A man is possessed by the black oil. First introduced in "Piper Maru", the black oil would later go on to play a much larger role in the series, including playing a pivotal role in the 1998 X-Files movie.
"Piper Maru" is the fifteenth episode of the third season of the science fictiontelevision seriesThe X-Files. It premiered on the Fox network on February 9, 1996. The episode was written by executive producer Chris Carter and Frank Spotnitz, and directed by Rob Bowman. "Piper Maru" is one of those which helped to explore the series' overarching mythology. Its introduction of the black oil became a storyline milestone for the series. The black oil would later go on to play a much larger role in the series, including a pivotal role in the 1998 X-Files movie. "Piper Maru" earned a Nielsen household rating of 10.6, being watched by 16.44 million people in its initial broadcast. The episode received mostly positive reviews from critics.
"Piper Maru" was written to showcase two visual images Chris Carter had wanted to include in a script "since the beginning of the show". The first of these was that of a deep-sea diver finding a still-living pilot trapped in the wreckage of a World War II-era fighter plane and the second was that of a black-and-white flashback taking place in a submarine. The title of the episode is a reference to the names of Gillian Anderson's daughter, who had been born during the production of the second season.
Plot
Piper Maru, a French salvage vessel, is exploring the Pacific Ocean. Gauthier, a member of the ship's crew, dives down into the sea and finds a sunken fighter plane from World War II. He is shocked to find a man alive in the plane's cockpit, with what looks like black oil in his eyes. When Gauthier returns to the surface, he has become possessed by the black oil.
In Washington, Walter Skinner tells Dana Scully that the FBI's investigation into her sister's murder has been made inactive, despite the evidence that had been recovered. Fox Mulder tells Scully about Piper Maru, which had laid anchor at the same coordinates as another ship believed to have salvaged a UFO; when Piper Maru came to port in San Diego, her crew was found suffering from radiation burns. Aboard the ship, the agents find traces of the black oil on Gauthier's diving suit. Upon viewing a video of the dive, Scully identifies the sunken plane as a P-51 Mustang. Meanwhile, Gauthier returns home and searches for something. When his wife Joan arrives, the black oil passes itself along to her.
Scully visits an old friend of her father's, Commander Christopher Johanson (Robert Clothier), seeking information about the plane. Johanson admits that he had been sent to find a sunken bomber aboard the submarine Zeus Faber and recalls how many aboard the sub suffered from radiation burns while he joined a mutiny against his commanding officer, who had succumbed to the black oil. Meanwhile, Mulder visits Gauthier's home and finds him passed out, covered in the black oil; he has no memory of his experience. Mulder finds a letter from a salvage broker and visits the broker's "secretary", Jeraldine. Mulder follows Jeraldine after her office is invaded by several armed men.
Both Mulder and Joan track Jeraldine to Hong Kong, where Mulder learns that she is a middleman selling government secrets. Mulder tracks down Jeraldine and handcuffs himself to her. Arriving at her office, he finds Alex Krycek (Nicholas Lea) waiting inside, having been selling the contents of the digital tape. Krycek escapes through a window while Jeraldine is shot by a group of men coming down the hallway. Mulder unlocks the handcuffs and escapes. Meanwhile, Joan walks down the hall and encounters the men, creating a flash that causes them all to suffer from the radiation burns.
