Oubliette (The X-Files)

Last updated

"Oubliette"
The X-Files episode
Episode no.Season 3
Episode 8
Directed by Kim Manners
Written by Charles Grant Craig
Production code3X08 [1]
Original air dateNovember 17, 1995 (1995-11-17)
Running time45 minutes [2]
Guest appearances
Episode chronology
 Previous
"The Walk"
Next 
"Nisei"
The X-Files season 3
List of episodes

"Oubliette" is the eighth episode of the third season of the American science fiction television series The X-Files , and originally aired on the Fox network on November 17, 1995. Written by Charles Grant Craig and directed by Kim Manners, "Oubliette" is a "monster of the week" story, unconnected to the series' wider mythology. It earned a Nielsen rating of 10.5 and was watched by 15.90 million people on its initial broadcast. The episode received positive reviews. Both the emotional nature of the story and David Duchovny's performance received positive critical attention.

Contents

The show centers on FBI special agents Fox Mulder (Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In the installment, a teenager named Amy is kidnapped and imprisoned by a mentally unstable photographer. Mulder discovers a psychic connection between the recently kidnapped victim and Lucy, another girl kidnapped by the same man years ago. He attempts to use the connection to help solve the investigation, but discovers that the event may be too traumatic for Lucy to handle.

"Oubliette" is the only X-Files screenplay written by Craig, who exited the writing staff before the entry was produced. The extensive outdoor filming led to several difficulties for the production crew. Amy was 12 years old in the original screenplay. The Fox network was concerned her situation was an uncomfortable parallel to the recent Polly Klaas case, resulting in her age being increased before filming could begin. Critics have complimented the thematic resonance of the kidnapping and its effect on Mulder.

Plot

In Seattle, photography assistant Carl Wade (Michael Chieffo) watches as 15-year-old Amy Jacobs (Jewel Staite) is photographed for school picture day. He becomes obsessed with her following the event, eventually kidnapping her. Her younger sister is the only witness to the incident, which takes place in their bedroom in the middle of the night. At exactly the same time, fast food worker Lucy Householder (Tracey Ellis) collapses with a nosebleed. Agent Fox Mulder (David Duchovny) investigates Amy's disappearance, drawn to the case because his younger sister, Samantha, was kidnapped in a similar situation. The investigation leads Mulder to Lucy, who was taken from her bedroom at age eight, twenty two years before, and held in a dark basement for five years before she escaped.

Mulder's partner Dana Scully (Gillian Anderson) suspects that Lucy may be connected to Amy's disappearance, based on her long criminal record and the fact that her nosebleed contained not only her blood type, but Amy's as well. In her room at a halfway house, scratches appear on Lucy's face and she experiences temporary blindness—injuries identical to Amy's, who is being tortured in the basement of Wade's cabin. The two develop an unexplainable psychic connection; everything that happens to Amy physically also happens to Lucy. Mulder tries to convince Lucy that she can help them find Amy, but she is too afraid to assist. Scully informs Mulder of their new lead in the case, the school photography assistant Wade, who was recently fired under strange circumstances. Mulder is adamant that Lucy, who admits that Wade was the man who abducted her, is not part of the kidnapping, and snaps at Scully when she suggests that Samantha's disappearance is causing him to become too involved with the case.

The investigation team receives a tip from a tow truck driver concerning Wade's location, which corresponds to the area where Lucy was found years ago. They find Wade's cabin in the woods near Easton, Washington, discovering Lucy in the basement with no clear indication of how or why she came there. Lucy begins to feel cold and wet; Mulder deduces that because of Lucy's connection to Amy, she must be at the local river. Mulder and Scully rush there to find Wade attempting to drown Amy. Back with the police, Lucy begins to drown despite not even being near water. Mulder shoots Wade while Scully attempts to perform CPR on Amy, but because of the connection it resuscitates Lucy instead. Amy lies on the riverbank, dead. Mulder continues to attempt CPR, despite Scully's protests.

Suddenly, the process is reversed; Amy recovers and Lucy dies. Overwhelmed by Lucy's sacrifice and his inability to save her, Mulder breaks down sobbing over her body. He later tells Scully he suspects that she died not only to save Amy, but to forget what Wade did to her all those years ago. [4] [5]

Production

Writing

The producers thought that Jewel Staite--who was only 13 at the time--looked old enough to play the role of a 15-year-old girl. Jewel Staite.jpg
The producers thought that Jewel Staite—who was only 13 at the time—looked old enough to play the role of a 15-year-old girl.

