The episode's antagonist: Rappo. The episode was inspired by the film The Men, which features a character who has lost his legs in war and wishes to be able to walk again.
"The Walk" is the seventh episode of the third season of the American science fiction television series The X-Files. It was written by John Shiban and directed by Rob Bowman. The episode aired in the United States on November 10, 1995, on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "The Walk" earned a Nielsen household rating of 10.4, being watched by 15.91 million people in its initial broadcast. Critical reception was mixed.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, a suicide attempt by a patient in a U.S. Army hospital interests Mulder with the talk of a "phantom soldier" who has prevented the man's death. The U.S. Army general in charge of the hospital is initially opposed to the FBI's involvement until the invisible killer begins stalking him. Everyone involved in the case is shocked to learn that the primary suspect could in fact, be a quadruple amputee.
"The Walk" is the first X-Files script by John Shiban, who commented that it was a challenge for him. He was inspired by the film The Men, which features a character who has lost his legs in war and wishes to be able to walk again. The episode required several visual effects which were almost not completed in time.
Plot
At a VA hospital in Fort Evanston, Maryland, Lieutenant Colonel Victor Stans makes his third suicide attempt; he claims that a mysterious figure will not let him die. Stans attempts to drown in a tub of scalding water, but is rescued by the hospital staff and subsequently is disfigured. Stans again claims that the mysterious figure will not let him die.
When Fox Mulder and Dana Scully question Stans, they learn that his wife and children died in a house fire he claims was started by the mysterious soldier he says will not allow him to die himself. Captain Janet Draper stops the questioning, as Mulder and Scully were not granted permission to see Stans by his superior officer, General Thomas Callahan. After meeting with the agents, Callahan glimpses the phantom soldier Stans described. He also finds his answering machine replaying an unintelligible message. Later, while using the base's swimming pool, Draper is drowned by an invisible force.
Callahan tells the agents about the soldier and the voicemail, which was received twice before at his home. When they visit his house, his young son, Trevor, believes he saw someone go inside; Scully herself glimpses someone in the backyard. Fingerprints are found on the property which belong to the hospital mailman, Quinton "Roach" Freely. As Mulder and Scully take Roach into custody, Trevor is attacked and buried by the invisible force in his sandbox. Under the agent's questioning, Roach admits to his role in the deaths and states he is "Rappo's mailman".
"Rappo" turns out to be Leonard Trimble, a Gulf War veteran and quadruple amputee. Scully doesn't believe Roach, even though he insists that Rappo will kill him next. Scully later finds Roach dead in his cell with a bedsheet shoved down his throat. Scully assumes that he committed suicide, but Mulder shows her X-ray film he carried in the rehab room, the pool, Callahan's office, and Callahan's house; all show signs of radiation. Mulder thinks that Rappo is leaving his body through astral projection, doing so with a psychic connection forged through Roach's letters. He also plays the voicemail backwards; it is actually a threat from the phantom soldier.
Under questioning, an embittered Rappo states his belief that his Gulf War experiences ruined his life. Meanwhile, Callahan finds his wife's dead body. He goes to the hospital to talk to Stans, who reveals that Rappo — whom he doesn't know — is responsible for the deaths. When Callahan confronts Rappo, he openly admits his crimes. Rappo tries to goad Callahan into killing him, but Callahan decides to "stand down" and shoots over Rappo's head. Callahan tells Rappo that he will just suffer like him and the others, leaving Rappo enraged. The agents arrive and find Rappo in a trance; Scully thinks he's having a seizure, but Mulder realizes what is happening and tries to find Callahan. Rappo's apparition attacks Callahan with steam from the pipes in the hospital's basement. Stans enters Rappo's room, locks the door, and smothers Rappo with a pillow. With Rappo dead, his apparition disappears before it attacks Mulder. Callahan remains unharmed.
