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Cleopatra was the last active Ptolemaic ruler of Egypt before it became a Roman province.
Domenico Cimarosa was an Italian composer of the Neapolitan School and of the Classical period. He wrote more than eighty operas, the best known of which is Il matrimonio segreto (1792); most of his operas are comedies. He also wrote instrumental works and church music.
Il matrimonio segreto is a dramma giocoso in two acts, music by Domenico Cimarosa, on a libretto by Giovanni Bertati, based on the 1766 play The Clandestine Marriage by George Colman the Elder and David Garrick. It was first performed on 7 February 1792 at the Imperial Hofburg Theatre in Vienna in the presence of Emperor Leopold II.
Artemisia may refer to:
Giuseppe Farinelli was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include I riti d'Efeso, La contadina bizzarra and Ginevra degli Almieri. More than 2/3 of his operas were produced between 1800 and 1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat Mater, a Salve Regina, a Tantum ergo, numerous motets, and several other sacred works.
La Cleopatra (1789) is an opera seria in two acts by composer Domenico Cimarosa with an Italian libretto by Ferdinando Moretti.
Le astuzie femminili is a dramma giocoso in four acts by Domenico Cimarosa with an Italian libretto by Giuseppe Palomba. The opera buffa premiered at the Teatro dei Fiorentini in Naples, Italy, on 26 August 1794. The opera was subsequently performed in Barcelona in 1795, Lisbon in 1797, Vienna in 1799, Paris in 1802, and London in 1804, remaining popular during the first quarter of the nineteenth century. Although not performed often today, the opera is still occasionally revived and a number of recordings have been made.
La finta parigina (The false Parisienne) is an opera buffa in 3 acts by Domenico Cimarosa with an Italian libretto by Francesco Cerlone. The opera premiered at the Teatro Nuovo in Naples, in 1773.
Le donne rivali is an intermezzo in two acts by composer Domenico Cimarosa with an Italian libretto by a now unknown poet. It is speculated that Giuseppe Petrosellini may have been the author of the libretto. The opera premiered at the Teatro Valle in Rome during Carnival in 1780. The original choreography was created by Alberto Cavos, the original costumes by Antonio Dian, and the original scenery by Domenico Fossati. In accordance with Papal law on theatre in Rome, the premiere cast was all-male.
Gioseppa Maria Camilla, commonly known as GiuseppinaGrassini was a noted Italian dramatic contralto, and a singing teacher. She was a celebrity of considerable stature, noted for her beauty and regarded as one of the best singers in Europe. Giuseppina was also known for her affairs with Napoleon and the Duke of Wellington. She sang in various productions by composers such as Cimarosa, Cherubini and Zingarelli.
Gli Orazi e i Curiazi is an opera in three acts composed by Domenico Cimarosa to a libretto by Antonio Simeone Sografi, based on Pierre Corneille's tragedy Horace.
Ferdinando Orlandi, also referred to as Orland and Orlando. Little is known of his early life and his year of birth is also cited as 1777. He was an Italian musician and teacher of singing who composed cantatas and sacred music, but was particularly known for his operas, not all of which have survived. He was born and died in Parma.
Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894.
L'Italiana in Londra is one of eight comic operas, termed intermezzi, which Domenico Cimarosa wrote between 1777 and 1784 for the Teatro Valle, a handsome neo-classical Roman theatre built in 1726, which still stands today.
António Leal Moreira was a Portuguese Classical composer and organist. He composed a large number of operas, most of which were premiered in Lisbon; much of the rest of his output is sacred, though he composed a handful of symphonies as well. One of his works, Sinfonia para a Real Basílica de Mafra, is an organ symphony composed specifically for the 6 organs of Mafra National Palace's Basilica.
Le stravaganze del conte is the first opera by Italian composer Domenico Cimarosa. The comic opera was first performed at the Teatro de' Fiorentini at Naples in 1772.
Giuseppe Petrosellini was an Italian poet and prolific librettist working primarily in the dramma giocoso and opera buffa genres.
Il ritorno di Don Calandrino, also known as Armidoro e Laurina, is an intermezzo in two acts by Domenico Cimarosa to an Italian libretto presumably written by Giuseppe Petrosellini.
Giunio Bruto is a two-act opera seria in two acts by Domenico Cimarosa to a libretto by Eschilo Acanzio, composed in 1781.
References
- Notes
- Sources
- Rossi, Nick and Talmage Fauntleroy (1999). Domenico Cimarosa: his Life and Operas. Westport CT and London: Greenwood Press. ISBN 0-313-30112-3
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