The screenplay for "Oubliette" was authored by Charles Grant Craig, a writer who at the time had little background or experience within television. [6] [7] Before joining the writing staff of The X-Files during the third season, his most significant writing credits included episodes for Renegade and Booker . [8] His most notable television screenplay was The New Alfred Hitchcock Presents entry "Final Escape". [9] [10] Though Craig left the staff shortly before "Oubliette" entered production for unknown reasons, he was credited as a supervising producer on several installments for the third season. [1] [11] The title was derived from the French word "oubliette", which refers to a pit-like dungeon consisting of "total darkness" with a hole that opens from the top. [12] [13]

The narrative centers on Mulder's identification with Lucy which is based on the abduction of his sister, Samantha. [11] It was decided that time would not be spent on Scully's sympathy with the victim, despite her own abduction experience in the second season episode "Ascension". [14] Despite this, Scully is gentle towards Mulder and "wanted to believe" him until the evidence pointed overwhelmingly to Lucy. [11] After that point, Scully takes on an antagonistic role, going against the wishes of her partner. [15] Though not originally included in the script, David Duchovny added the line about how his connection to the case was not just because of Samantha. [11]

Series creator Chris Carter stated that in Craig's original draft Lucy was more "hard-boiled", but actress Tracey Ellis played her as a more wounded person. [11] Fox's standards and practices department was uncomfortable with the screenplay, because it featured a 12-year-old girl being kidnapped. The network requested that she be in her late teens and that the plot would not heavily feature Amy's ordeal or suffering. [16] Jewel Staite had just turned 13 when she was cast, but the producers thought that she looked older and even applied make-up to add to that effect. [17] [16]

The reason for the concern was because the original screenplay featured similarities to the Polly Klaas case, which had received large public attention around the time of production. [17] [16] Polly Klaas was a 12-year-old girl who was kidnapped during a slumber party, and eventually strangled to death. [17] The antagonist of the episode was compared to Richard Allen Davis, the culprit of the case, who was convicted and sentenced to death for his crimes. [18] Ngaire Genge in her book The Unofficial X-Files Companion commented that "tragically, unlike Amy, Klaas didn't survive her abduction". [19]

Filming

The episode was filmed at Mount Seymour because it was the only location that met all the conditions of the crew. Mountseymour.jpg
The episode was filmed at Mount Seymour because it was the only location that met all the conditions of the crew.

"Oubliette" was shot in Vancouver, British Columbia, as were the rest of the episodes of the third season. [20] The location of the antagonist's house was an important factor during production. Craig's screenplay called for a remote house in the "middle of nowhere", but the producers required a site closer to the studio. [21] With a production crew consisting of 60 members, it was decided to use somewhere that could appear "rustic while being next to a parking lot." [21] A suitable area was found near the peak of Mount Seymour, a location that had previously been used in "Ascension". [22] The mountain featured both a parking lot and a log cabin that met the needs of the filming crew. [3] An issue arose because the mountain had a ski lift, which needed to be avoided while composing shots. [21] Over 1000 prop trees had to be brought to the filming site to camouflage surroundings, to give the atmosphere a "remote" feel. [23] [24]

The crew encountered a larger issue with the contract with the Provincial Park committee. The park required a seven-day notice before filming of any kind was approved. [23] The production manager had to contact the park Representative directly, who assured him that their needs would be met. [23] For the final sequence, both the Capilano River and Lynn Headwaters were considered; however, the Seymour River was ultimately chosen because it was the safest filming location. [23] The filming of the episode was plagued by rain and heavy weather conditions. In one example, while directing the climax, the river had risen by four or five inches, causing the crew to move to another position to shoot at a week later. [17] This cost the crew several days worth of production and a large sum of money. [17] [23] Shooting conditions were further complicated because shoots involving water are notably difficult, requiring a new set of costumes for each take. [17]

Because of the extensive outdoor shooting, director Kim Manners hated directing the episode, commenting that "it couldn't be fucking worse." [23] Despite a negative experience with shooting on the mountain, the episode "Gethsemane" from the fourth season was filmed there with similar issues. [25] [26] Gillian Anderson's stand-in Bonnie Hay, who appears in a cameo, previously played a doctor in both "Colony" and "End Game" and a nurse in "D.P.O.". [27]