Meanwhile, Skinner is initially confronted in a restaurant by several men, including the Gray-Haired Man, and is told not to pursue Melissa Scully's case any further. Returning to the same restaurant, Skinner sees a man, Luis Cardinal, arguing with the waitress at the counter and upon confronting him, he is shot. After Mulder catches Krycek in an airport, he tells him the tape is in a locker back in Washington and that he'll give it to him in exchange for letting him go. Mulder lets Krycek go to the bathroom, where he is confronted by Joan. As he departs the bathroom to leave with Mulder, Krycek's eyes show he is now infected with the black oil.[1][2]
Production
Conception and writing
Conception of the episode originated in two visual images series creator Chris Carter had wanted to include in a script "since the beginning of the show".[3] The first of these was that of a deep-sea diver finding a still-living pilot trapped in the wreckage of a World War II-era fighter plane; and the second was that of a black-and-white flashback taking place in a submarine.[4] Director Rob Bowman shared with Carter his experiences diving, feeling that an episode based on finding "something creepy" underwater would be a good idea.[5] Carter also wanted the episode to feature the re-emergence of the "MJ documents" last seen in the earlier "Paper Clip".[3]
Frank Spotnitz began working on the episode immediately after writing the earlier third-season episode "731", fleshing out the rest of the concept while on a flight out of Minneapolis. Spotnitz ended up writing his ideas on a magazine, not having brought paper with him, and included in his outline the investigation of Scully's sister's murder and the reintroduction of Alex Krycek.[6] The title of the episode is a reference to the first and middle name of Gillian Anderson's daughter, who had been born during the production of the second season. The name Gauthier, used for the French diver and his wife, was a reference to special effects producer David Gauthier.[7]
Filming and post-production
A WWII-era P-51 Mustang. A plane of this model is the source of the black oil in "Piper Maru".
The episode's cold open was filmed in a water tank, using a replica P-51 Mustang plane which had been designed by the art director.[5] Bowman also needed to direct a scene in which Gillian Anderson would react to a memory of playing with her sister as a child; the scene involved digitally compositing the children playing into Anderson's footage. Bowman asked Anderson to act towards a tree as though it were her sister, later telling her "I'm going to tell everybody I can that you just did that great reaction to a tree".[8] Bowman also reshot the episode's ending, as originally Duchovny and Lea were to walk past the camera and continue off-screen. Feeling this was not effective, he replaced this with a walking shot which continued straight towards and into the camera, noting that "Nick will jump in front of a truck if he think it will make a scene better".[8]
The on-screen appearances of the black oil were achieved through visual effects, with the shimmering oil effect being digitally placed over the actors' corneas in post-production. The crew went through various iterations to find the two "right" types of fluids. According to physical effects crewman David Gauthier, they used a mix of oil and acetone, which he believed gave the substance a more globular look.[9] Special effects technician Mat Beck was able to digitally bend the oil effect around the shape of the actors' eyes.[10]
The man in the plane in the teaser, Robert Maier, worked as a construction coordinator on the show,[11] and felt that his part in the episode fulfilled a "life-long dream" of working as a stuntman.[10]Nicholas Lea's name was purposely left until the ending credits in order to preserve the sense of surprise.[12]
Reception
It's at this point in the mythology that the onus subtly shifts from Scully coming up with alternate theories of what's going on that make just as much sense as what Mulder's saying to the show desperately trying to keep Scully from knowing things so she can fit into her predetermined "skeptic" role. It mostly works here, because she's busy grieving her sister and being angry that the case into her sister's murder has been closed and coming up with knowledge about radiation burns and stuff, but it becomes more and more of a problem as the series goes along and it becomes more and more obvious that Mulder was right all along.
"Piper Maru" premiered on the Fox network on February 9, 1996.[14] The episode earned a Nielsen household rating of 10.6 with an 18 share, meaning that roughly 10.6 percent of all television-equipped households, and 18 percent of households watching television, were tuned in to the episode.[15] A total of 16.44 million viewers watched this episode during its original airing.[15]
Reviews
"Piper Maru" received positive reviews from critics. In an overview of the third season in Entertainment Weekly, the episode was rated an A. The review described "Piper Maru" as featuring "a tough and sentimental Scully", noting that "action-packed detective work by Mulder enhance[s] an already crackling scenario."[16] Reviewer Emily VanDerWerff of The A.V. Club gave the episode an A and wrote positively of the unfolding mythology, noting that the "great thing about "Piper Maru" is that it still belongs to the period of time when the mythology episodes were exposing us to more pieces of the puzzle, fitting in various things that we were meant to incorporate into the whole. This is the first time we meet the black oil, but it's obvious that others know all about it".[13] Critical Myth's John Keegan gave the episode eight out of ten, and complimented the introduction of the black oil, writing "this episode is a good introduction to the black oil virus, providing a bridge from the mythology elements earlier in the season to the larger scope of the conspiracy to be revealed."[17] Nick De Semlyen and James White of Empire named it the sixth "greatest" episode of the series, describing it as "thrilling", "pacey" and "balanced".[18]
The introduction of the sentient black oil in this episode has also been met with positive criticism. The oil has been described as "the most original and frightening creation of The X-Files' mythology",[13] as "one of the best parts of the show"[18] and has been listed as number two on Den of Geek's "Top 10 X-Files Baddies" countdown, where it was described as "a central part" of the series' mythology.[19]
Gillian Anderson considered the episode an emotionally difficult one, saying "Piper Maru was challenging. There was something about it – having to pull from the past ... how it brought the present and the past together. It was just good to play."[20] Director Kim Manners complimented Anderson's performance, stating "you look at season one and look at season three and that girl exploded as an actress in terms of talent and capability."[21] The 2004 film Alien vs. Predator featured an icebreaker named the Piper Maru, the naming of the ship being a nod to this episode.[22]
↑ Carter, Chris; etal. (2005). "Threads of Mythology". The X-Files Mythology, Volume 2 – Black Oil (DVD featurette). Los Angeles: 20th Century Fox.
