The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. In this episode, Mulder and Scully investigate the murders of high school students in a small town where everyone is acting strangely. They discover that two teens are responsible, due to a rare planetary alignment that affects their behavior.
The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Syzygy" earned a Nielsen household rating of 10.8, being watched by 16.04 million people in its initial broadcast. The episode received mixed reviews, with many critics and fans upset by the negative portrayal of Mulder and Scully.
The episode's title refers to an astronomical alignment of three celestial objects, usually the sun, the Earth, and a moon or planet. In addition, the episode contained various fan in-jokes, such as Scully getting upset because Mulder is always the driver, which was inspired by complaints from fans.
Plot
In Comity, New Hampshire, a group of high school students hold a eulogy for their dead friend, the purported victim of a local Satanic cult. Two girls, Terri Roberts (Lisa Robin Kelly) and Margi Kleinjan (Wendy Benson), get a ride home from a jock, Jay "Boom" DeBoom (Ryan Reynolds). The girls tell Boom that the cult seeks a blonde virgin as a next victim, convincing him to turn off the road. The next day, the police find Boom hanging from a cliff. Out of sight of the police, Terri and Margi sit at the top, laughing.
Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) arrive in Comity after arguing over directions along the way. They meet a local detective, Angela White (Dana Wheeler-Nicholson), and go to Boom's funeral. Scully, in a bad mood, is skeptical of these claims. The high school principal, Bob Spitz, interrupts the funeral by ranting about Satanic cults murdering their children when suddenly the coffin starts smoking and catches on fire. Mulder and Scully go into separate rooms to interview Margi and Terri, both of whom offer an identical story about a satanic ceremony where a baby was sacrificed. Scully thinks their stories are clichéd and points out that no account of a satanic conspiracy has been validated. Looking at the latest victim's body, Mulder and Detective White find a burn mark in the shape of a horned beast; Scully says she doesn't see anything. Mulder goes to see White to apologize for Scully's behavior and the two visit the local astrologist Madame Zirinka, who claims the town's crazy behavior is due to the rare planetary alignment of the planets Mars, Uranus, and Mercury. Terri and Margi watch basketball practice, lusting over one of the players, Scott, whose girlfriend is fellow cheerleader Brenda (much to Terri and Margi's displeasure). One of the other players accidentally spills a table of drinks on them, so they cause the basketball to bounce underneath the bleachers and it closes when he goes to get it, killing him. Scully is angry at Mulder for ditching her to be with Detective White.
A town mob searches for a mass grave in the woods and finds a bag belonging to the town pediatrician filled with bones, which Spitz assumes belonged to a child. The angry mob goes to see the doctor, who claims that he had sold the bag to Terri Roberts. The bones turn out to belong to Terri's dog. Scully gets upset over a joke Mulder makes and tells him she's returning to Washington. Margi and Terri celebrate their birthday and Brenda uses a Ouija board to know who she will marry; everyone thinks it's Scott before the planchette veers away from the C and spells out Satan. Upset, Brenda rushes to the bathroom where Margi and Terri are chanting "Bloody Mary" and is locked in, then killed by glass from a shattered mirror. Detective White heads to Mulder's hotel room because she found a box which inside had her cat's collar, and then she attempts to seduce Mulder, but they are interrupted by Scully, who informs them about Brenda's death. Terri and Margi try to console Scott, who tells them off. Turned down, Terri is mad at him but Margi still likes him and leaves.
Mulder goes to visit Madame Zirinka again, who tells him that the planets come into alignment like this only once every 84 years, and additional alignments will cause anyone born on January 12, 1979 (Margi and Terri's birthdate) to have an abundance of cosmic energy. Margi goes to see Scott alone but an angry Terri arrives. The two argue with each other and end up accidentally killing Scott after causing one of the springs and the garage door to fly at him. Margi goes to Mulder, telling him that Terri is responsible for the murders, while Terri goes to see Scully and tells her the opposite. The agents call each other and bring both girls to the police station, where the place starts shaking, causing the furniture to move around and all the guns to go off on their own. Mulder locks the girls in a room together and their power goes away once the clock ticks midnight. When the town mob and Detective White finally see Terri and Margi as the culprits, Spitz claims it was the work of Satan. Mulder and Scully drive home, arguing again over directions; when Scully defiantly runs a stop sign, Mulder notifies her but she tells him to shut up, which he does.[1]
Production
Ryan Reynolds appeared as a teenager in the episode.