Jewel Staite spoke positively of her co-star Michael Chieffo, saying: "I do remember the man, Michael [Chieffo], who played my kidnapper was so lovely and so concerned that I would feel scared of him, I guess, or uncomfortable around him that he made an effort to be very sweet and warm with me, which my mom appreciated. I think my mom thought [it] was really classy of him." [28]

Themes

The kidnapping of Amy shares several similarities with the abduction of Mulder's sister. [29] Mulder's sister Samantha was abducted by aliens when Mulder was a child, before the timeline of The X-Files. [30] Both Amy and Lucy are kidnapped and victimized by the same abuser, who represents the "logic of duplication". [31] [32] Wade treats both girls in virtually identical ways, kidnapping them and photographing them obsessively in the same manner. [33] David Lavery in Deny All Knowledge asserts that Mulder is capable of seeing beyond "simple equivalents", caring about each individual girl separately. [31] Lavery argues that this grants Mulder the ability to separate the case from his own personal experience with his sister. [31] The scene that best exemplifies this trait is when Mulder attempts to comfort Amy's mother following her daughter's kidnapping. Mulder comments that he "knows how she feels", not because of what happened to his sister, but because he can identify with her general sense of loss. [34] Thematic elements concerning the concept of "remote viewing"—the paranormal ability to perceive feelings from a distance—are later explored in greater detail in the fifth season installment "Mind's Eye". [35]

Broadcast and reception

The performance by David Duchovny as Fox Mulder received positive reviews from critics. Several critics viewed that he brought warmth to the character. David Duchovny 2011 Shankbone.JPG
The performance by David Duchovny as Fox Mulder received positive reviews from critics. Several critics viewed that he brought warmth to the character.

"Oubliette" was first broadcast on the Fox network on November 17, 1995. [36] It earned a Nielsen rating of 10.2, with a 17 share, meaning that roughly 10.2 percent of all television-equipped households, and 17 percent of households watching television, were tuned in to the episode. It was watched by a total of 15.90 million viewers. [37]

"Oubliette" received mostly positive reviews from critics. Emily VanDerWerff of The A.V. Club assessed it as a "B+", commenting that it "belongs to a subcategory of X-Files episodes that can often be more satisfying than the usual categories" due to the villain being a human being. [38] She described it as "impressively dark and occasionally moving", and praised the cinematography, editing, and storytelling. However, she was critical of Ellis's performance as Lucy, finding that her characterization did not fit the character, and she noted that the installment fell into the trope of using women as victims. [38] Paula Vitaris from Cinefantastique gave the program three and a half stars out of four. She felt that Mulder and Lucy's relationship was "believable" and, in contrast to VanDerWerff, thought that Ellis's performance was "perfect". [11]

Robert Shearman, in his book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated "Oubliette" five stars out of five. While writing that it was a difficult episode to watch, given how closely it paralleled the real world, Shearman wrote that "Oubliette" was "nevertheless one of the series' boldest and greatest achievements". [39] The author praised the depth of Mulder's characterization as well as Duchovny's performance. [39] Entertainment Weekly gave "Oubliette" a grade of "B−", stating that the plot wasn't as scary as it could have been considering the subject matter, positively critiquing that the episode was "worth it for Lucy's channeling sequences". [40] The review also criticized Scully's "aggressive I'm-not-buying-it mode". [40]

Writer Sarah Stegall awarded the entry five out of five, commenting that the subject matter made it hard for her to watch, as a mother herself. [15] She praised the characterization of Mulder, and the performance by Duchovny, commenting that he brought warmth to the plot. Stegall positively described Mulder as "a truly gentle man who can show compassion without being maudlin about it", but wrote negatively about Scully, who seemed "antagonistic" towards the well-meaning Mulder, and the scene in which Scully "makes a half-hearted attempt to resuscitate [Amy] before giving up". [15] Duchovny was particularly pleased with his work in the episode, feeling that it was amongst his best acting performance during the entire run of The X-Files. He later cited the episode as one of his favorites. [41]