1 2 Spotnitz, Frank; etal. (2001). "Behind the Truth: 'Piper Maru'". The X-Files: The Complete Third Season (DVD featurette). Los Angeles: 20th Century Fox.
The second season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on September 16, 1994, concluded on the same channel on May 19, 1995, after airing all 25 episodes. The series follows Federal Bureau of Investigation special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
The third season of the American science fiction television series The X-Files commenced airing on Fox in the United States on September 22, 1995, concluded on the same channel on May 17, 1996, and contained 24 episodes. The season continues to follow the cases of FBI special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
The fourth season of the American science fiction television series The X-Files commenced airing on the Fox network in the United States on October 4, 1996, concluding on the same channel on May 18, 1997, and contained 24 episodes. Following the filming and airing of the season, production began on The X-Files feature film, which was released in 1998 following the show's fifth season.
The fifth season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on November 2, 1997, concluding on the same channel on May 17, 1998, and contained 20 episodes. The season was the last in Vancouver, British Columbia, Canada; subsequent episodes would be shot in Los Angeles, California. In addition, this was the first season of the show where the course of the story was planned, due to the 1998 The X-Files feature film being filmed before it, but scheduled to be released after it aired.
The Well-Manicured Man is a fictional character in the American science fiction television series The X-Files. He serves as an antagonist to FBI special agents Fox Mulder and Dana Scully, being a member of the sinister Syndicate the agents seek to foil. Introduced in the third season, the Well-Manicured Man served to highlight discord within the ranks of the Syndicate, and ultimately betrayed them by leaking information to Mulder before committing suicide in the series' first feature film.
Alex Krycek is a fictional character in the Fox science fiction-supernatural television series The X-Files. Alex Krycek is played by Nicholas Lea. He is initially introduced in the second season as a partner for FBI Special Agent Fox Mulder in the absence of his previous partner, Dana Scully. As the show progressed, Krycek grew to become one of the show's primary antagonists, appearing subsequently in every season until Season 9. Krycek's machinations frequently pitted him against Mulder, with whom he shared a complicated relationship. He was variously seen as either a henchman or enemy of the show's primary antagonist, The Smoking Man, changing his allegiance when the situation suited him best.
"Sleepless" is the 4th episode of the second season and 28th overall of the science fiction television series The X-Files, premiering on the Fox network on October 7, 1994. The episode was written by supervising producer Howard Gordon and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology, although it features the first on-screen appearances of recurring characters X and Alex Krycek, who are central to the show's continuity. Its closing scene also sets the stage for the subsequent story arc of Scully's abduction. "Sleepless" earned a Nielsen rating of 8.6 and was viewed by 8.2 million households. The episode received mostly positive reviews from critics.
"End Game" is the seventeenth episode of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on February 17, 1995. It was directed by Rob Bowman, and written by Frank Spotnitz. "End Game" featured guest appearances by Megan Leitch, Peter Donat, Brian Thompson and saw Steven Williams reprise his role as X.
