The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. In this episode, Mulder returns from Hong Kong, having found rogue agent Alex Krycek (Nicholas Lea) while investigating a mysterious mind-altering black oil. Meanwhile, Scully pursues the man who she believes killed her sister. "Apocrypha" is the second part of a two-part episode, continuing the plot from the previous episode, "Piper Maru".
"Apocrypha" was the first mythology-centered episode to be directed by Manners, and made use of a mixture of physical and digital effects to create the episode's antagonistic black oil. The episode's sets were also augmented with digital effects, amplifying what could be constructed within the given budget.
Plot
On August 19, 1953, a burned crewman talks to three government agents about his experience on the submarine Zeus Faber, completing the story told in the previous episode. He explains that he and other crew members were locked in with their captain, who was infected by the black oil. After being knocked out from behind, the black oil leaves the captain's body and exits via a grate into the sea. It is revealed that Bill Mulder and the Smoking Man are two of the agents who are interviewing the crewman.
In the present, Fox Mulder and Alex Krycek return to the United States, but are run off the road by another vehicle. The assailants attempt to apprehend Krycek, but are severely injured when he emits a flashing light. The Smoking Man sees their bodies and orders their destruction. Mulder, who was knocked unconscious in the crash, awakens in the hospital. Dana Scully tells Mulder about Walter Skinner's condition, and says that an analysis of saliva has identified his shooter as the same person who killed her sister Melissa.
The Syndicate meets to discuss the events surrounding the Piper Maru and realizes someone is leaking information. Meanwhile, Skinner tells Scully that he recognizes his shooter as the man who was with Krycek when the digital tape was stolen from him. Mulder believes that the oil found on the diving suit and Gauthier is a medium used by an alien to transfer from body to body, and that Krycek is currently occupied by it. Mulder and the Lone Gunmen use Krycek's key to recover the tape from a locker at an ice rink, but Mulder finds the case empty. Krycek, possessed by the black oil, returns the tape to the Smoking Man in exchange for the location of the recovered UFO.
As Luis Cardinal is identified as Skinner's shooter, the Syndicate admonishes the Smoking Man for moving the UFO to a new location. By rubbing a pencil over the envelope containing the tape case, Mulder finds a phone number which connects him to the Syndicate's office. Mulder speaks to the Well-Manicured Man, who offers to meet with him. The Well-Manicured Man tells Mulder that a UFO was sunk during World War II and that a cover story of a sunken atomic bomb was used to cover up its attempted recovery. He reveals that anyone can be gotten to, causing Mulder to ask Scully to check on Skinner.
Scully accompanies Skinner as he is being transported in an ambulance. When Cardinal attempts to break in, she tracks him down and arrests him. Cardinal tells her that Krycek is headed to an abandoned missile silo in Black Crow, North Dakota. There, the agents are captured by the Smoking Man's men and are escorted away. Deep inside, Krycek sits atop the UFO and coughs out the black oil, which seeps into the ship. Skinner recovers and returns to work. Mulder sees Scully at Melissa's grave, explaining that Cardinal was found dead in his cell. Meanwhile, Krycek is trapped within the silo, banging on the door in an attempt to be let out.[1][2]
Production
Writers Frank Spotnitz (left) and Chris Carter (right) in 2008
Conception of the episode was based around a visual image series creator Chris Carter had wanted to include in a script "since the beginning of the show". The image was of a black-and-white flashback taking place in a submarine.[3]
The episode's title is a reference to Biblical apocrypha, which series creator Chris Carter felt was appropriate to the episode's thematic concerns—hidden documents and truths not brought to light.[4] Director Kim Manners had directed a number of stand alone "monster of the week" episodes, but this was his first mythology-centered episode.[5] Manners explained that "there is some individual creative contribution from the directors" in stand-alone episodes, but that with mythology episodes "what you need to as a director is to be sure that the performances are there ... and that the yarn is presented in its cleanest and most interesting fashion".[6]
Nicholas Lea was fitted with a mask with tubes for the scene where the alien black oil leaves his body. Lea said filming the scene was horrible, and the scene ended up having to be filmed again a few days later. The similar scene from the start of the episode with the submarine captain was accomplished with a dummy head.[7] The depiction of the oil in this scene was originally filmed using a magnetic fluid pulled along with magnets, although the end result of this was deemed not be "menacing" enough, and looked "a little bit comic". To fix this, the sound stage used to represent the submarine's interior was rebuilt so it could be rocked back and forth, with the movement being used to guide the flow of a different liquid. This effect was then enhanced digitally in post-production.[8] The black oil effect over people's eyes was accomplished by inserting the footage digitally in post production.[7]
The missile silo used for the episode's climactic scene was incomplete when the scene was filmed, as the crew did not have enough time or money left to complete the set. The crew built the incomplete silo on a sound stage around a completed spacecraft prop, and were able to digitally extend the set with computer generated interiors to give the impression of a much larger silo.[4] Exterior shots of the silo building were also enhanced digitally, with various buildings and machinery created with computer generated imagery and composited into the exterior shots.[8]
Broadcast and reception
I don't really know what's going on in mythology episodes. I never have. And I don't mean that I lost the thread once the writers stopped trying to make all the pieces fit. I mean that, right now, even after having watched "Apocrypha" and the episode that preceded it, and all the other mythology episodes before that, I don't know the details. To me, it's just creepy stuff happening for obscure reasons to the characters I care about.