The episode was written by series creator Chris Carter and directed by Rob Bowman.[2] Bowman was "not a fan of the episode", saying:
The show proved to be much more difficult than I anticipated, and there wasn't enough time to shoot the show properly because we were so close to the Christmas break. I felt extremely pressured and frustrated, although there are things in it I love, particularly the banter between Mulder and Scully. But overall, I thought the show was very oblique. I don't feel that the characters ever knew what was going on and I don't think it is all that cool that kids are murdering people. I didn't feel like I was shooting an episode of The X-Files, and I think I let Chris Carter down a bit.[3]
The name of this episode, "Syzygy," refers to a straight-line astronomical alignment of three or more celestial bodies in a gravitational system.[4] The name of Grover Cleveland Alexander High School, the setting for much of the action in this episode, references a Jeopardy! question that series co-star David Duchovny got wrong when he appeared on the show.[5] The scene where Mulder sees a Keystone Cops movie on every television channel was originally meant to include the movie A Clockwork Orange (1971), but the rights to the footage were too expensive so the producers settled on another choice. Carter felt that in retrospect it ended up being a better fit.[6]
Mulder and Scully's fight about Mulder always driving was based on fan critiques about how Mulder was usually the one driving the car; according to series co-star Gillian Anderson this complaint had been raised at "the beginning of the show".[6] Mulder's joke about Scully's "little feet" was a joke that Carter had made before at a fan convention in Pasadena, California.[6] Regarding the tone of this episode, Duchovny later explained that the show's comedic episodes were generally more ludicrous than others, saying, "There's The X-Files of the stand-alone, and then there's The X-Files of the mythology, and then there are the comedic X-Files as well, in which the characters are really not quite the characters that we know."[7]
Reception
"Syzygy" premiered on the Fox network on January 26, 1996.[8] The episode earned a Nielsen household rating of 10.8 with a 17 share, meaning that roughly 10.8 percent of all television-equipped households, and 17 percent of households watching television, were tuned in to the episode.[9] A total of 16.04 million viewers watched this episode during its original airing.[9]
The episode received mixed reviews from critics. Entertainment Weekly gave "Syzygy" an A, describing the episode as "another uproarious send-up, this time of teen venom, B-movie paranoia, and our agents' painfully restrained rapport", with praise to the villains and the discussion on why Mulder always drives, considered "one of Mulder's and Scully's funniest exchanges".[10] Emily VanDerWerff of The A.V. Club gave a B−, describing it as "an entertaining hour that never rises to the level of those other episodes" like "Humbug" and "War of the Coprophages". VanDerWerff argued that "Syzygy" was an attempt by Carter to try and emulate the writing style of Darin Morgan's scripts, without success; she noted "the laughs here are emptier than they were the week before in 'Coprophages'"—and adding that "every time you think the episode has figured out a way to plant its foot firmly in comedic territory, there's a horribly judged moment of 'drama,' like Mulder's final monologue."[11] Connie Ogle of Popmatters listed Margi and Terri among the best monster-of-the-week characters of the series, describing "Syzygy" as a "hilarious send-up of Heathers".[12]
Not all reviews were positive. Paula Vitaris from Cinefantastique gave the episode a moderately negative review and awarded it one-and-a-half stars out of four.[13] Vitaris called the outing "a lost opportunity," noting that the episode's humor "falls flat, because the humor exists in a vacuum".[13] Furthermore, she argued that if the episode had been played-straight, then "Syzygy" could have "been a horror classic".[13]Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode two stars out of five. The two criticized the episode for following on the heels of Darin Morgan's "War of the Coprophages", which they argued was a superior episode of the series. Shearman and Pearson further noted that the episode was "simply not very funny".[14]Fox Mulder and Dana Scully's odd behavior towards each other resulted in criticism from critics and fans on the Internet.[6] Vitaris called the relationship between Mulder and Scully in the episode "ugly".[13] Shearman and Pearson called the scenes featuring Mulder and Scully's bickering "hard to stomach".[14]Chris Carter was somewhat disappointed in the reaction that the episode received, stating that there were hints to the satiric nature of the episode strewn throughout "Syzygy" that fans simply did not understand.[6] Other fans understood what transpired, but disliked the episode due to their desire for Mulder and Scully to become a romantically involved couple.[6]X-Files fans in San Francisco printed up T-shirts featuring the phrase "Sure. Fine. Whatever." spoken multiple times by Scully in this episode.[6]
Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN978-0-9759446-9-1.