"Our Town" is the twenty-fourth episode of the second season of the American science fiction television series The X-Files. It premiered on the Fox network in the United States on May 12, 1995. It was written by Frank Spotnitz and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Our Town" received a Nielsen rating of 9.4 and was watched by 9.0 million households. The episode received mixed reviews from critics.
"731" is the tenth episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on December 1, 1995. It was directed by Rob Bowman, and written by Frank Spotnitz. "731" featured guest appearances by Stephen McHattie, Steven Williams and Don S. Williams. The episode helps explore the series' overarching mythology. "731" earned a Nielsen household rating of 12, being watched by 17.68 million people in its initial broadcast.
"Apocrypha" is the sixteenth episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on February 16, 1996. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Apocrypha" included appearances by John Neville, Don S. Williams and Brendan Beiser. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Apocrypha" earned a Nielsen household rating of 10.8, being watched by 16.71 million people in its initial broadcast.
"Tunguska" is the eighth episode of the fourth season of the American science fiction television series The X-Files. It premièred on the Fox network on November 24, 1996. It was directed by Kim Manners, and written by Frank Spotnitz and series creator Chris Carter. "Tunguska" featured guest appearances by John Neville, Nicholas Lea and Fritz Weaver. The episode helped explore the series' overarching mythology. "Tunguska" earned a Nielsen household rating of 12.2, being watched by 18.85 million people in its initial broadcast.
"Terma" is the ninth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on December 1, 1996. It was directed by Rob Bowman, and written by Frank Spotnitz and series creator Chris Carter. "Terma" featured guest appearances by John Neville, Nicholas Lea and Fritz Weaver. The episode helped explore the series' overarching mythology. "Terma" earned a Nielsen household rating of 10.3, being watched by 17.34 million viewers during its original airing.
Volume 1 of The X-Files Mythology collection is a DVD release containing selected episodes from the first to the third seasons of the American science fiction television series The X-Files. The episodes collected in the release form the beginning of the series' mythology, and are centred on alien abduction at the hands of "colonists". Several of the elements introduced in the collected episodes arose through necessity during production, as working around the pregnancy of lead actress Gillian Anderson led to both the creation of unifying plot thread and the introduction of several recurring characters.
Volume 2 of The X-Files Mythology collection is the second DVD release containing selected episodes from the third to the fifth seasons of the American science fiction television series The X-Files. The episodes collected in the release form the middle of the series' mythology, and are centered on the discovery of a mind-altering extraterrestrial "black oil".
The X-Files Mythology – Volume 3 collection is the third DVD release containing selected episodes from the fifth to the eighth seasons of the American science fiction television series The X-Files. The episodes collected in the release form the middle of the series' mythology, and are centered on alien colonization efforts, the fall of the Syndicate, and Fox Mulder's abduction.
"The Red and the Black" is the fourteenth episode of the fifth season of American science fiction television series The X-Files. It was written by series creator Chris Carter and Frank Spotnitz, directed by Carter and aired in the United States on March 8, 1998, on the Fox network. The episode earned a Nielsen household rating of 12.0, being watched by 19.98 million people in its initial broadcast. The episode received moderately positive reviews from critics.
The mythology of The X-Files, sometimes referred to as its "mytharc" by the show's staff and fans, follows the quest of FBI Special Agents Fox Mulder, a believer in supernatural phenomena, and Dana Scully, his skeptical partner. Their boss, FBI Assistant Director Walter Skinner, was also often involved. Beginning with season 8, another skeptic named John Doggett, and Monica Reyes, a believer like Mulder, were also introduced. The overarching story, which spans events as early as the 1940s, is built around a government conspiracy to hide the truth about alien existence and their doomsday plan. Not all episodes advanced the mythology plot, but those that did were often set up by Mulder or Scully via an opening monologue.
The Colonists are an extraterrestrial species and are also the primary group of antagonists in the science fiction television show The X-Files as well as the first X-Files feature film. The mystery revolving around their identity and purpose is slowly revealed across the course of the series. In the series' plot, the Colonists are collaborating with a group of United States government officials known as the Syndicate in a plan to colonize the Earth, hence their name.
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