Since there is no physical evidence to prove that Rappo killed Callahan's wife and son, the case remains unsolved. Stans is released and becomes Callahan's mailman - both Lieutenant Colonel and General acknowledge each other before the former leaves to continue his work. Mulder's narration states that Rappo's family tried to have him buried at Arlington National Cemetery, but the Army denied their request; he was instead cremated and buried in a civilian cemetery in Pennsylvania.[1]
Production
"The Walk" was filmed in June 1995 and was written by John Shiban, making it his first contribution to the series. Being new to the series, he found the episode challenging to write, particularly in the beginning where Mulder and Scully "have to come together on a case, yet they have to be at odds".[2] Shiban was inspired by the film The Men (1950), about a World War IIlieutenant who is seriously injured in combat and wants nothing more than to be able to walk again. He eventually connected this desire with the parapsychological concept of astral projection, and the two "just sort of fit".[3] Some members of the writing staff were concerned about killing Callahan's young son, Trevor, but Shiban was not bothered by it and felt that Rappo wanted to take everything from Callahan, and the worst blow would be to kill his son.[3][4]
Director Rob Bowman felt that Ian Tracey, who played Rappo, was "an incredibly strong actor" and fit the role.[5] Deryl Hayes, who played an army psychiatrist in this episode, previously appeared as a CIA operative in the first season episode "Shadows".[6] Draper's drowning scene required actress Nancy Sorel to be yanked underwater by a discreet cable connected to the floor of the pool.[3] The effect of a wave overtaking Draper was created by special effects department members Mat Beck and David Gauthier.[3] For the scene in which Trevor is killed, one of the show's stuntmen was buried in sand and "burst out" on cue; this shot was then digitally augmented in post-production.[3] The effect in the climax where Rappo's apparition throws Callahan and Mulder across the room was created with an air ram—a pneumatic device that catapults a stunt performer through the air using compressed air.[3] The visual effects for the episode required substantial attention and were almost not completed in time.[3]
Reception
"The Walk" was first broadcast on the Fox network on November 10, 1995.[7] It earned a Nielsen rating of 10.4, with an 18 share, meaning that roughly 10.4 percent of all television-equipped households, and 18 percent of households watching television, were tuned in to the episode. It was watched by a total of 15.91 million viewers.[8]
In a retrospective of the third season by Entertainment Weekly,"The Walk" was given a grade of C, noting its similarities to other episodes and being critical of the characters.[9] Emily VanDerWerff of The A.V. Club gave it a grade of B, describing it as "straightforward", with a "well-realized" military hospital and "terrific" directing. However, she felt that Ian Tracey was not a good enough actor to make Rappo's motives seem believable.[10] Paula Vitaris from Cinefantastique gave the episode two and a half stars out of four, calling it a "solid episode" with a good supporting cast and effects. However, she felt the characterization of Mulder and Scully was "off-balance" and noted that some of the military detail was wrong.[11]Robert Shearman, in his book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode three and a half stars out of five. While noting the episode's similarities to "2Shy", Shearman wrote that Shiban "put real blood and passion into it which raises it high above the trappings of its clichés". Shearman did, however, criticize the plot for being too predictable and formulaic, but said it succeeded in emotion and was "well-written" and "well-directed".[12]
Shearman, Robert (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN978-0-9759446-9-1.
"Excelsis Dei" is the eleventh episode of the second season of the science fiction television series The X-Files. It premiered in the United States on the Fox network on December 16, 1994. It was written by Paul Brown and directed by Stephen Surjik. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Excelsis Dei" earned a Nielsen household rating of 8.9, being watched by 8.5 million households in its initial broadcast. The episode received mixed reviews from television critics; although some complimented the episode's effects, others were critical of the way the show handled rape.
"Clyde Bruckman's Final Repose" is the fourth episode of the third season of the American science fiction television series The X-Files. Directed by David Nutter and written by Darin Morgan, the installment serves as a "Monster-of-the-Week" story, that is, a stand-alone plot unconnected to the overarching mythology of The X-Files. Originally aired by the Fox network on October 13, 1995, "Clyde Bruckman's Final Repose" received a Nielsen rating of 10.2 and was seen by 15.38 million viewers. The episode received critical acclaim, and several writers have named it among the best in the series. The episode won both an Emmy for Outstanding Writing in a Drama Series as well as an Emmy for Outstanding Guest Actor in a Drama Series.
"The List" is the fifth episode of the third season of the science fiction television series The X-Files. It was first broadcast in the United States on the Fox network on October 20, 1995. "The List" was written and directed by series creator Chris Carter. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' larger mythology. "The List" received a Nielson household rating of 10.8, being watched by 16.72 million people on its initial broadcast, and received mixed to positive reviews from critics.
"Revelations" is the eleventh episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network on December 15, 1995. It was written by Kim Newton and directed by David Nutter. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Revelations" earned a Nielsen household rating of 10, being watched by 15.25 million people in its initial broadcast. The episode received mixed to positive reviews.
"War of the Coprophages" is the twelfth episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network on January 5, 1996. It was written by Darin Morgan, and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology. "War of the Coprophages" earned a Nielsen household rating of 10.1, being watched by 16.32 million people in its initial broadcast. The episode received mostly positive reviews from critics, who praised its humorous tone.
"Pusher" is the seventeenth episode of the third season of the American science fiction television series The X-Files. It originally aired on the Fox network on February 23, 1996, and was written by Vince Gilligan and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology, or overarching fictional history of The X-Files. "Pusher" earned a Nielsen household rating of 10.8, being watched by 16.2 million viewers in its initial broadcast. "Pusher" received overwhelmingly positive reviews from television critics.
"Teso Dos Bichos" is the eighteenth episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network on March 8, 1996. It was written by John Shiban, and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Teso Dos Bichos" earned a Nielsen household rating of 10.7, being watched by 17.38 million people in its initial broadcast. The episode received mostly negative reviews.