The third season of the American science fiction television series The X-Files commenced airing on Fox in the United States on September 22, 1995, concluded on the same channel on May 17, 1996, and contained 24 episodes. The season continues to follow the cases of FBI special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
"Die Hand Die Verletzt" is the fourteenth episode of the second season of the science fiction television series The X-Files. It premiered on the Fox network on January 27, 1995. It was written by Glen Morgan and James Wong, directed by Kim Manners, and featured guest appearances by Susan Blommaert, Dan Butler, and Heather McComb. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Die Hand Die Verletzt" earned a Nielsen household rating of 10.7, being watched by 10.2 million households in its initial broadcast. The episode received positive reviews, with many critics praising its writing. The title translates from German as "the hand that wounds."
"Clyde Bruckman's Final Repose" is the fourth episode of the third season of the American science fiction television series The X-Files. Directed by David Nutter and written by Darin Morgan, the installment serves as a "Monster-of-the-Week" story, that is, a stand-alone plot unconnected to the overarching mythology of The X-Files. Originally aired by the Fox network on October 13, 1995, "Clyde Bruckman's Final Repose" received a Nielsen rating of 10.2 and was seen by 15.38 million viewers. The episode received critical acclaim, and several writers have named it among the best in the series. The episode won both an Emmy for Outstanding Writing in a Drama Series as well as an Emmy for Outstanding Guest Actor in a Drama Series.
"The Walk" is the seventh episode of the third season of the American science fiction television series The X-Files. It was written by John Shiban and directed by Rob Bowman. The episode aired in the United States on November 10, 1995, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "The Walk" earned a Nielsen household rating of 10.4, being watched by 15.91 million people in its initial broadcast. Critical reception was mixed.
"Oubliette" is the eighth episode of the third season of the American science fiction television series The X-Files, and originally aired on the Fox network on November 17, 1995. Written by Charles Grant Craig and directed by Kim Manners, "Oubliette" is a "monster of the week" story, unconnected to the series' wider mythology. It earned a Nielsen rating of 10.5 and was watched by 15.90 million people on its initial broadcast. The episode received positive reviews. Both the emotional nature of the story and David Duchovny's performance received positive critical attention.
"Nisei" is the ninth episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on November 24, 1995. It was directed by David Nutter, and written by Chris Carter, Frank Spotnitz and Howard Gordon. "Nisei" featured guest appearances by Steven Williams, Raymond J. Barry and Stephen McHattie. The episode helped explore the series' overarching mythology. "Nisei" earned a Nielsen household rating of 9.8, being watched by 16.36 million people in its initial broadcast. The episode received largely positive reviews from critics.
"Revelations" is the eleventh episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network on December 15, 1995. It was written by Kim Newton and directed by David Nutter. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Revelations" earned a Nielsen household rating of 10, being watched by 15.25 million people in its initial broadcast. The episode received mixed to positive reviews.
"Grotesque" is the fourteenth episode of the third season of the science fiction television series The X-Files and the show's 63rd episode overall. It premiered on the Fox network in the United States on February 2, 1996. It was written by Howard Gordon and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Grotesque" earned a Nielsen household rating of 11.6, being watched by 18.32 million people in its initial broadcast. The episode received mostly positive reviews from television critics.
"Hell Money" is the nineteenth episode of the third season of the science fiction television series The X-Files and 68th episode overall. It premiered on the Fox network in the United States on March 29, 1996. It was written by Jeffrey Vlaming and directed by Tucker Gates. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Hell Money" earned a Nielsen household rating of 9.9, being watched by 14.86 million people in its initial broadcast. The episode received mostly mixed to positive reviews from television critics.
"Avatar" is the twenty-first episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on April 26, 1996. The story for the episode was developed by David Duchovny and Howard Gordon, the teleplay was written by Gordon, and it was directed by James Charleston. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology, although The Smoking Man's machinations in the conspiracy against Skinner continues the feud between the characters started in "Paper Clip". "Avatar" earned a Nielsen household rating of 9.3, being watched by 14.62 million viewers in its initial broadcast. The episode received mixed reviews from television critics.
