books, manuscripts, prints, photographs, personal items and about 6000 coins.[ citation needed ]
This is the Etruscan collection which consists of sarcophagi, gravestones, urns and Attic black and red-figure pottery. It is considered the most important Etruscan collection outside of Tuscany. The exhibits come from Chiusi as part of the excavations carried out in the estates of Count Pietro Bonci Casuccini.
The collection was put up for sale by the grandsons of the founder, Ottavio and Pietro. The sale of the collection was prevented by the Kingdom of Italy in 1863, by the intervention of Michele Amari who was Minister of Education at the time. The state acquired the collection and transferred it to the Regional Archeological Museum of Palermo. [1]
In 2022, the Antonino Salinas Regional Archaeological Museum returned permanently to Athens a small fragment of the Parthenon. [2] This fragment of the foot of the goddess Artemis had been sold to the University of Palermo by the widow of the British consul Robert Fagan. [3] According to legal scholar Catharine Titi, there is no clear explanation of how Fagan obtained the fragment: although it is possible that the fragment may originally have gone "astray" from Elgin's collection, in reality how it "came to be in Fagan’s possession is, frankly, anyone’s guess". [3]
The Parthenon is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena. Its decorative sculptures are considered some of the high points of classical Greek art, and the Parthenon is considered an enduring symbol of Ancient Greece, democracy, and Western civilization.
Selinunte was a rich and extensive ancient Greek city of Magna Graecia on the south-western coast of Sicily in Italy. It was situated between the valleys of the Cottone and Modione rivers. It now lies in the comune of Castelvetrano, between the frazioni of Triscina di Selinunte in the west and Marinella di Selinunte in the east.
The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above.
In Greek mythology, an Amazonomachy is a mythological battle between the ancient Greeks and the Amazons, a nation of all-female warriors. The subject of Amazonomachies was popular in ancient Greek art and Roman art.
The Elgin Marbles are a collection of Ancient Greek sculptures from the Parthenon and other structures from the Acropolis of Athens, removed from Ottoman Greece and shipped to Britain by agents of Thomas Bruce, 7th Earl of Elgin, and now held in the British Museum in London. The majority of the sculptures were created in the 5th century BC under the direction of sculptor and architect Phidias.
In classical architecture, a metope is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example are the 92 metopes of the Parthenon, some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance.
A cippus (pl. cippi) was a low, round, or rectangular pedestal set up by the Ancient Romans for purposes such as a milestone or a boundary post. They were also used for somewhat differing purposes by the Etruscans and Carthaginians.
The metopes of the Parthenon are the surviving set of what were originally 92 square carved plaques of Pentelic marble originally located above the columns of the Parthenon peristyle on the Acropolis of Athens. If they were made by several artists, the master builder was certainly Phidias. They were carved between 447 or 446 BC. or at the latest 438 BC, with 442 BC as the probable date of completion. Most of them are very damaged. Typically, they represent two characters per metope either in action or repose.
The Sicilian Wars, or Greco-Punic Wars, were a series of conflicts fought between ancient Carthage and the Greek city-states led by Syracuse over control of Sicily and the western Mediterranean between 580 and 265 BC.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
The National Archaeological Museum of Florence is an archaeological museum in Florence, Italy. It is located at 1 piazza Santissima Annunziata, in the Palazzo della Crocetta.
The Palermo fragment, also known as Fagan slab from the name of the artist and British consul Robert Fagan who owned it, is a 2,500-year-old marble sculpture fragment of the foot and dress of the ancient Greek goddess Artemis.
The Hekatompedon or Hekatompedos, also known as Ur-Parthenon and H–Architektur, was an ancient Greek temple on the Acropolis of Athens built from limestone in the Archaic period, and placed in the position of the present Parthenon.
Temple C at Selinus (Sicily), is a Greek temple of Magna Graecia in the Doric style. It was one of the most ancient of the temples at Selinus, having probably been built on the acropolis a little after the middle of the sixth century BC, although its dating is controversial. The temple was the object of archaeological research in the nineteenth century and beginning of the twentieth century and later the remains of a long stretch of the northern colonnade received anastylosis in 1929. After a twelve-year-long restoration, in 2011 the colonnade was freed from scaffolding and made properly visible once more.
Temple E at Selinus in Sicily is a Greek temple of Magna Graecia of the Doric order. It is found on the hill to the east of the city's acropolis. Temple E is also known as the Temple of Hera because an inscription found on a votive stela indicates that it was dedicated to Hera; however, some scholars argue that it must have been dedicated to Aphrodite on the basis of structural parallels. It was built towards the middle of the fifth century BC on top of the foundations of a more ancient building. It is the best conserved of the temples of Selinus but its present appearance is the result of anastylosis performed—controversially—in 1959, by the Italian archaeologist Jole Bovio Marconi.
Temple F at Selinus in Sicily is a Greek temple of Magna Graecia of the Doric order. It was probably dedicated to Dionysus or Athena and is one of the three temples on the East Hill. The temple's dating is very uncertain, but it probably belongs to the middle of the sixth century BC.
Jole Bovio Marconi was an Italian archaeologist who graduated with a degree in the topography of ancient Rome from the Sapienza University of Rome and specialized at the Italian School of Archaeology at Athens. She married her colleague Pirro Marconi, whom she met in her studies in Athens.
The pediments of the Parthenon are the two sets of statues in Pentelic marble originally located as the pedimental sculpture on the east and west facades of the Parthenon on the Acropolis of Athens. They were probably made by several artists, including Agoracritos. The master builder was probably Phidias. They were probably lifted into place by 432 BC, having been carved on the ground.
The history of Greek Sicily began with the foundation of the first Greek colonies around the mid 8th century BC. The Greeks of Sicily were known as Siceliotes.
Antonino Salinas was an Italian archaeologist and numismatist.