"Quagmire" is the twenty-second episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on May 3, 1996. It was written by Kim Newton and directed by Kim Manners. The episode is a "monster of the week" story, unconnected to the series' wider mythology. "Quagmire" earned a Nielsen household rating of 10.2, being watched by 16 million viewers in its initial broadcast. The episode received mostly positive reviews from television critics.
"Wetwired" is the twenty-third episode of the third season and the 72nd episode overall of the science fiction television series The X-Files. The episode first aired in the United States on May 10, 1996, on Fox. It was written by the show's visual effect designer Mat Beck, and directed by Rob Bowman. The episode earned a Nielsen rating of 9.7 and was viewed by 14.48 million people. The episode received mostly positive reviews from television critics.
"Max" is the eighteenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on March 23, 1997. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Max" featured guest appearances by Joe Spano, Tom O'Brien and Scott Bellis, and saw the final appearance of Brendan Beiser as special agent Pendrell. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Max" earned a Nielsen household rating of 11.6, being watched by 18.34 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Elegy" is the twenty-second episode of the fourth season of the American science fiction television series The X-Files. It was written by John Shiban and directed by James Charleston. The episode aired in the United States on May 4, 1997, on the Fox network. It is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology, although Scully's battle with cancer is an important plot point. "Elegy" earned a Nielsen rating of 10.6 and was seen by 17.1 million viewers upon its initial broadcast. The episode received mostly positive reviews from televisions critics; the performance of lead actress Gillian Anderson was especially praised.
"Emily" is the seventh episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan, John Shiban and Frank Spotnitz and directed by Kim Manners. The episode explores the series' overarching mythology. The episode premiered in the United States on December 14, 1997, on the Fox network, earning a Nielsen household rating of 12.4 and being watched by 20.94 million people in its initial broadcast. It received mixed reviews from television critics.
"Kitsunegari" is the eighth episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan and Tim Minear, and directed by Daniel Sackheim. It aired in the United States on January 4, 1998 on the Fox network. "Kitsunegari" earned a Nielsen household rating of 11.6, being watched by 19.75 million people in its initial broadcast. The episode received mixed reviews from television critics.
"Travelers" is the fifteenth episode of the fifth season of American science fiction television series The X-Files, and the 111th episode of the series overall. It was written by John Shiban and Frank Spotnitz, directed by William A. Graham and aired in the United States on March 29, 1998, on the Fox network. The episode earned a Nielsen household rating of 9.9, being watched by 15.06 million people in its initial broadcast. The episode received mixed reviews from television critics.
"All Souls" is the seventeenth episode of the fifth season of the American science fiction television series The X-Files. The episode originally aired on the Fox network on April 26, 1998. The episode's teleplay was written by Frank Spotnitz and John Shiban, from a story by Dan Angel and Billy Brown; it was directed by Allen Coulter. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "All Souls" received a Nielsen household rating of 8.5 and was watched by 13.44 million viewers in its initial broadcast. It received mixed reviews from television critics.
"S.R. 819" is the ninth episode of the sixth season of the science fiction television series The X-Files. It premiered on the Fox network on January 17, 1999, in the United States. The episode was written by John Shiban, and directed by Daniel Sackheim. The episode helps to explore the series' overarching mythology. "S.R. 819" earned a Nielsen household rating of 9.1, being watched by 15.7 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"Badlaa" is the tenth episode of the eighth season of the American science fiction television series The X-Files. It premiered on the Fox network on January 21, 2001. The episode was written by John Shiban and directed by Tony Wharmby. "Badlaa" is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. The episode received a Nielsen rating of 7.3 and was viewed by 11.8 million viewers. Overall, the episode received mostly negative reviews from critics.
"Duane Barry" is the fifth episode of the second season and 29th episode overall of the science fiction television series The X-Files, premiering in the United States and Canada on October 14, 1994. The episode was written and directed by executive producer Chris Carter. "Duane Barry" received a Nielsen rating of 8.9 and was viewed by 8.5 million households. The episode received largely positive reviews from critics.
The mythology of The X-Files, sometimes referred to as its "mytharc" by the show's staff and fans, follows the quest of FBI Special Agents Fox Mulder, a believer in supernatural phenomena, and Dana Scully, his skeptical partner. Their boss, FBI Assistant Director Walter Skinner, was also often involved. Beginning with season 8, another skeptic named John Doggett, and Monica Reyes, a believer like Mulder, were also introduced. The overarching story, which spans events as early as the 1940s, is built around a government conspiracy to hide the truth about alien existence and their doomsday plan. Not all episodes advanced the mythology plot, but those that did were often set up by Mulder or Scully via an opening monologue.
"Signs and Wonders" is the ninth episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on January 23, 2000. It was written by Jeffrey Bell, directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Signs and Wonders" earned a Nielsen household rating of 8.5, being watched by 13.86 million people in its initial broadcast. The episode received mixed reviews from television critics.
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