Footnotes

  1. 1 2 Goodwin, R.W.; et al. (2001). The X-Files: The Complete Third Season (booklet). Los Angeles: 20th Century Fox.
  2. "The X-Files, Season 3". iTunes Store . Apple. September 10, 1993. Retrieved August 28, 2012.
  3. 1 2 Hatfield (1997), p. 29
  4. "The X-Files: Oubliette (1995)". AllMovie . All Media Guide . Retrieved November 27, 2009.
  5. Hatfield (1997), p. 194.
  6. Kenneth Muir (2001), p. 374.
  7. Hatfield (1997), p. 392.
  8. "Charles Grant Craig". Movies & TV Dept. The New York Times . Archived from the original on January 30, 2013. Retrieved April 6, 2012.
  9. M. Lentz (2001), p. 1723.
  10. Kenneth Muir (2001), p. 149.
  11. 1 2 3 4 5 6 Vitaris, Paula (October 1996). "The X-Files Season Three Episode Guide". Cinefantastique . 28 (3): 16–62.
  12. Hatfield (1997), p. 252.
  13. Lowry (1996), p. 120.
  14. Keegan, John. "Ascension". Critical Myth. Archived from the original on August 12, 2010. Retrieved November 8, 2010.
  15. 1 2 3 Stegall, Sarah (1996). "Oubliette". The Munchkyn Zone. Archived from the original on April 18, 2012. Retrieved November 21, 2012.
  16. 1 2 3 Lowry (1995), p. 121.
  17. 1 2 3 4 5 6 Lowry (1995), p. 120.
  18. "Before Being Sentenced to Die, Killer Disrupts a Courtroom". The New York Times. September 27, 1996. Retrieved April 8, 2012.
  19. Genge (1995), p. 79.
  20. Vitaris, Paula (October 1998). "X-Files: A Mixed Bag of Episodes and a Feature Film Pave the Way for Season Six". Cinefantastique. 30 (7/8): 27.
  21. 1 2 3 Gradnitzer & Pittson (2002), p. 90.
  22. Gradnitzer & Pittson (2002), p. 66.
  23. 1 2 3 4 5 6 Gradnitzer & Pittson (2002), p. 91.
  24. Lowry (1996), p. 21.
  25. Meisler (2000), p. 270.
  26. Murray, Graham; Maier, Rob (2001). "Behind the Truth: Ice Cave". The X-Files: The Complete Fourth Season (DVD featurette). Los Angeles: 20th Century Fox.
  27. Lowry (1995), p. 119.
  28. Hoare, James (June 1, 2022). "Firefly & Stargate | Watch Jewel Staite: Uplifting Women in Film & TV Full Video Interview". The Companion. Archived from the original on June 4, 2022. Retrieved June 2, 2022.
  29. Goldman (1997), p. 93.
  30. Handlen, Zack (August 15, 2008). "Little Green Men/The Host/Blood". The A.V. Club . Retrieved November 9, 2011.
  31. 1 2 3 Lavery (1996), p. 203.
  32. Genge (1995), p. 78.
  33. Macintyre (1997), p. 108.
  34. Hatfield (1997), p. 169.
  35. Vitaris, Paula (October 1998). "Fifth Season Episode Guide". Cinefantastique . 30 (7/8): 29–50.
  36. Mitchell (1996), p. 264.
  37. Lowry (1995), p. 251.
  38. 1 2 VanDerWerff, Emily (July 18, 2010). "The Walk/Oubliette/Nisei". The A.V. Club. Retrieved August 2, 2019.
  39. 1 2 Shearman (2009), pp. 63–64.
  40. 1 2 "X Cyclopedia: The Ultimate Episode Guide, Season III". Entertainment Weekly . November 29, 1996. Archived from the original on March 3, 2012. Retrieved May 16, 2012.
  41. Strachan, Alex (January 27, 2009). "Kim Manners, Vancouver director of X-Files, Supernatural, dies". Vancouver Sun . Archived from the original on June 27, 2010. Retrieved May 29, 2012.

Bibliography

Related Research Articles

Pilot (<i>The X-Files</i>) Pilot episode of The X-Files

"Pilot" is the pilot episode of the science fiction television series The X-Files. The episode aired on September 10, 1993, on the Fox network in the United States and Canada. The episode was written by series creator Chris Carter, and directed by Robert Mandel. As the pilot, it would set up the mythology storyline for the series. The episode earned a Nielsen rating of 7.9 and was viewed by 7.4 million households and 12.0 million viewers. The episode itself was generally well received by fans and critics alike, which led to a growing cult following for the series before it hit the mainstream.