—The A.V. Club's Zack Handlen on the general impression of "Apocrypha"[9]
"Apocrypha" premiered on the Fox network on February 16, 1996.[10] The episode earned a Nielsen household rating of 10.8 with an 18 share, meaning that roughly 10.8 percent of all television-equipped households, and 18 percent of households watching television, were tuned in to the episode.[11] A total of 16.71 million viewers watched this episode during its original airing.[11]
In an overview of the third season in Entertainment Weekly, "Apocrypha" was rated an A. The review noted that the episode offered "some interesting progressions in the grand theme" of the series, although it was also "worth it just for the awesome missile site finale" alone.[12] Writing for The A.V. Club, Zack Handlen also rated the episode an A. Handlen felt the episode was impressive in its general impression, but that the details were not necessarily important; he also added that the cyclical nature of the plot of most mythology episodes was not something he felt negatively about, noting that although the series' protagonists are often defeated, they "can't be corrupted or dissuaded or undone".[9] Co-writer Frank Spotnitz said of the episode "I actually think you didn't learn a lot more about the conspiracy in these two episodes, but emotionally, I think they were really good episodes ... It is really easy to go through a lot of these action things with people dying and never addressing them. So I thought it was very interesting to do so".[13]
Terrorist Timothy McVeigh, a fan of The X-Files, asked his defense team to watch the episode "Apocrypha" with him to showcase its "covert meetings in the night, secret goings-on" and "ghost government." At McVeigh's request, his attorneys included questions on The X-Files in the jury-screening questionnaire.[14]
FBI Assistant Director Walter Sergei Skinner is a fictional character portrayed by American actor Mitch Pileggi on The X-Files and its short-lived spin-off The Lone Gunmen, both broadcast on Fox.
The second season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on September 16, 1994, concluded on the same channel on May 19, 1995, after airing all 25 episodes. The series follows Federal Bureau of Investigation special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
The third season of the American science fiction television series The X-Files commenced airing on Fox in the United States on September 22, 1995, concluded on the same channel on May 17, 1996, and contained 24 episodes. The season continues to follow the cases of FBI special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
Alex Krycek is a fictional character in the Fox science fiction-supernatural television series The X-Files. Alex Krycek is played by Nicholas Lea. He is initially introduced in the second season as a partner for FBI Special Agent Fox Mulder in the absence of his previous partner, Dana Scully. As the show progressed, Krycek grew to become one of the show's primary antagonists, appearing subsequently in every season until Season 9. Krycek's machinations frequently pitted him against Mulder, with whom he shared a complicated relationship. He was variously seen as either a henchman or enemy of the show's primary antagonist, The Smoking Man, changing his allegiance when the situation suited him best.
Marita Covarrubias is a fictional character on the American science fiction television series The X-Files. She was initially introduced as an informant, leaking diplomatic information to FBI Special Agent Fox Mulder to aid his investigation of paranormal cases, dubbed X-Files. However, she was revealed to be an agent of the secretive Syndicate, although ultimately betraying that organization on several occasions. Introduced in the fourth season opener "Herrenvolk", the character remained a recurring presence until the series' finale, "The Truth".
"Ascension" is the sixth episode of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on October 21, 1994. It was written by Paul Brown, directed by Michael Lange, and featured guest appearances by Steve Railsback, Nicholas Lea, Steven Williams and Sheila Larken. The episode helped explore the series' overarching mythology.
"Anasazi" is the twenty-fifth episode and season finale of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on May 19, 1995. It was written by series creator Chris Carter based on a story he developed with lead actor David Duchovny. The episode was directed by R. W. Goodwin, and featured guest appearances by Peter Donat, Nicholas Lea, Mitch Pileggi and Floyd Red Crow Westerman. The episode helped explore the overarching mythology, or fictional history of The X-Files. "Anasazi" earned a Nielsen household rating of 10.1, being watched by 9.6 million households in its initial broadcast; and received positive reviews from critics.
"Tunguska" is the eighth episode of the fourth season of the American science fiction television series The X-Files. It premièred on the Fox network on November 24, 1996. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Tunguska" featured guest appearances by John Neville, Nicholas Lea and Fritz Weaver. The episode helped explore the series' overarching mythology. "Tunguska" earned a Nielsen household rating of 12.2, being watched by 18.85 million people in its initial broadcast.