"Quagmire" is the twenty-second episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on May 3, 1996. It was written by Kim Newton and directed by Kim Manners. The episode is a "Monster of the Week" story, unconnected to the series' wider mythology. "Quagmire" earned a Nielsen household rating of 10.2, being watched by 16 million viewers in its initial broadcast. The episode received mostly positive reviews from television critics.
"Max" is the eighteenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 23, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Max" featured guest appearances by Joe Spano, Tom O'Brien and Scott Bellis, and saw the final appearance of Brendan Beiser as special agent Pendrell. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Max" earned a Nielsen household rating of 11.6, being watched by 18.34 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Redux" is the two-part fifth season premiere of the science fiction television series The X-Files. "Redux" first aired on November 2, 1997, on Fox in the United States, with "Redux II" airing on November 9. Both episodes subsequently aired in the United Kingdom and Ireland. Both episodes were written by series creator Chris Carter, with "Redux" directed by R. W. Goodwin and "Redux II" helmed by Kim Manners. "Redux" became the second-most-watched episode ever broadcast, earning more than 27 million viewers in the United States alone. The first part of the episode received mixed to negative reviews, whereas the second part received mixed to positive reviews from critics.
"Emily" is the seventh episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan, John Shiban and Frank Spotnitz and directed by Kim Manners. The episode explores the series' overarching mythology. The episode premiered in the United States on December 14, 1997, on the Fox network, earning a Nielsen household rating of 12.4 and being watched by 20.94 million people in its initial broadcast. It received mixed reviews from television critics.
"The Beginning" is the first episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 8, 1998. The episode was written by Chris Carter, and directed by Kim Manners. It helps explore the series' overarching mythology. "The Beginning" earned a Nielsen household rating of 11.9, being watched by 20.34 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Arcadia" is the fifteenth episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 7, 1999. The episode was written by Daniel Arkin and directed by Michael Watkins. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Arcadia" earned a Nielsen household rating of 10.5, being watched by 17.91 million people in its initial broadcast. The episode received mostly positive critical reception, with many reviewers praising the episode's humor.
"The Unnatural" is the 19th episode of the sixth season of the American science fiction television series The X-Files, which first aired on April 25, 1999, on the Fox network. Written and directed by lead actor David Duchovny, the episode is tangentially connected to the wider mythology of The X-Files, but narratively functions as a "Monster-of-the-Week" story. "The Unnatural" earned a Nielsen household rating of 10.1, and its first broadcast was watched by 16.88 million people. The episode received positive reviews from critics, and was well-liked by members of the cast and crew, including series creator Chris Carter and co-star Gillian Anderson.
"The Sixth Extinction II: Amor Fati" is the second episode of the seventh season of the American science fiction television series The X-Files. It was directed by Michael Watkins and written by lead actor David Duchovny and series creator Chris Carter. The installment explores the series' overarching mythology and concludes a trilogy of episodes revolving around Fox Mulder's (Duchovny) severe reaction to an alien artifact. Originally aired by the Fox network on November 14, 1999, "The Sixth Extinction II: Amor Fati" received a Nielsen rating of 10.1 and was seen by 16.15 million viewers. Initial reviews were mixed, and the plot and dialogue attracted criticism. Later critics viewed the episode in a more positive light, and several writers named it among the best in the series.
"Patience" is the third episode of the eighth season of the American science fiction television series The X-Files. It premiered on the Fox network on November 19, 2000. The episode was written and directed by series creator Chris Carter. "Patience" is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. The episode received a Nielsen rating of 8.2 and was viewed by 13.3 million viewers. The episode received mixed to negative reviews from critics.
"This Is Not Happening" is the fourteenth episode of the eighth season and the 175th episode overall of the science fiction television series The X-Files. The episode first aired in the United States on February 25, 2001, on the Fox Network, and subsequently aired in the United Kingdom. It was written by executive producers Chris Carter and Frank Spotnitz, and directed by Kim Manners, and forms part of the series' overarching mythology. The episode received a Nielsen household rating of 9.7 and was watched by 16.9 million viewers, making it the highest-rated episode of the season. "This Is Not Happening" was received positively by television critics.
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