"The Jersey Devil" is the fifth episode of the first season of the American science fiction television series The X-Files, premiering on the Fox network on October 8, 1993. It was written by series creator Chris Carter, directed by Joe Napolitano, and featured guest appearances by Gregory Sierra, Wayne Tippit and Claire Stansfield. Although the episode is the series' second "Monster-of-the-Week" story—after the earlier "Squeeze"—it was the first to have been written by Carter.

Space (<i>The X-Files</i>) 9th episode of the 1st season of The X-Files

"Space" is the ninth episode of the first season of the American science fiction television series The X-Files, premiering on the Fox network on November 12, 1993. It was written by series creator Chris Carter, directed by William Graham, and featured guest appearances by Ed Lauter and Susanna Thompson. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Space" earned a Nielsen household rating of 6.5, being watched by 6.1 million households in its initial broadcast, and received negative reviews from critics.

"Fire" is the twelfth episode of the first season of the American science fiction television series The X-Files, premiering on the Fox network on December 17, 1993. It was written by series creator Chris Carter, directed by Larry Shaw and featured guest appearances by Mark Sheppard and Amanda Pays. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Fire" earned a Nielsen household rating of 6.8, being watched by 6.4 million households in its initial broadcast; and received mostly positive reviews from critics.

"Gender Bender" is the fourteenth episode of the first season of the American science fiction television series The X-Files, premiering on the Fox network on January 21, 1994. It was written by Larry and Paul Barber, directed by Rob Bowman, and featured a guest appearance by Nicholas Lea, who would later appear in the recurring role of Alex Krycek. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' overarching mythology.

"Lazarus" is the fifteenth episode of the first season of the American science fiction television series The X-Files, premiering on the Fox network on February 4, 1994. It was written by Howard Gordon and Alex Gansa, directed by David Nutter, and featured guest appearances by Cec Verrell and Christopher Allport. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Lazarus" earned a Nielsen household rating of 7.6, being watched by 7.2 million households in its initial broadcast; and received mixed reviews from critics.

<span class="mw-page-title-main">F. Emasculata</span> 22nd episode of the 2nd season of The X-Files

"F. Emasculata" is the twenty-second episode of the second season of the American science fiction television series The X-Files. It first premiered on the Fox network in the United States on April 28, 1995. It was written by series creator Chris Carter and staff writer Howard Gordon, and directed by Rob Bowman. "F. Emasculata" received a Nielsen rating of 8.9 and was watched by 8.5 million households. The episode received mixed reviews from television critics.

Little Green Men (<i>The X-Files</i>) 1st episode of the 2nd season of The X-Files

"Little Green Men" is the first episode of the second season of the science fiction television series The X-Files, premiering on the Fox network on September 16, 1994, in the United States and on BBC Two in the United Kingdom on August 28, 1995. The episode was written by Glen Morgan and James Wong, and directed by David Nutter. The episode helped explore the series' overarching mythology. "Little Green Men" earned a Nielsen household rating of 10.3, being watched by 9.8 million households in its initial broadcast. The episode received largely positive reviews from critics.

Ascension (<i>The X-Files</i>) 6th episode of the 2nd season of The X-Files

"Ascension" is the sixth episode of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on October 21, 1994. It was written by Paul Brown, directed by Michael Lange, and featured guest appearances by Steve Railsback, Nicholas Lea, Steven Williams and Sheila Larken. The episode helped explore the series' overarching mythology.

"3" is the seventh episode of the second season of the American science fiction television series The X-Files. First broadcast on the Fox network on November 4, 1994, the episode was written by Glen Morgan, James Wong and Chris Ruppenthal, directed by David Nutter, and featured guest appearances by Perrey Reeves and Malcolm Stewart.

"Red Museum" is the tenth episode of the second season of the science fiction television series The X-Files. It premiered on the Fox network on December 9, 1994. It was written by Chris Carter, directed by Win Phelps, and featured guest appearances by Steve Eastin, Mark Rolston, Paul Sand, Bob Frazer, and Robert Clothier. The episode helps to explore the series' overarching mythology. "Red Museum" earned a Nielsen household rating of 10.4, being watched by 9.9 million households in its initial broadcast. The episode received mixed to positive reviews from critics.

<span class="mw-page-title-main">Død Kalm</span> 19th episode of the 2nd season of The X-Files

"Død Kalm" is the nineteenth episode of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on March 10, 1995. The story was written by Howard Gordon, the teleplay was written by Gordon and Alex Gansa, and the episode was directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Død Kalm" earned a Nielsen household rating of 10.7, being watched by 10.2 million households in its initial broadcast. The episode received mostly mixed-to-positive reviews.