Volume 1 of The X-Files Mythology collection is a DVD release containing selected episodes from the first to the third seasons of the American science fiction television series The X-Files. The episodes collected in the release form the beginning of the series' mythology, and are centred on alien abduction at the hands of "colonists". Several of the elements introduced in the collected episodes arose through necessity during production, as working around the pregnancy of lead actress Gillian Anderson led to both the creation of unifying plot thread and the introduction of several recurring characters.
Volume 2 of The X-Files Mythology collection is the second DVD release containing selected episodes from the third to the fifth seasons of the American science fiction television series The X-Files. The episodes collected in the release form the middle of the series' mythology, and are centered on the discovery of a mind-altering extraterrestrial "black oil".
"Patient X" is the thirteenth episode of the fifth season of American science fiction television series The X-Files. It was written by series creator Chris Carter and Frank Spotnitz, directed by Kim Manners and aired in the United States on March 1, 1998, on the Fox network. The episode earned a Nielsen household rating of 12.6, being watched by 20.21 million people in its initial broadcast. The episode received moderately positive reviews from critics.
"The Red and the Black" is the fourteenth episode of the fifth season of American science fiction television series The X-Files. It was written by series creator Chris Carter and Frank Spotnitz, directed by Carter and aired in the United States on March 8, 1998, on the Fox network. The episode earned a Nielsen household rating of 12.0, being watched by 19.98 million people in its initial broadcast. The episode received moderately positive reviews from critics.
"En Ami" is the fifteenth episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on March 19, 2000. The episode helped to explore the series' overarching mythology. "En Ami" earned a Nielsen household rating of 7.5, being watched by 11.99 million people in its initial broadcast. The episode received mostly positive reviews from critics, although elements of the script, as well as The Smoking Man's motives, were criticized.
"Requiem" is the twenty-second episode and the finale of the seventh season of the science fiction television series The X-Files, and the show's 161st episode overall. It premiered on the Fox network in the United States on May 21, 2000. The episode was written by Chris Carter, and directed by Kim Manners. The episode helped to explore the series' overarching mythology. "Requiem" earned a Nielsen household rating of 8.9, being watched by 15.26 million viewers in its initial broadcast. The episode received mostly positive reviews from television critics. Many applauded the way it made the series' increasingly marginalized alien mythology relevant again, although others lamented the partial loss of David Duchovny.
"Deadalive" is the fifteenth episode of the eighth season of the science fiction television series The X-Files. It was written by executive producers Chris Carter and Frank Spotnitz, and was directed by Tony Wharmby. It explores the series' alien mythology story arc. Following its North American premiere on April 1, 2001, it received a Nielsen household rating of 7.3 and was watched by 12.4 million viewers. It garnered mixed reviews; while most critics were happy with the return of actor David Duchovny, some criticized the episode's plot holes. It later won the show's last Emmy Award, for Outstanding Makeup.
"Existence" is the twenty-first episode and final episode of the eighth-season of the science fiction television series The X-Files and 182nd episode overall. The episode first premiered on Fox in the United States on May 20, 2001, and subsequently aired in the United Kingdom on June 28, 2001, on Sky1. It was written by executive producer Chris Carter and directed by Kim Manners. "Existence" earned a Nielsen household rating of 8.4 and was watched by 8.58 million households and 14 million viewers, overall. The episode received largely positive reviews from television critics.
"Paper Clip" is the second episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on September 29, 1995. It was directed by Rob Bowman, and written by series creator Chris Carter. "Paper Clip" featured guest appearances by Sheila Larken, Melinda McGraw and Nicholas Lea. The episode is one of those that explored the overarching mythology, or fictional history of The X-Files. "Paper Clip" earned a Nielsen household rating of 11.1, being watched by 17.2 million people in its initial broadcast. "Paper Clip" has received highly positive reviews from critics; it is generally considered by both critics and cast/crew as being among the best episodes of the series.
"Piper Maru" is the fifteenth episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network on February 9, 1996. The episode was written by executive producer Chris Carter and Frank Spotnitz, and directed by Rob Bowman. "Piper Maru" is one of those which helped to explore the series' overarching mythology. Its introduction of the black oil became a storyline milestone for the series. The black oil would later go on to play a much larger role in the series, including a pivotal role in the 1998 X-Files movie. "Piper Maru" earned a Nielsen household rating of 10.6, being watched by 16.44 million people in its initial broadcast. The episode received mostly positive reviews from critics.
The mythology of The X-Files, sometimes referred to as its "mytharc" by the show's staff and fans, follows the quest of FBI Special Agents Fox Mulder, a believer in supernatural phenomena, and Dana Scully, his skeptical partner. Their boss, FBI Assistant Director Walter Skinner, was also often involved. Beginning with season 8, another skeptic named John Doggett, and Monica Reyes, a believer like Mulder, were also introduced. The overarching story, which spans events as early as the 1940s, is built around a government conspiracy to hide the truth about alien existence and their doomsday plan. Not all episodes advanced the mythology plot, but those that did were often set up by Mulder or Scully via an opening monologue.
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