Anasazi (<i>The X-Files</i>) 25th episode of the 2nd season of The X-Files

"Anasazi" is the twenty-fifth episode and season finale of the second season of the American science fiction television series The X-Files. It premiered on the Fox network on May 19, 1995. It was written by series creator Chris Carter based on a story he developed with lead actor David Duchovny. The episode was directed by R. W. Goodwin, and featured guest appearances by Peter Donat, Nicholas Lea, Mitch Pileggi and Floyd Red Crow Westerman. The episode helped explore the overarching mythology, or fictional history of The X-Files. "Anasazi" earned a Nielsen household rating of 10.1, being watched by 9.6 million households in its initial broadcast; and received positive reviews from critics.

"The Blessing Way" is the first episode of the third season of the American science fiction television series The X-Files. It premiered on the Fox network on September 22, 1995. It was directed by R.W. Goodwin, and written by series creator Chris Carter. "The Blessing Way" featured guest appearances by Floyd Red Crow Westerman, Peter Donat and Jerry Hardin, and introduced John Neville as the Well-Manicured Man. The episode helped explore the overarching mythology, or fictional history of The X-Files. "The Blessing Way" earned a Nielsen household rating of 12.3, being watched by 19.94 million people in its initial broadcast. The episode received mixed-to-positive reviews from critics.

"Grotesque" is the fourteenth episode of the third season of the science fiction television series The X-Files and the show's 63rd episode overall. It premiered on the Fox network in the United States on February 2, 1996. It was written by Howard Gordon and directed by Kim Manners. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Grotesque" earned a Nielsen household rating of 11.6, being watched by 18.32 million people in its initial broadcast. The episode received mostly positive reviews from television critics.

<span class="mw-page-title-main">Hell Money</span> 19th episode of the 3rd season of The X-Files

"Hell Money" is the nineteenth episode of the third season of the science fiction television series The X-Files and 68th episode overall. It premiered on the Fox network in the United States on March 29, 1996. It was written by Jeffrey Vlaming and directed by Tucker Gates, a and featured guest appearances by BD Wong, Lucy Liu, Michael Yama, and James Hong. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Hell Money" earned a Nielsen household rating of 9.9, being watched by 14.86 million people in its initial broadcast. The episode received mostly mixed to positive reviews from television critics.

Quagmire (<i>The X-Files</i>) 22nd episode of the 3rd season of The X-Files

"Quagmire" is the twenty-second episode of the third season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on May 3, 1996. It was written by Kim Newton and directed by Kim Manners. The episode is a "monster of the week" story, unconnected to the series' wider mythology. "Quagmire" earned a Nielsen household rating of 10.2, being watched by 16 million viewers in its initial broadcast. The episode received mostly positive reviews from television critics.

<span class="mw-page-title-main">The Pine Bluff Variant</span> 18th episode of the 5th season of The X-Files

"The Pine Bluff Variant" is the eighteenth episode of the fifth season of the American science fiction television series The X-Files. It was written by John Shiban and directed by Rob Bowman. The episode aired in the United States on May 3, 1998 on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology, or fictional history. "The Pine Bluff Variant" received a Nielsen household rating of 11.4 and was watched by 18.24 million viewers in its initial broadcast. It received largely positive reviews from television critics as well as fans on the internet.

Folie à Deux (<i>The X-Files</i>) 19th episode of the 5th season of The X-Files

"Folie à Deux" is the nineteenth episode of the fifth season of American science fiction television series The X-Files. It was written by Vince Gilligan and directed by Kim Manners. The episode originally aired on May 10, 1998, in the United States on the Fox network. The episode is a "Monster-of-the-Week" story, a stand-alone plot which is unconnected to the series' wider mythology, or fictional history. The episode earned a Nielsen household rating of 11.0, being watched by 17.63 million viewers upon its initial broadcast. It received largely positive reviews from critics.

"Conduit" is the fourth episode of the first season of the American science fiction television series The X-Files. It premiered on the Fox network on October 1, 1993. It was written by Alex Gansa and Howard Gordon, directed by Daniel Sackheim, and featured a guest appearance by Carrie Snodgress as the mother of an abducted teenager.